Grammar Nazi or dilettante?

I’m reading a book at the moment full of “prithee, varlet” language. It’s as irritating as Hades, but maybe that’s just me. The atmosphere of fear is building, the characters are forming and the plot slowly emerging.

But despite the over-elaborate language, the author’s grammar is spot on. And that’s what saves it.

Writing is […]

Retribution from or for Adrian Magson?

I’m (literally) thrilled to welcome Adrian Magson to my blog today. A freelance writer, reviewer and creative writing tutor, he’s the author of the Riley Gavin & Frank Palmer series of crime novels set in London and is currently writing two new series, the Harry Tate spy thrillers and the Lucas Rocco French police stories. […]

Conflict for characters - how to make a decision

How do you make a decision? Whether it’s buying a new pair of shoes, going to law or plunging into a new life in a different country and culture, it’s a complicated question.

First of all, there’s an instinctive reaction to the decision: you see, you want, you say yes. Then your brain kicks in: […]

Sorting out a boring paragraph...

I was editing my second book, a speculative fiction thriller (see previous post). I came upon one of those paragraphs I must have written at midnight after a very busy day with irregular meals and a lot of alcohol.

The characters made it from A to B, they had a conversation of two lines and […]

Conflicting advice and making your own decision

Conflicting advice is the very devil, especially if it’s given by different well-respected and hugely experienced writers. Especially when you’ve paid for it from a well-researched and carefully selected specialist or it comes via a highly professional writing organisation.

Like most newbie writers, I am passionate, energetic and in love with my story and characters. […]