Writing Challenge Day 19: Characters' pastimes

Pastimes? Hobbies? What are those? These don’t tend to feature in writers’ consciousness; either writing is done in any spare time left after work or at the weekend, or for full-time writers, spare time is when they go and research or grab a book for background reading. The result is that I had to scratch my head to think of the Roma Novans’ hobbies.

Carina, certainly when Karen in New York, enjoyed ‘the movies’ and often makes reference to films, such as when describing her boss:

His old-fashioned sports jacket and pants made him look like a crusty old guy from a black and white movie, but he gave me a human-enough smile.    [INCEPTIO]

Or Conrad:

The hard-eyed observer at the client meeting had been replaced by a polite socialite out of a 1950s film.    [INCEPTIO]

I was too surprised to say anything – it was such a foreign gesture, like in an old movie.    [INCEPTIO]

When they are being followed:

In movies, the character who turned around when told not to instantly regretted it. But we weren’t in a movie.   [INCEPTIO]

She even subscribed to a magazine:

Safely back behind the doors of my apartment building, I checked my mailbox and, along with my movie periodical, found an envelope with my name but no return address.   [INCEPTIO]

The other character who has a definite hobby is Imperatrix Silvia:

I took the handkerchief she offered. It was exquisite – fine lawn edged with lace. The fragile curls and whorls hardly touched each other except by a single thread – a world away from the blood and brutality of the last few minutes. I couldn’t blow my nose on this piece of delicacy. I sniffed instead.   [PERFIDITAS]

We know that Inspector Lurio enjoys hunting and not just the bad guys in his daytime job as a tough policeman:

‘He’s had his main vacation this year, three weeks’ walking and hunting in Italy.’   [INCEPTIO]

Now, I’m stymied about the other main characters. Conrad is very dedicated to his work and very driven by his duty. He enjoys keeping fit and being with his family.

Apollodorus in INCEPTIO and PERFIDITAS had collected beautiful Art Nouveau furniture and pictures, but that was perhaps more of an obsession.

Author photo of roses at the Château du Rivau

Aurelia remains a mystery in this area; she’s very like Conrad in her dedication to her duty. I reckon she has her hands full keeping her family and businesses in order as well as in her role of imperial councillor and minister. Ah, no, of course, she loves her roses apart from red ones which are forbidden in the garden at Domus Mitelorum…

Let me know if you’ve noticed any other Roma Novan characters’ hobbies…!

Writing challenges so far:

Day 18: Characters’ pet peeves (!)
Days 16 & 17: Favourite outfits (combined)
Day 15: The many-hatted author
Day 14: Show your workplace
Day 13: A funny family story. Or not
Day 12: Early bird or night owl?
Day 11: Favourite writing snacks/chocolate porn
Day 10: Post an old picture of yourself
Day 9: Post 5 random facts about you
Day 8: What’s your writing process?
Day 7: Introduce your ‘author friend’
Day 6: How the writing all began
Day 5: What inspired the book I’m working on
Day 4: The setting for the new Roma Nova book
Day 3: Introducing the main characters Julia and Apulius
Day 2: Introduce your work in progress
Day 1: Starting with revealing information

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Annie Whitehead: Channelling Dr Frankenstein

I’m delighted to welcome back to the blog historical fiction writer Annie Whitehead. Annie studied history under the eminent Medievalist Ann Williams. She is a member of the Royal Historical Society and an editor for English Historical Fiction Authors. She has written three award-winning novels set in Anglo-Saxon England, one of which was long-listed for the Historical Novel Society Indie Book of the Year 2016, and her full-length nonfiction book, Mercia: The Rise and Fall of a Kingdom is published by Amberley Books.

Annie has contributed to fiction and nonfiction anthologies and written for various magazines, including winning the New Writer Magazine Prose Competition. She was the winner of the inaugural Historical Writers’ Association/Dorothy Dunnett Prize 2017. Recently she has been a judge for that same competition, and for the HNS Short Story Competition. Women of Power in Anglo-Saxon England was published by Pen & Sword Books in June 2020.

Speaking of anthologies, we’ll both be contributing to a collection of historical stories about betrayal due out in November. Exciting stuff!

Over to Annie to tell us about putting together characters…

Lately I’ve been working on a piece of short fiction for an upcoming anthology. I decided that my piece would involve some characters from my second novel, Alvar the Kingmaker. Since my fiction up until now has centred around real historical figures, it was easy enough to look back at the years before the book begins to find out what those people were up to before they sashayed onto the pages of that novel.

And there was certainly a lot of recorded drama: people on the make, banishment, a couple of rather untimely, or perhaps we might say convenient, deaths. Factions, infighting, envy: it’s all there.

Dunstan and King Edgar

I began plotting my story. But then I found that certain figures, whilst they certainly existed and played a part in the history, were actually getting in the way of the story. I suppose that’s always the way with historical fiction. Just because stuff happened, we shouldn’t include it if it doesn’t suit our narrative or help the plot to progress. Likewise, just because people were at a particular place at a certain time, we shouldn’t include them if their presence adds nothing to the story.

The main problem, though, was that one of my characters, Dunstan, seemed to be a different man altogether from the one I’d portrayed in the novel. It was as if I’d looked at this different portion of history and written a separate story about it. What I needed to do was remember the character I’d portrayed in the novel, and work backwards. Because yes, it is possible to write about these earlier years, which involved the same people, and end up sketching a completely different man from the one presented in the novel.

Each author will have a different idea about a character. There are many different King Arthurs out there in fiction and yet each one is really a different man. And I, researching the same figure in a slightly different period, had very nearly written a completely separate character. Which just goes to prove how much the novelist moulds the people into their own distinctive shape.

There are different types of historical fiction, and many authors write more than one kind. Some put entirely fictional characters into historical settings, while others fictionalise the lives of real people. So you either have a Forest Gump situation, where a made-up character interacts with real figures, or a set of completely imaginary people playing out their drama against the backdrop of a real historical context, as they do in Les Misérables. Or you have an author’s take on the lives of people from history, such as Elizabeth Chadwick’s series about William Marshal. Thus far, my fiction has fallen into that latter category.

Frontispiece, 1831 edition of Mary Shelley’s novel Frankenstein

In all of those examples, though, it is crucial to remember that those characters, real or otherwise, must be moulded into people. People who have distinct psychological characteristics, logical personalities, and a back story, even if the reader never sees it.

We know the facts, but we have to make them fit with the character we’ve designed. We have to play God, and make the character a real person, and give reasons for why they act like they do. We must take the time to get to know our character, not the historical figure, in order to make it plausible. When we write historical fiction we must ensure that we tell the human story and bring our characters alive.

We must do more than simply thinking, “Why did s/he do that? Or act in a particular way?” because that’s still an essay, rather than a story. We really have to dig deeper and ‘see’ the person with all their human attributes; their flaws, frailties, and strengths.

So, my task was to remind myself of the man I’d written about, and make him behave in his younger days in a way that would make sense for anyone who has read, or will read, the novel.

So that when people read both, which I hope they will, they will recognise him as a person, the historical figure being almost incidental.

As Dorothy Dunnett said, “History is all very well, but it’s just the showcase. It’s the arena in which your character will perform.

Find out more about Annie and her books
Website: https://anniewhiteheadauthor.co.uk/
Blog: https://anniewhitehead2.blogspot.com/
Twitter: https://twitter.com/AnnieWHistory    @AnnieWHistory
Facebook: https://www.facebook.com/anniewhiteheadauthor/

Read Annie’s story of power and change – Alvar the Kingmaker

The king is caught in bed with his wife and her mother.

Alvar, earl of Mercia, having helped King Edgar to secure the throne, must fight to clear the queen’s name, bring the country back from the brink of civil war, and stabilise the monarchy for Edgar’s son, Æthelred the Unready.

He does this at great personal cost, and his enemies will stop at little: Abbot Dunstan, banished, recalled, and in no mood to forgive; Bishop Oswald, the ambitious foreigner who will let nothing stand in his way.

They must not discover Alvar’s secret love for the wife of his deputy. Alvar must keep her safe, whilst serving and protecting the queen, who is in love with him, but who harbours a dark secret of her own…

Buy the ebook here: Amazon Kindle and the paperback here.

 

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Writing Challenge Day 18: Characters' pet peeves

Alison, peeved

Ha! We all have pet peeves and I’m pretty sure we pass these on in our writing however carefully we try to view the world from each individual character’s point of view. Our own values, thoughts and emotional responses will seep through, so I must admit that mine probably do, although the different characters will express this differently.

Here are a few excerpts from the Roma Nova novels to illustrate, in the first two, Carina’s ‘peeve’ and in the second two Aurelia’s. Each speaks in the first person.

Carina has an emotional sense of fair play even when it’s to her detriment to say so or when she can’t do anything about it. Although she considers she’s acting from the best motives, this can give her a slightly warped sense of what’s right and what’s wrong if she thinks ‘the rules’ and/or standard procedures are wrong.

Here, she’s disobeyed standing orders for a dare, one involving courage and determination, both qualities essential for a young Praetorian officer. But she got caught so she earned seven days in the cells as a punishment.

 The very worst was the boredom. Then the lack of exercise. I stomped up and down my cell every day for an hour morning and evening, inventing new curses for Conrad. He was my commanding officer. I knew he was correct, but I still thought it was unfair. My fists balled during my pacing for the first two days. I merely strode the next two. By day six, I had relaxed my shoulders and when, thank Juno, the door opened on the morning of the eighth day, I had accepted it. I wasn’t happy, but I’d accepted it.         (CARINA)

Carina, peeved

Several years later on, she’s much more responsible and senior, but still prone to react to her feelings. She and Conrad had an argument at home the evening before about a family matter, so she’s still a bit sensitive even in their work environment:

‘This brings me neatly to the second thing,’ Conrad said. ‘Effective tonight at 18.00 you’re relieved of your command of Operations.’

No!

I stared at him. I couldn’t move. I ran his words through my head again. Why? Gods, it was unfair. Just because I’d criticised a useless but well-connected old lush. Was Conrad getting personal here? Was he resentful of how I’d reacted to Nicola’s letter? No, that was so out of character for him. I had no option but to accept it, but throwing me out of the job he knew I loved was unbelievably severe.

Then I spotted tiny creases around the edge of his mouth that had nothing to do with his tiredness.

‘You’re taking over Training and Personnel on promotion, with the rank of Lieutenant Colonel. Congratulations.’  

‘You—’

‘Yes?’

I swallowed. Hard.

‘You… you surprised me, that’s all.’

He burst out laughing. ‘You are such a liar.’

‘Yeah, well. That wasn’t nice.’

‘But fun.’ He smiled.

I didn’t think so, but he had a more robust sense of humour than I did; like most men. He went over to his coffee machine and brought me back a cupful to which he promptly added a slug of brandy.

‘For the shock, of course,’ he said and winked.                                   (SUCCESSIO)

—–

Aurelia, however,  is a blood-and-bone Roman and much more self-disciplined, but she still feels things keenly. She’s impatient when people won’t make an effort and won’t let go when she thinks somebody’s covering something up or deceiving her.

‘What?’ Grilling the household was basic procedure. I turned to the prefect [chief police officer]. ‘What are your people playing at? Can’t they conduct a straightforward investigation?’

‘My officers know their job. They might not be as glamorous as the Praetorians, but they carry out solid procedure methodically. If they didn’t ask, they didn’t think it necessary.’ His eyes tightened and his face took on a red flush. ‘I don’t think there’s any more to be said or done. We’ll be in touch if there are any developments. I bid you good day.’ He turned on his heel and strutted out. Anger and surprise robbed me of the ability to reply.

Frankly, I didn’t expect to hear anything further and I didn’t. The vigiles were more interested in tidying up paperwork and submitting high clear-up statistics than actually solving cases.

But the prefect’s strange attitude from the beginning worried me. I managed to speak to the justice minister for five minutes after the council meeting the following week. She frowned when I told her about the prefect’s manner, but said she was sure they had investigated thoroughly. I asked if she would let me see the file – I had the required security clearance ­– but she refused on confidentiality and personnel grounds. Faced with the steely, direct look, I had nothing else I could say, but as she strode off to her ministry car, I was left with the feeling something wasn’t as it should be.    (AURELIA)

Aurelia, unamused

For Aurelia, her duty comes first, but she’s often conflicted. When the weak Imperatrix Severina sparks a constitutional crisis, Aurelia has had enough and will not compromise the safety of Roma Nova.

‘If we are citing legalities,’ I said, ‘then you may well remember that as head of the Twelve Families, not only am I perfectly entitled to intervene where there is a conflict, it is my duty.’ I tried, I sincerely tried, to keep the sarcasm out of my voice. ‘Or perhaps you are not familiar with one of the most basic of our founding laws?’

I kept my eyes on Severina’s face. She flinched, strode towards me and raised her hand.

‘I wouldn’t, Severina,’ I said. ‘Really, I wouldn’t.’ I stood my ground, unmoving, and stared at her. My heart beat faster. She was so unpredictable, she might do it. I braced myself for the blow.

Her skin reddened. The next instant, her lower lip trembled. She dropped her hand. Fabianus moved to her side, darted an angry glance at me. Severina’s face crumpled. She burst into tears and allowed Fabianus to draw her down onto the sofa. He put his arm round her and hugged her to him.

I stayed where I was. For once, I wasn’t going to give in to her emotional blackmail. She used this learned helplessness to muddle through awkward situations, getting others to solve problems and sort out messes for her. If only she’d been more diligent, learned at least the rudiments of governing from shadowing her mother. If only she could see beyond the surface of things. If only she had a gram of political common sense. Normally, I’d go to her, comfort her, apologise and say I’d take care of everything. Well, she’d crossed the line in the sand. No more.                         (INSURRECTIO)

—–

Impatience, strong emotion reaction and frustration are part of what makes us human; giving characters pet peeves makes them vibrant and relatable. And it’s fun to write them when they are less than wonderfully behaved!

Writing challenges so far:

Days 16 & 17: Favourite outfits (combined)
Day 15: The many-hatted author
Day 14: Show your workplace
Day 13: A funny family story. Or not
Day 12: Early bird or night owl?
Day 11: Favourite writing snacks/chocolate porn
Day 10: Post an old picture of yourself
Day 9: Post 5 random facts about you
Day 8: What’s your writing process?
Day 7: Introduce your ‘author friend’
Day 6: How the writing all began
Day 5: What inspired the book I’m working on
Day 4: The setting for the new Roma Nova book
Day 3: Introducing the main characters Julia and Apulius
Day 2: Introduce your work in progress
Day 1: Starting with revealing information

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Writing Challenge Days 16 and 17: Favourite outfits

Haha! I’m not a follower of fashion and tend to wear clothes for comfort such as jeans and top so instead of showing you my favourite outfit (Day16) and my character’s (Day 17) I’m combining them.

Egged on (albeit genteely) by fellow authors going to the 2019 Eboracum Roman Festival, I decided to try to put together the kind of uniform worn by Carina and Aurelia during their service in the Praetorian Guard Special Forces in my Roma Nova novels. Others were wearing Roman dress of the period of their books so for me it was 20th/21st century Roma Nova.

I refer often enough to the PGSF ‘beige-and-black’ indoor uniform – barrack dress in British terms or service dress for US friends – in all nine books, so I thought I’d better put up or shut up.

Where to start? 
My own ‘stored-in-a box-somewhere-in-the-basement-ready-for-the-apocalypse-recall’ uniform was completely wrong – NATO olive green, so that was a no-no, even if I could still get into it (which I couldn’t). On to the Internet. The previous US navy service dress looked promising, but was very difficult to get  the right sizing and one supplier wanted $57 shipping for trousers and shirt with 28 day delivery. Er, no.

Laurence Mousseron and her shop, Surplus Militaire Armurie et Cotellerie, Thouars

Laurence Mousseron and her shop, Surplus Militaire Armurerie et Coutellerie, Thouars

So I went to the local military surplus shop which was more of a hunting supplies outlet. I wasn’t optimistic, but the owner, a charming woman called Laurence Mousseron was helpfulness personified. She didn’t have the shirt in, but she would get it, she said.

Two problems: D-Day anniversary approaching when demand from re-enactors was strong, and my own three-week deadline before Eboracum. Not optimistic again. But talking to Laurence, I discovered that her emporium was well known outside the town, the region and even internationally. I had no idea it was such a well-known and respected supplier!  She came up trumps.

Basic uniform
The shirt and trousers are very slightly different shades of beige – I had no idea beige varied so much! But with a black belt separating them, it was scarcely noticeable. The BDU (Battle Dress Uniform) trousers had drawstrings at the bottom leg edges hem to form cuffs to go over para boots, but out came my needle and some beige thread to transform them into standard hems.

The black round neck T-shirt Not just any T-shirt; these are M&S T-shirts. 😉 A quick pop in to the store when I was in the UK for CrimeFest and the most helpful assistant I’ve ever met even dug me a second one out from the storeroom.

The black belt with quick release catch came from Laurence. I also bought a black ‘woolly pulley’ from her just in case York turned out to be cold. This is not unknown; I was a student based in Leeds for four years and I knew very well that Yorkshire could be ‘parky’. But in May 2019, the weather was glorious!

Then I hit a real obstacle – the cap. Apart from Nazi SS ones (which would have given me the creeps to wear), I couldn’t find black anywhere; neither could Laurence. Time pressed. Back on the fabulous Internet and by accident I found a sewing pattern for a side cap on Pinterest. Burrowing in my material box, I hoicked out some black trouser material, and found  some spare plastic flyscreen netting for stiffener. (Don’t laugh!) I have a large-ish head (no impolite comments, please) so I expanded the pattern, cut out the pieces and sewed it. It was a demon with the double sides, but I got there. And yes, I did sew my name inside. Old habits, like old soldiers, die hard.

The insignia
I had tackled this first; if I couldn’t find a crowned eagle badge for the shirt pocket the whole project was stuffed.

I had been on the Internet, Etsy to be precise. There were loads of double headed crowned eagles, but few single ones. At last I tracked one down to Bulgaria for 4.50 euros! A central shield was missing, probably an enamel plaque, but that was fixable. Several layers of mixed gold nail polish later to cover the grey metal and the empty space had disappeared

The gold oak leaves on the shirt collar points  and on the hat  –  a PGSF major’s rank badges – came from an Etsy supplier in the US. The purple leather wrist band with the gold stud – a bit of military affectation. 😉

My very sincere thanks go to Laurence Mousseron – she went beyond standard customer service and smiled all the way through.

Oh, and did it work? I think so… But once back in a uniform, I had to try and pull my stomach in and square back my shoulders – not always completely successfullly – but it caused some discussion.

Have you ever dressed up in your favourite character from a book or film?

Alison with Laurence Mousseron in the Surplus Militaire Armurie et Cotellerie, Thouars

Alison with Laurence Mousseron in the Surplus Militaire Armurerie et Coutellerie, Thouars

 

 

 

 

 

 

 

 

 

 

Writing challenges so far:

Day 15: The many-hatted author
Day 14: Show your workplace
Day 13: A funny family story. Or not
Day 12: Early bird or night owl?
Day 11: Favourite writing snacks/chocolate porn
Day 10: Post an old picture of yourself
Day 9: Post 5 random facts about you
Day 8: What’s your writing process?
Day 7: Introduce your ‘author friend’
Day 6: How the writing all began
Day 5: What inspired the book I’m working on
Day 4: The setting for the new Roma Nova book
Day 3: Introducing the main characters Julia and Apulius
Day 2: Introduce your work in progress
Day 1: Starting with revealing information

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.

Writing challenge Day 15: The many-hatted writer

Today’s challenge is : ‘We all wear many hats. what are some of yours?’

I’ve worn many hats in my life: daughter, wife, mother; student, civil servant, soldier, translator, company owner, local councillor, editor; friend, colleague, trainer, mentor, traveller, walker, non-resident, explorer; photographer, embroiderer, gardener. Currently I write, give workshops, write a column and speak at events (More about this here). Generally, I hope I’ve been pleasant and helpful wearing all these hats.

A few hats from my life…

Hat that won a competition in 1999 at a chamber of Commerce event in 1999

The Santa hat 2014

The new officer, April 1982

Grand Canyon hat, 2015

Is this a hat? 2018

Roma Nova sidecap, Eboracum Roman Festival, York 2019

Sending myself up at Tank Museum, Saumur 2017

Mother of the Bridegroom, 2019

More seriously, now I have left the formal workforce and become a freelance writer of novels, short stories, blogs and guest posts, all these parts of my life, hatless or hatted, have contributed to my current ‘hat’ as a writer. One hat I have never worn is that of idleness. Probably because I’m a chatterbox and a fidget…

Writing challenges so far:

Day 14: Show your workplace
Day 13: A funny family story. Or not
Day 12: Early bird or night owl?
Day 11: Favourite writing snacks/chocolate porn
Day 10: Post an old picture of yourself
Day 9: Post 5 random facts about you
Day 8: What’s your writing process?
Day 7: Introduce your ‘author friend’
Day 6: How the writing all began
Day 5: What inspired the book I’m working on
Day 4: The setting for the new Roma Nova book
Day 3: Introducing the main characters Julia and Apulius
Day 2: Introduce your work in progress
Day 1: Starting with revealing information

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.

Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.