Writing is bad for you

despairThere, I’ve said it. I’m deep in the last third of my sixth book and I should know better. The crisis is coming, the characters’ nerves are shot and all I see is failure and death. I can’t sleep more than five hours nor stop thinking about those poor souls living under oppression or the brave efforts of our heroine to attempt to liberate them.

Every obstacle seems to be in their way. But I’m the one who put them there. The heroine’s lover has disappeared, their group is running out of money, their cause is met with sympathy, polite indifference, sometimes hostility. And the villain is in their minds, corrupting their normality.

Imagine what it’s like living in this world. Well, I am. I am in thrall to it. Little housework is done, that the garden is not a wilderness is solely due to visitors arriving this weekend. Lunch is as ad hoc as it can be.We haven’t been out to eat for weeks. My back aches and my caffeine consumption has rocketed. And let’s not mention chocolate. I can’t bear to look at the scales. I’ve replied and reacted to essential emails and deadlines, but my Facebook posts have dwindled to almost nothing. That’s a sure sign something’s up.

I’m off to a major conference in the UK  in less than two weeks’ time. I’d better get over this by then.

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, PERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published in April 2016.

Find out more about Roma Nova, its origins, stories and heroines…

Writing crime in Harrogate

Theakstons“Harrogate” – that’s what the regulars call the Theakstons Old Peculier Crime Writing Festival. After three days, I call it exhausting, energising, exhilarating. It was my second conference in July and I took the travelling easy. No point killing yourself before you get to Murder Central for the weekend!

With David Penny

With fellow scribe David Penny

As a newbie, I was made very welcome, especially by my writing friend from the Alliance of Independent Authors, David Penny and his wife Megan. David’s a “Friend” of the festival and knows everything and everybody.

I was also delighted to share a good part of Friday with Carole Blake  from Blake Friedmann (BFLA) which represents me for ancillary rights and to renew my acquaintance with Isobel Dixon from BFLA. They were responsible for whisking me off to be filmed doing a short interview masterminded by Lara James for Peter James’s video channel. Juno knows what my hair looked liked; I just hope I didn’t burble.

Northanger cover and signedOn the Thursday afternoon before the festival proper, I made my way to the Oxfam Bookshop where Val McDermid was scheduled to appear. Imagine how delighted I was to bump into her and her partner Jo Cox when I was panting up the hill on the way there. Both were charming; I just hope I wasn’t too fan-girly. It was an excellent hour  in the company of book people and Val signed a copy of her Austen rewrite Northanger Abbey for me. What a start to the weekend!

Milling and lurking was the flavour of the weekend. The warm weather, grassy slopes, flags, fairy lights and dramatic marquees on the lawn in front of The Old Swan made a perfect ambiance for meeting virtual friends in the flesh. I was delighted to greet writers Effie Meryl, Jo Derrick, Mari Hannah, Louise Mangos and Nic Ford, plus Juliet Pickering from BFLA who had clinched the Audible deal for me. Of course, I made new friends over the weekend – that’s what festivals and conferences are about

Gerald Seymour

Gerald Seymour in full flow

Celebs surrounded us and mixed freely; chats with NJ Cooper, Peter James, Steve Mowsby, Alix Gray (Bloody Scotland).

Susan Calman and Val McDermid

Susan Calman and Val McDermid

If I had to pick out the best sessions I’d include the “Val and Sue show” (more properly Susan Calman in conversation with Val McDermid), Mari Hannah’s Book Club featuring P D James’s  “An Unsuitable Job for a Woman”, the masterly Gerald Seymour raconteur extraordinaire and the political thriller panel especially Frank  Gardener. Martina Cole (interviewed by Peter James) just made us shriek with laughter.

But the festival is about fans and pretty dedicated they are too. I had some lovely conversations, especially over meals and in queues. Confessing to be a thriller writer, I was pressed for information about my own work and handed out a number of Roma Nova cards.

So, tired and happy, I trudged my way home to France. Would I recommend this festival? Undoubtedly. Book up soon for next year.

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, PERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published in April 2016.

Find out Roma Nova news and book progress before everybody else, and take part in giveaways by signing up for her free monthly email newsletter.

Snapshots of RNA2016

With Denise Barnes (left) and Jean Fullerton (right)

2010, I was a trembling newbie; 2016, I was teaching historical research and pontificating on a trade panel. What a transition!

The Romantic Novelists’ Association embraces every type and sub-genre of romance and romantic fiction, from the sweet, inspirational, gritty contemporary through gay romance and historical to high epic adventure. How’s that? You thought it was all pink tulle and Regency flirting? Er, no.

Of course, there are pert misses and stubborn dukes as well as modern fairytale romances, but also urban and paranormal, spy stories, tough women coping with harsh dilemmas whether in the Lancashire mills, as emigrants or just modern life with its multiple juggling acts.  But there’s always a boy meets girl/boy, a strong emotional relationship that somehow makes it through all the problems and leads to a happy ending or at least a ‘happy for now’ ending.

Romantic fiction or fiction with romantic elements is life-affirming, optimistic and something that touches us all whether on the surface or somewhere deep in our psyche. We all want to be loved. Sometimes our nearest and dearest express it very differently from how we would wish and this is where fiction can give us a buck-up. Who hasn’t read a Georgette Heyer and felt a little better?  Or a JD Robb Eve Dallas in her tangles with the elusive Roarke? Or a Lindsey Davis Roman detective Falco as he tries to work out his relationship with senator’s daughter Helena? Oh, and Carina and Conrad in Roma Nova – there’s one full of ups and downs!

So, back to the conference, this year held at Lancaster University. Despite mixed weather, we had fun and I learnt some useful things and was reminded of others. My personal highlights included Liz Fenwick and Brigid Coady talking about branding, the RNA Open Discussion, Sarah Wendell’s hilarious and trenchant presentation about reviews, and Kate Walker’s imaginative one on packing an emotional punch.

Apart from giving my own talk and speaking alongside publishing colleagues as the independent author on the publishing panel, I had a fab time meeting up with long-standing friends and making new ones. So here are some photos…

Doing my historical research talk

Doing my historical research talk (Photo courtesy of Anita Chapman)

General milling

General milling, chatting, exchanging stories and making friends

 

On the Blackwells's stand

On the Blackwells’s stand

George Barker Farm

George Barker Farm Lancaster University – a blend of the old and new

 

 

 

 

 

 

 

 

 

 

 

Liz Fenwick

Liz Fenwick on branding and marketing

 

Tracy Bloom

Tracy Bloom on marketing for authors

 

Publishing collaboration panel

Delighted to be part of the publishing collaboration panel with Dominic Wakeford (Piatkus), Carol Blake (Blake Friedmann Lit Agency), Katie Fforde, Nicola Cornick (Vice Chair RNA), Donna Hillyer (publishing consultant)

 

Eileen speaking

Chairman Eileen Ramsay speaking at the gala dinner

 

Jan and bouquet

A thank you bouquet for conference organiser Jan Jones

 

Gala Dinner

An appreciative audience at the gala dinner!

 

End of conference

Tired but happy – end of conference supper with April Hardy, Denise Barnes and Tessa Shapcott

 

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, PERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published on 12 April 2016.

Find out more about Roma Nova, its origins, stories and heroines…

In praise of public servants

Yesterday in Versailles, France honoured two murdered police officials. A national ceremony of homage led by the French president with hundreds of policewomen and men in dress uniform, all accompanied by drum rolls, funeral music and honour guards. Both were made posthumous members of the Légion d’Honneur.

Jessica Schneider Jean-Baptiste SalvaingCommandant Jean-Baptiste Salvaing (42), a very popular officer, and his companion, Jessica Schneider (36), an administrative assistant at the station where they both worked, were stabbed to death; he as he arrived at their home after work, she when the attacker burst into the house after the first killing. The couple’s three year old was present when the attacker slit his mother’s throat.

Neither was on duty, nor on a stake-out or chasing a suspect; she was at home with her child, possibly thinking about dinner, her working day, what they might all do at the weekend. Her partner coming home after tough day at office – the state of emergency is still on in France.

Jo Cox MPBritain is mourning the murder of a young MP who was in her constituency, a place she had grown up in. She was holding an open advice surgery for her constituents – an intrinsic part of an MP’s working life, often ignored by media and critics. An energetic and passionately sincere rising Parliamentary star Jo Cox (41) was respected across the political divide. According to eyewitnesses, she was shot three times – once near the head—and stabbed multiple times. Parliamentarians of all political shades united to condemn the attack and mourn the loss of this mother of two young children. The Prime Minister, the Leader of the Opposition (head of Jo Cox’s political party) and the Speaker of the House went to Birstall yesterday along with other Parliamentary colleagues to honour their murdered colleague.

Some have screeched police brutality, moaned about insensitivity and flinched at images of police charging rioters on TV. At a more mundane level, people find police checks tiresome, holding them up on their journeys. I was stopped locally for a routine check after the November killings in Paris. None of us is comfortable with burly men and women in uniform carrying heavy weapons on Charing Cross commuter platforms or at CDG Airport in Paris. We would far rather do without any of this.

And it’s been fun badmouthing MPs about expenses even if some were perfectly allowable, although duck houses were a tad off.

Yes, there are bad hats, twisters and corrupt public officials and these should be exposed and sanctioned. They work for us, we pay their salaries and they should not break our trust.

But much of the hype is exaggerated or even untrue. Public servants like police officials and MPs go into these jobs wishing to do good. A lot of their work consists of the quiet stuff; for MPs reading and writing papers, meeting constituents, serving on committees, promoting constituency and international initiatives and representing their party and Parliament; for police officers, similar administrative work, especially when heading a unit, but all the time dealing with the fall-outs from society, the accidentally and intentionally criminal and the mean, vicious and terrorist elements in society.

Both groups work long hours under pressure and sometimes make mistakes. Don’t we all? But they have been subject to persistent carping and attack, often not justified. I believe I’m thinking of the word ‘respect’.

The deaths of public servants Jean-Baptiste Salvaing, Jessica Schneider and Jo Cox have pulled us up short – they should.

#thankyourMP

 

 

How to set up and run an author exhibition stand

Signing at fairsEach year I set up my stall and sell my books at the Marché de Noël at Terves. Not only do happy customers go away clutching copies of one or several Roma Nova books, but I’ve had the pleasure of chatting about writing, books, feminism, adventures, history, Rome, publishing, the holidays, travel – you name it! I’m sort of ‘famous’ locally as I write the monthly column about writing and publishing in the local English language magazine, The Deux-Sèvres Monthly, and spoke at the Charroux Litfest in August.

So it’s easy, isn’t it this book-selling lark, isn’t it? You roll up with a box of your fantastic books and a smile and off you go.

Er, no.

Now, I’m not bigging myself up, but I do get some compliments about my stand, ‘professional’ being the most frequent one. So do I have years of publishing PR/marketing behind me? No. Was I a marketing manager in a previous career? No. Or an event manager? No. But I have years of experience in small business where you have to do it all yourself.

I love talking with people; it’s a natural nosiness and a desire to discuss ideas, to connect, to enjoy things in common. Throughout my working life I’ve been on courses, attended workshops and listened hard at conferences to sessions on interfacing with the public and communicating the message: information-giving, presentation, marketing materials, displays, public speaking and networking skills. I’ve listened to talks about sales funnels, customer expectations, phased marketing, market segmentation, closing the sale, customer relations, and I’ve watched experts. Closely.

But there’s a second, equally important factor – preparation. It’s not only physical things like a nice tablecloth, but thinking about how the potential customer will see you and your books, as well as working out the most effective way of getting your message across without being terminally annoying.

So here’s what I did for the Terves Christmas market last December.
Terves2015

Book in advance

I booked it from the previous year. The best fayres and fêtes get booked up months or even years ahead, but sometimes you can be lucky if somebody drops out at the last minute. Scrutinise past event reports, photos/videos on the event website/Facebook/magazine articles and advance information about the event. Contact the organiser to say hello and to find out specifics like table size (and if it’s provided), wall spots, electric sockets, access, timings, etc.

Advance PR

The first time I booked a stand three years ago, I posted about it on Facebook and Twitter and mentioned it in my November column in The Deux-Sèvres Monthly. This year, I added a small paid advertisement in the DSM and posted further afield online about the event using an attractive graphic sent to me by the organiser. I posted initially in mid-November, then once a week until the beginning of December when it was twice a week plus the day before.

Stand

Design: work out what it’s going to look like in advance. I printed out a photo of last year’s stand to save having to re-think it all, but the first year I sketched out a plan. I like height, colour and ease of navigation for the customer. The idea is to catch the customer’s eye; nothing is more dreary than a blank wall behind you.

Pull-up banners: Mine include a graphic, book title, name, endorsement and website. Another option is to have a generic one relating to the theme, genre or period of all your books. Remember that the bottom half is likely to be hidden so get all the important info ‘above the fold’. Order pull-ups well in advance. You may have to shell out for some professional graphic design. Ask the banner manufacturer for the exact specification (size, resolution). Alternatively you may find a PR business or printer who will handle it all for you.

Materials: postcards and bookmarks are essential. Not everybody will buy a book on the day – many download to an ereader. I encourage people to help themselves to the cards, but I reserve the double-sided bookmarks as an added extra when people buy a book. Again, order these in advance. Mine have a graphic on the front and book information on the back. I also have freebie pens in Roma Nova imperial purple and gold; these go down very well. Stack them in a glass so it gives height and stops them wandering all over the stand. If your book has won an award, make up and print some simple bookmarks (160 gsm card and use the Tables setting in Word) to place by that book. You can do the same for cards with details of how to sign up for your newsletter. It’s said that 63% of people who pick up print PR materials hand on to them.

placecard5Placecards: You can buy an A4 size acrylic stand at stationery shops, especially those with business sections, or use glass fronted picture frames perched on a plate stand. You can then slot in a different printed sheet for each event. Decide on a headline and print it as BIG as you can. My favourite is BOOK SIGNING in the same font as the titles of my books. Add a photo and, if you have them, short endorsements and images of your book(s). And most importantly, the price!

Covering: Invest in several metres of fabric (at least four) in a plain colour to make a table covering that will emphasise your book covers. Look for remnants at a fabric shop or market. Pre-manufactured tablecloths are fine for a small table, but most fair tables are 3 metres wide these days. Do NOT use a table cloth from home that has any kind of pattern – it looks naff. Oh, and wash and iron your cloth if you’re reusing it. Last time’s dried on tea/coffee stains and lunch food remnants are not attractive…

Event boxPracticalities

Pack all the smaller things like your own demo copies of books, materials, stationery kit (scissors, Sellotape, stapler, punch, rubber bands, paperclips foldback clips, notepad, string, Blutack) etc. in a robust plastic storage box with a lid. It will rain or drip from the trees on the day you unload from the car and you might well spill your cuppa into an open box. More than that, a lidded box can stack more easily and also serve as a mini table under your stand. Larger things like bookstands, table cloth(s) can be packed in a strong carrier bag.

Float

I take 50 euros of change (Substitute pounds/dollars, etc. as you wish). It’s guaranteed that the first three customers will pay with a 20 note. Do not let them get away! I sold my books at 11 euros for the novels and my writing book for 5 euros, so my float had 10 single euro coins, four 5 euro notes and two 10 euro notes. Make up your float after each event so it’s ready and you don’t have to scrabble round on the morning of the next one.

You

Your clothes and shoes: clean, smart and casual, but comfortable. If your shoes pinch, it will show in your face; if you’re freezing, you will hunch and look unwelcoming. Most halls are heated, but not well – it’s too expensive – so if you’re a chilly mortal wear a warm top layer. You can look chic and French with an artfully arranged scarf (men and women).

WEAR A BADGE! Sorry about the capitals, but is so important. People always look at badges; they stop and talk to you, they ask you about your book, and you look more professional.

Behaviour: Stand. Yes, take little pauses, and stretch your legs if there’s a lull in the room, but stand 95% of the time. You don’t see shop assistants sitting. The only exception is when eating your lunch. If you have no helper, you will have to eat at your stand, but sit down, take small bites and have handwipes/tissues to hand. And take several small bottles/flasks of water – you’ll need them with all the talking you’ll be doing.

Interacting with the customers: I could write several posts on this, but essentially, ‘with’ is the word, not ‘at’. Selling is not unarmed combat, it’s a conversation. ‘Do you read?’, ‘What do you like reading?’, ‘What did you think of that?’ and so on. They will show interest or not, and you can go from there. Try and get one of your postcards into their hand at least. But be interested, engaged and listen. And smile.

Photos

Take a photo of your stand before the public gets in – a great aide-memoire for next time – and get several people to take several photos of you and your stand during the day. Every single event photo is a gold drop in the PR river. You can build up a good post on your blog/Facebook etc. from the quietest event. Take some of the event generally and send it/them to the organisers; it’s a nice way of saying thank you.

Oh, yes, and take as many books as you can manage. It’s always better to have a box of leftovers than running out halfway during the day.

Happy selling!

 

I originally wrote this post for the Alliance of Independent Authors (ALLi)’s blog in March 2016.

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, PERFIDITASSUCCESSIO and AURELIA. The fifth in the series, INSURRECTIO, was published on 12 April 2016.

Find out more about Roma Nova, its origins, stories and heroines…