Speculative heroines

Some reflections for International Women’s Day…

All fictional characters are, er, fictional. We borrow, mine, or lift characteristics from Real Life, but unless we want to get sued, the finally moulded form is a construct. We can gender mirror (I love using that expression – also made up), we can speculate, we can imagine.

Ditto the setting. Even if your thriller story is set in a gritty suburb, a private tropical island, a galaxy far, far away, or grounded by finding a parking space at Waitrose, your book world is fictional. And time… Are you in Ancient Rome, today’s London or 30,000 years in the future? It’s not real time; it’s fictional time.

Opening any book opens you to a new world and releases you from the confines of your place and time, whether as reader or writer. And this is a perfect way into speculating about the “what if”, especially for women. In Real Life, women see fewer aspirational patterns and models than men do. Perhaps this is why there are significantly more women writers and women readers than men; women are seeking an alternative..

Sian Phillips as Livia in I, Claudius (BBC)

Sian Phillips as Livia in I, Claudius (BBC)

In many works, male heroes are outspoken, forthright, taking leadership, leading the action, making decisions; women are secondary – the wife, girlfriend, assistant, the rape victim, the soft contrast to the hero. If they do take a leading role, they are uncomfortable, unhappy or unfulfilled as women or, stereotypically, the “evil one” even in childhood reading such as the Narnia series. And as for Livia as portrayed in I, Claudius – don’t get me started!

Women with power and agency, i.e. who can and do act, seem to be seen as a threat, so they are slotted in as angels or demons, nurses or harlots. What a shame.

Enter science fiction, fantasy and its subgenres, including alternative history.  SFF (for short) has long served as a platform for social criticism and commentary. George Orwell, Ursula Le Guin and Margaret Attwood are obvious examples. But it too has been crammed chock full of reduced or neglected female figures. We’ve been a long time waiting for Wonder Woman to go mainstream.

But an ever increasing number of authors in speculative genres are using their stories to question the central issue of gender roles. Readers travel to places far removed from their current social reality where the givens are not only questioned but tipped upside down. All constraints are down and the result may be welcome or reflect real fears. And once an idea has entered somebody’s head, it can rarely be dislodged. The synapses are firing…

Resolution, loyalty, serving the state are not exclusively male qualities. Caring, empathy, supporting are not exclusively female ones. All genders can express love, hurt, self-doubt but also happiness, acceptance and friendship. Mix all that together and bake in different tins until well done.

My Roma Nova novels aim to do just that. It took a feminist mother, a Roman nut father, voracious reading of the weird and wonderful, six years in the military and a bad film to trigger this for me, but I remembered everything and once sparked, the Roma Nova world with its courageous and complex heroines has never left my mind.

Engaging with concepts, worlds and characters that seem impossible or unrealistic lets us play with a hidden, secret or yearned for adventure we couldn’t take in real life, not least due to our gender. Science fiction and fantasy novelists can show readers a radically different worldview and cultures through stories of astounding adventures in alternative realms.

And who knows? Perhaps speculative stories, with their heroic women and their derring-do have the potential to provoke change in the real world.

Update 2024: Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA,  Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.

Selected for CrimeFest!

Super exciting news! I’ve been chosen to be a panellist at the prestigious CrimeFest in May! I’ll be on ‘The Indie Alternative’ at 9.30 Sunday 20 May with fellow Alliance of Independent Authors writing friend Debbie Young, and authors Ian Andrew and Karen Millie James, with Zoë Sharp in the chair. Do have a look at the full programme.

It’s an enormous privilege given the calibre of the other speakers like Lee Child, Martina Cole, Jeffrey Deaver and Peter James *swoon*. When I looked at the attendance list, there are so many writing friends going.

With Debbie Young at a previous event, Foyles in Bristol

I’ll be in full participation mode: forensic excursion, full programme, gala dinner, bar attendance, plus catching up with old friends and making new ones.

Roll on May!

http://www.crimefest.com

UPDATE: And this is how it went…

 

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO.  CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

Radio star!

Last Thursday, I was delighted to be internet-based ExpatRadio‘s special guest on ‘The Scribblers’ spot. They let me witter on (in between music) for an hour. No, it was more of a conversation with Mike Madden, Wendy H Jones and Eilidh McGinness. I’ve met Wendy several times before – we both spoke a the last Dublin Writers’ Conference (and will be at the next one in June) and I know Eilidh from social media. Mike asked some good open questions and Dave Hailwood, the station supremo, held it all together.

They let me mention not just Roma Nova and the books, especially the latest CARINA, a novella set in between the first and second in the series (INCEPTIO and PERFIDITAS) but also thank SilverWood Books  (at 21 minutes) who helped me get going on my publishing journey.  I also got a plug in for  The Deux-Sèvres Monthly, my local English language magazine for expats, where I write a column on writing and publishing.

We chatted and joked in between alternative history, heroines, emotion, writing skills and France. That hour passed far too quickly. They’ve invited me back when my next book is out… 🙂

Here’s the recording (minus the music) and no, we weren’t on gin, just good humour):



(There are some tiny repeats here and there due to internet buffering, but shouldn’t detract from the enjoyment!)

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO.  CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

Why do we write?

A plot in a novel gives the reader the main character’s goal;  the challenges the character has to overcome to achieve the goal, what’s stopping her/him and the dire consequences if she/he doesn’t succeed.

My own goal is to produce a readable, entertaining and thought provoking book at least once a year. But every now and again, when I come up for air, I try to pin down why I write and why I spend hours at my keyboard doing it.

A year or two ago, I wrote about this in my column for The Deux-Sèvres Monthly.  I asked some writing friends for their thoughts…

Adrian Magson (First endorser of INCEPTIO)

Adrian Magson (First endorser of INCEPTIO)

I write because I don’t really know how not to write. Making stories is something that is so intrinsically part of who and what I am, that I can hardly imagine what it would be like not to do it. Also, writing is a fabulous excuse to not do the dishes and the laundry. Liesel Schwarz, steampunk author

I write to explore how I feel about the things that trouble me and to tell stories to entertain.  Ann Cleeves, Shetland series

I write because I must and it’s what I’ve always wanted to do. Simple. I also work hard at it and believe it will come out right. Adrian Magson, thriller writer

With Elizabeth Chadwick

With Elizabeth Chadwick

I write because I have been telling myself stories of one sort or another almost from birth. It’s a deep part of who I am. Elizabeth Chadwick, historical writer

I write because it’s my family business – and also because it’s the best way I know to make a living. Victoria Lamb, historical writer

I have perceived myself as being a writer from when I was a little girl and always had something I was burning to say.
These days I just say it at more length.
 Trisha Ashley, women’s fiction writer

I began writing in the mid nineties for practical reasons. I’d sustained a serious wrist injury that ended my career as a probation officer. For me, writing on a computer was physiotherapy following surgery but also to keep my mind occupied. I was bored at home and far too young to be retired. At the time I had no aspirations to become a professional crime writer. It was years when that thought occurred. These days, I write because I must. Mari Hannah, crime writer

And the master, Stephen King… I really can’t imagine doing anything else and I can’t imagine not doing what I do. 

My conclusion so far (This may change, of course!)
If you know what you want from your writing, why you write, your writing will be tighter and more focused.  If you’re not clear now, it will come back to haunt you later in your writing life especially when faced with choices which could mean pursuing one part of your goal but at the expense of neglecting another.

And me? The story was just bursting to get out and was triggered by seeing a rubbishy film at the local multiplex. ‘I could do better than that,’ I whispered to my husband in the dark. ‘So why don’t you?’

And why I carry on?  I just can’t leave it alone…

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, will be out on 12 September 2019.

Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

In conference – Your quick guide

Speaking at conferences is one thing – you know what your defined role is, whether giving a talk, being a panel member or running a workshop. You are on the inside track, you prepare materials, you mix with attendees, carrying on discussions from your talks.  You are giving back.

Attending a conference as a delegate is different. If you’re not speaking, why are you there?

  • Education – You’re learning new skills, honing existing ones and remembering ones you haven’t used for some time.
  • Networking – Wherever you are in your writing journey, you need to make contacts (authors in your genre, agents and publishers, people who have inspired you), find new providers of services and meet virtual friends in the flesh.
  • Being counted – Most writers’ conferences are run by genre associations and societies, professional groups, interest groups, local litfests, etc. This is the time to show your support for them, to be there at the major annual/biennial event.
  • Discovering what’s trending, what’s new, how to prepare for and take advantage of future developments.
  • Fun – Shut up in your writing garret, your writing shed or the spare bedroom, you are alone. Going to a conference means you socialise with real people who ‘get’ writing.

How get the best out of a conference

Preparation

  • Select the right one – Is it relevant to you at this time? With travel, accommodation and meals, conference going can represent a significant expense. Be hardheaded about whether you’re going to gain something that will benefit your writing/writing life, not just be an agreeable trip to see your mates.
  • Be informed – Check the information sent to you, find the organisation’s conference website/Facebook page/Twitter handle and check for updates and release of new essential information
  • Prioritise – Mark up the talks/panels/workshops which you judge ‘essential’, ‘very helpful’ and ‘would be nice’. Also note the sessions you may want to miss. Many genre specific events arrange one-to-one mini interviews with an agent, publisher or book doctor who will assess a sample of your writing (sent in advance). Appointments are fixed weeks or even months before the event and snapped up incredibly fast. Check the exact details on how to bag one of these as soon as you can, and apply immediately.
  • People – If you receive an advance attendance list (You don’t always get one.), mark up the people you already know and the attendees you’d like to meet. Getting to know others can be a delightful surprise!
  • Practicalities – Don’t take too many clothes – check the event details – but one complete change is sensible. Accidents do happen! Take extra teabags, coffee, wine and a mug/glass. Some events give away a goody bag in which you can cart your papers and book purchases around, but slip an extra cloth bag or small carrier in your case as a precaution. Talk ahead of time to others who have been to the previous year’s event.

At the event

  • Timing – Turn up on time. It’s better to arrive on the afternoon before the conference so you can get settled into the accommodation without rushing and be ready for some early networking. Sometimes a pre-conference drink or meal is where important contacts are made. And when the conference proper starts, getting to each of your chosen sessions promptly means you get a good seat!
  • Speakers should let you know whether they will answer questions as they go along or prefer to take them at the end of their talk. If you wish to ask them a question  at the end, wait politely as each person has their turn. Sometimes you and the speaker have to leave the room as the next session may be starting. If they’re not going straight to another talk, they may be happy to talk over a cup of tea now or glass of wine later. Keen as you are to chat to them, don’t hassle  or hog the speaker. 😉
  • Ask questions – Many people are nervous about this, but you can be sure that if you stand up and ask, others will be grateful you did.
  • Keep your ears open for informal arrangements – drinks, readings, meals, side discussions, parties, etc.
  • Bookshop bargains – Books are sometimes discounted at events, plus it’s more than likely that the author will sign them for you.
  • Make notes, pick up any handouts on offer, jot down websites and exchange business cards. In all the buzz from the event, you won’t remember everything…

And have fun! Left to right Christina Courtenay, Anna Belfrage, Incognito (sorry!) Christoph Fischer, Helen Hollick Alison Morton, Denise Barnes/Molly Green (HNS 2016)

What have I missed out There’s bound to be something you can add!

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM,  set in the late 4th century, tell the story of Roma Nova’s foundation.  Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out. 

Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.