Does diversifying your writing offer a book marketing advantage?

At the Triskele LitFest

It’s generally accepted that it’s easier to market a series of novels than separate, stand-alone ones.

It’s also more fun to write as you can introduce more entanglements and conflicts across several books. 😉

But if you already write a novel series you can expand their reach further by offering […]

Conflicting emotion

Conflict and emotion are two pillars of fiction writing whether in high-end literary fiction or the most melodramatic genre fiction.

A story will often start by providing the main character with a conflict, be it professional or personal. Sometimes it’s the place where the initial event is set (weather, nighttime, urban, with unlit streets), a […]

Continuous change in writing

You’d think that once in print, on paper or digitally, a piece of written work was finished. Well, no. Revised editions, additional content and reworking show that change is continuous. In fact, change is all around us; time, seasons, weather, people moving in, moving out, governments, friends, cars, shops, children, relationships. One of the […]

Speculative heroines

Some reflections for International Women’s Day…

All fictional characters are, er, fictional. We borrow, mine, or lift characteristics from Real Life, but unless we want to get sued, the finally moulded form is a construct. We can gender mirror (I love using that expression – also made up), we can speculate, we can imagine.

Ditto […]

How to write a 'damnèd, smiling villain'

Octavian (Author photo) Shakespeare’s Young Octavius

O villain, villain, smiling, damnèd villain! My tables—meet it is I set it down That one may smile, and smile, and be a villain— At least I am sure it may be so in Denmark. (Hamlet, Wm.Shakespeare)

“And some that smile have in their hearts, I fear, Millions […]