It was far too quiet. Only an occasional owl call, the odd flutter of feathers and pitter-patter of a small night creature. Sure, the training area was literally kilometres from anywhere, somewhere called Norfolk, but a hundred people couldn’t stay that quiet, not even – arguably – the best special forces in the world. Beside me, the two centurions, Livius and Paula Servla, were motionless; I couldn’t even hear them breathe. I peered through the face veil hanging from my helmet. My eyesight was still good at thirty-nine, but I didn’t see a thing in the dawn light. I relaxed; we had a full five minutes before we needed to move.
I’d been crazy to agree to take part in this exercise; I’d sat at a desk for too long. Commanding Operations did not mean taking part in every exercise. It’d been my vanity that made me put myself down for the ultimate – training with the British special forces. No, against them. Even more insane. I was no slouch and worked hard to keep my fitness up, but I really should have left it to the super-fit like Paula and Livius and, of course, Flavius. But a small country like ours didn’t refuse such invitations twice and the competition to be picked for this exercise had been near lethal.
Each year we invited a small number of allied countries’ special troops to Roma Nova to take part in our annual fitness-for-purpose exercise; thanks to our legate’s connections, there’d always been some British. Very effective and highly competent, they were reserved at first, like they’d swallowed some kind of ‘how to behave abroad’ manual, but by the end of the week, they’d usually relaxed. But this was a first for us to have an exclusive exercise with them, and on their ground.
The first night we’d arrived, we’d had all the ‘swords and sandals’ cracks in the bar from those who’d never met us. Sandwiched between New Austria and Italy, people thought Roma Nova was a cross between the Sound of Music and Gladiator with a dash of Ruritania thrown in. But when their commander welcomed us formally the next morning, he told the assembled host troops aboutour sixteen-hundred-year traditions and that the Praetorian Guard Special Forces were just as fearsome as they’d heard. And that Roma Nova had survived, clawing its way through the centuries, was in no small part down to the Praetorians. The British grunts tried not to appear impressed, but I saw a little more respect in their eyes after that.
Livius lifted his index finger a few millimetres from his rifle and glanced over at me. I gave a hint of a nod. Ahead of Paula and me by a body length, he started crawling forward. Using our elbows, we pulled ourselves behind and a little to each side of him across the forest floor covered in pine-needles. Three others, Allia, Gorlius and Pelo, followed in the same arrow formation. Reaching the crest of the washed-out shallow valley, we spread out behind it and froze.
After five minutes watching and listening, I nodded and Livius took Allia and Pelo into the trees behind us and set off for the other side of the depression. Raising my hand a couple of centimetres from the sandy ground, I signalled Paula to maintain position here. I grabbed my assault rifle and in a crouching run made my way to the dip twenty metres away at the entrance. I glanced up to see Gorlius scrambling up into one of the trees behind Paula to act as lookout. As he drew one of the new individual cam nets over himself, he disappeared. I pointed my pocket scope up at him. Even his heat signature was pretty near neutral. Expensive but impressive. Now we waited out ten minutes to let the wildlife settle back down.
‘Contact.’
That one word hissed in my earpiece told me Gorlius had spotted them. We’d tabbed to this location by forced march – an old Roman tradition – so we could surprise them. And there they were, walking single file, sweeping their route with their eyes and weapons, watchful, but not wary. Too professional to make any unnecessary noise, they were nevertheless a little over-relaxed.
Their commander sent two ahead to check. Now they concentrated, their weapons raised and arms and legs tensed. Just before they reached the edge of the depression, one turned back to the commander and shook his head.
Livius dropped the two of them in rapid succession. Allia and Pelo launched at the main group from the far point and downed another three between them. Paula slammed the radio operator to earth, pinioning his flailing arms and legs. Gorlius fell on twoothers. I tripped the last one as he tried to escape and jammed my weapon in his throat as he attempted to struggle up. I didn’t need to look at my watch to know we’d done it in under two minutes. Hm, slowing up.
We secured and tagged them. While Livius and Pelo swept the back area for a possible second patrol, Paula scanned their radio with an electronic logger.
‘Can’t see any transmission within the past ten,’ she said, looking up. ‘But I think they check in every thirty.’ She spoke in fast street Latin in case any of these clever boys turned out to be linguists.
I turned to their officer, Lieutenant Wilson, from his jacket tab. ‘Now, Lieutenant, I hope we’re not going to go formal here. I just need you to confirm the time of your next radio check.’
‘Not a chance in hell.’ His eyes half closed and he snorted.
I sighed and signalled Allia forward. From her sleeve pocket she extracted a slim tin containing two syringes and an ampoule, knelt down by the officer, prepared a needle and waited for my confirmation.
Wilson drew back. ‘What the fuck is that?’
‘A fast acting relaxant that‘ll have you chirruping like a mongoose on holiday. No permanent effect, you may be a little disorientated for ten to fifteen minutes afterward. We need to move on now, so I can’t wait for you to have a mothers’ meeting about whether to tell me.’ I nodded and Allia pulled his sleeve up, jabbed the skin and depressed the tiny plunger.
I counted to twenty before I stood over him and asked again, ‘Time of next radio check?’
‘Get—no, not—’ Sweat broke out on his face with the effort of defying the chemical. ‘Twenty, no—, twenty-two. No—’. He dropped his head as if humiliated, but it wasn’t his fault.
We now had a generous margin before any alarm was given. Paula threw the opposition’s radio batteries into the woods. Allia checked out the other captives, but they only had hurt pride and a few bruises. We looped a line through their cable-tied hands, securing it to a tree and left with mildly obscene curses and promises of revenge behind us.
Setting off north at a fast march, we circled around after five minutes to parallel the trail for the exercise headquarters. We’d finished our tasks half a day early. Now we’d eliminated our closest rivals, I figured we’d be the first team back. After three days out in the field, we were looking forward to hot food and a chance to clean up properly.
Allia jogged beside me and I could see a question ready to burst out. She was very young, around twenty, and this was her first time on overseas exercise. I checked the proximity sensor; no biosignatures apart from ours for at least three kilometres.
‘What is it, Allia?’ I whispered. ‘It’s okay, just keep your voice down, though.’
‘Why are they all men, ma’am? I mean, I saw some women at the start, but only a very few and we haven’t come across any out in the field.’
‘Western forces don’t generally have women in front line combat units, and only a few in their special forces. You’ll probably see more in the American military, if you ever go there.’
I saw the disbelief on her face. I smiled at her, but said nothing. I wanted to conserve my strength and wind.
Read the next excerpt here.
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out next Tuesday!
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Writing a book is hard work but a privilege. Sitting down, slogging away, oblivious to neck and shoulders becoming rigid, you ignore the blurring eyes, the headache creeping up over the crown of your head because you are lost in the imaginary country of your book’s world.
Your characters smell the pines, shiver at the fresh mountain air and grumble about hot, tired feet enclosed in hiking boots. In the town, they swerve to avoid the bad guys chasing them, curse at the traffic holding them back, shudder when another car screeches, hitting the paintwork of their car.
The heroine’s heart thumps on the adrenaline high of the chase, or melts as her child’s arms encircle her neck and hug her tight, or her lover’s eyes travel up and down her body, settling on her face, and he smiles warmly at her with eyes full of love.
Publishing a book is when you wrench yourself out of that world and enter the long, long process of edits, production and consultations. But when you first see the cover proof, you know exactly how your heroine feels in the heart-thudding department. When I opened the .PDF file for INCEPTIO, I sat speechless, my eyes fixed on the computer screen, marvelling at the beauty of the rich imperial purple and gold design blending modern graphics with strong Roman symbols.
I was excited when I received the shipping notice but when door bell sounded 36 hours later, I ran up the stairs from my basement office like an Olympian in training and flung open the heavy wooden door to find a smiling courier with four boxes of books. It was exactly the same sensation when PERFIDITAS arrived.
Telling all your friends about it is mildly embarrassing at first, but exciting – just watch their faces! They find it hard to believe that you, their friend, has written a book, and such a beautiful book, too!
They sit entranced at your launch; they’re desperate to glimpse inside your imagined world and to know the story of how this came to be.
Selling your book is the biggest thrill, not just receiving the note or coins, although that’s very nice, thank you. You are handing your world over to be shared, loved and hopefully cherished. When the reviews come, you worry about reading them. But when a true fan emails you direct, tweets or posts about how much they enjoyed your book, and how it now ranks in their top books, your (rather over-worked) heart nearly bursts with joy (and pride)!
Publishing SUCCESSIO is the third time I’ve experienced this, and believe me, the work doesn’t get any less, but the fun and thrills don’t either. If you’re a reader, the door will be open to a new Roma Nova adventure on 3 June. If you’re a writer as well, never stop the hard work because seeing and feeling your book in your hands will make you laugh and cry with pleasure for years.
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out June 2014.
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Today, I’m delighted to welcome Nik Morton (no relation!), who also writes as Ross Morton and a few other names besides… Ex-Royal Navy, ex-IT, expat living in Spain, he works as an editor and writer of short stories, articles and novels. Added to this he draws cartoons and illustrates comics, stories and magazine covers. To date, he has 20 books published, the latest of which is Sudden Vengeance, out this last week. As he writes thrillers in a modern historical context, I asked him to give us his perspective on history.
At school – a long, long time ago – history was one of my favourite subjects. The others were English, Geography and Art. I’d draw images from the past – using statues or photos – to illustrate my essays; maybe it was an excuse just to draw! The history bug never left me, however. I read voraciously, not only fiction but non-fiction. I devoured the books spawned by the Second World War – Carve Her Name With Pride, Odette, Boldness Be My Friend, etc. – and books about Empire. The Washing of the Spears by Donald R. Morris and Shaka Zulu by E.A. Ritter being a couple. Little did I realise I would eventually serve on the RN frigate HMS Zulu and visit Zululand some years later. Fiction informed me about history too. I enjoyed the Flashman books, and the Dennis Wheatley novels; I recall a teacher pointing out to the class that fiction writers bring the past alive, more than dry history books. Of course, the authors have to use those ‘dry history books’ in their research, and usually give credit where due.
I started writing when I was about fourteen, on a Remington portable typewriter. I’d written two novels by age sixteen, but they had little to do with history. It was a long haul from those days to now. Still, I soon became aware that the times we were living in – the 1960s – were historic. Silly, really, since whatever period we live in the now, it will become history. But that’s the point. We are history.
When I started writing in earnest (a small county of the mind), I began researching material. My first serious foray was in 1975, delving into Czechoslovakia. A troubled country that had more than its fair share of history by then already – and more to come, of course. I suppose that’s when I caught the bug. The book was eventually put aside until later, and I researched other interesting material – the history of psychical research, for example. That story, which began as a short piece, grew and grew over the years and became the first in a series about a psychic spy, Tana Standish. A series about the 1970s and 1980s – history I’d lived through. The series covered the 1968 Soviet invasion of Czechoslovakia, the toppling of the Shah during the Islamic Revolution of Iran, the Soviet ‘invasion’ of Afghanistan, and the Falklands War; the series is projected to cover many other events in our recent past.
Concurrently with that series, I wrote about a nun who used to be a policewoman. It’s not unusual for nuns to take orders from varied walks of life. Her journey harked back to her past, when she was a policewoman. That’s the beauty of fiction – you can flashback to crucial events that shape the protagonist – delve into their personal history. The invented order that Sister Rose joined had a history going back some hundred years and the nuns suffered greatly for their cause.
 Western books!
History beckoned in another guise, more or less at the same time. I embarked on my first Western. I’d hankered after writing a Western for many years but didn’t believe I could be authentic enough. Fortunately, research and maturity helped and I’ve had seven Westerns published to date – plus a guide on how to write a Western in 30 days! The Old West is history and is rich in material and true-life stories that can be adapted for fiction. Several of these novels are built on a present that is being warped by events in the past; history will have its say.
So will history always catch us in the end? What do you think?
Find out more about Nik here…
Website – www.freewebs.com/nikmorton
Twitter – @nik_morton
Blog – http://nik-writealot.blogspot.com
http://auguries-magazine.blogspot.com
Facebook – nik.morton.10@facebook.com
Goodreads – http://www.goodreads.com/Nikmorton
What’s Nik’s latest book, Sudden Vengeance about?
When justice fails, a vigilante steps forward.
In the broken Britain of today, faith in the police is faltering. Justice and fairness are flouted. Victims are not seen as hurt people but simply as statistics.
Paul’s family is but one example of those victims of unpunished criminals. In the English south coast town of Alverbank, many others are damaged and grieving. It cannot go on. There has to be a response, some way of fighting back.
A vigilante soon emerges and delivers rough justice, breaking the bones and cracking the heads of those guilty individuals who cause pain without remorse.
Who is the vigilante? He – or she – is called the Black Knight. The police warn against taking ‘the law into your own hands’. But the press laud the vigilante’s efforts and respond: ‘What law?’
Will the Black Knight eventually cross the line and kill?
Paul and his family seem involved and they are going to suffer…
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out June 2014.
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Oo-er! The SUCCESSIO paperback is starting to appear in online shops…
 
(It’s in euros because that’s my local currency 😉 )
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out June 2014.
If you enjoyed this post, do share it with your friends!
 Steampunk themed photo: Kyle Cassidy
When people ask me about my books, I say ‘Thrillers – alternative history thrillers.’
‘Oh, steampunk, then?’
I gnash my teeth, but put on a pleasant smile.
‘No, actually, they’re adventure stories set in our world, but where history evolved alternatively.’
‘Oh, steampunk, then?’
’No, that’s more fantastical and based on Victorian technological ideas.

My alternative history world exists in the 21st century based on the difference caused by a small dissident Roman colony surviving from ancient times.’
‘Oh, not steampunk, then?’
‘No, steampunk is a separate sub-genre of science fiction with steam-powered machinery, inspired by industrialised society of the 19th century. Recently, it’s expanded from the Victorian period into American West or post-apocalyptic-themed, sometimes off-world.’
’So it’s not alternative history?’
‘In a way, because it’s one version of a possible historical development, but often with fantasy elements such as fairies and other planets which tip it more into fantasy or science-fiction proper.
Alternative history, on the other hand, can include every period where the time-line changed but isn’t fantasy. Favourites are what if the Spanish Armada had succeeded in invading England or if the Nazis had won the Second World War as in Robert Harris’s Fatherland.’
‘God, it’s complicated!’
‘If you want a great example of steampunk that really defines the genre, read Liesel Schwarz’s Chronicles of Light and Shadow. Here’s the first one – A Conspiracy of Alchemists.’
‘Okay, good tip.’
She picks up INCEPTIO and PERFIDITAS and hands over 22€. I smile and wish her happy reading.
She turns and asks, ‘So when are you going to write a proper steampunk story?’
I collapse on to my chair and weep.
Much more detail here on what alternate history is really about.
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.
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