Conflicting emotion

Conflict and emotion are two pillars of fiction writing whether in high-end literary fiction or the most melodramatic genre fiction.

A story will often start by providing the main character with a conflict, be it professional or personal. Sometimes it’s the place where the initial event is set (weather, nighttime, urban, with unlit streets), a […]

Not a whinge about author income. Ah, wait...

The cheesed off look

If you go through the mainstream system, your agent will sell your book to a publisher (or you may sell it direct). You get an advance of anticipated earnings on the books, then after that amount is ‘earned out’, you start getting royalties.

But apart from the ‘big cheese’ authors, […]

Fed up with the football world cup? Here's an alternative!

It’s on grass in summer, it can take place indoors, it’s pacey, full of tension, heart-wrenching, breath snatching and an alternative to football… Yes, reading!

And not just reading, but box sets where you get three or more books packaged together. Not only is this convenient, it will also save you money. So let’s […]

Niches and risks

A reviewer wrote about SUCCESSIO, the third Roma Nova novel:

“Clearly, Alison Morton is as much a reckless risk-taker as her main character, Carina Mitela. […] after creating one of the most fascinating heroes in my recent memory in book one, and shamefully marginalizing him in book two, the author now proceeds to dismantle the […]

Speculative heroines

Some reflections for International Women’s Day…

All fictional characters are, er, fictional. We borrow, mine, or lift characteristics from Real Life, but unless we want to get sued, the finally moulded form is a construct. We can gender mirror (I love using that expression – also made up), we can speculate, we can imagine.

Ditto […]