PERFIDITAS giveaway competition

In the eleven days before PERFIDITAS is published on 17 October, you can enter a competition to win a signed copy of the paperback. You could be amongst the first to read it, and also receive one of the specially designed bookmarks.

More about PERFIDITAS           Watch the trailer

To enter, click on the button in the panel below…

Goodreads Book Giveaway

PERFIDITAS by Alison Morton

PERFIDITAS

by Alison Morton

Giveaway ends October 16, 2013.

See the giveaway details
at Goodreads.

Enter to win

 

Is an author name a feminist issue?

AMMA new fan I met today who said she loved thrillers with a difference, asked me why I used my obviously female name and not initials. She thought I would gain more credibility as A M Morton than Alison Morton as I would sound like a man. I gave a stock answer and buried my feminist hackles. But it’s an honest question from a member of the reading public.

Why J K Rowling and not Joanne Rowling?
M C Beaton and not Marion Beaton?
P D James and not Phyllis James?

But what about Sara Paretsky, Agatha Christie, Patricia Highsmith, Lindsey Davis, Elizabeth George? And C.S. Lewis, J.R.R. Tolkien, P.G. Wodehouse, C.S. Forester, C J Sansom, and J D Salinger – are they perceived as any more masculine because they use initials?

It’s something I thought about when I started writing. Would it sell more books if my gender was hidden? But would it be deceptive and possibly annoy potential buyers when they ‘found out’? I’d always been known as ‘Alison Morton’ and couldn’t quite see myself as a rather remote ‘A M Morton’.

The old idea that men don’t read books written by women doesn’t seem to hold so much water – at least, I’ve found that to be the case with INCEPTIO even though the protagonist is a strong female character and the setting a feminised, modern version of a Roman society.

This may be a sweeping generalisation and I’m prepared to be shot down, but reading around this subject on the forums and readers’ groups, one thing seems to stand out (if I may phrase it that way): many male readers express an absolute dread of the ‘R’ word – romance, even if it’s a minor part in the story or  written in a matter of fact, non-emotional way. That’s a shame: emotional relationships are the things that bind people together and to miss this dimension out of any genre of book subtracts some of the essential human substance from the story.

Do you pick up books with initials rather than a full female name?
Do you get annoyed to find out the initials disguise gender?

 

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.

Find out about Roma Nova news, writing tips and info by signing up for my free monthly email newsletter.

 

PERFIDITAS UK launch

All are welcome! Here are the details:

An evening with Alison Morton
Wednesday 6 November 2013 at 7pm
Waterstones 32-40 Calverley Road, Tunbridge Wells TN1 2TD

Alison will talk about and read from her new novel, PERFIDITAS, an alternate history thriller, the second in the Roma Nova series, and sign copies afterwards.

“Sassy, intriguing, page-turning… Roma Nova is a fascinating world.”
Simon Scarrow, author of the Eagle (Macro and Cato) series

Powerful storytelling, vivid characters and a page-turning plot makes Alison Morton’s PERFIDITAS a must read.”
Jean Fullerton, author of the East London series

The plot is complex and clever; the scenes and characterisations so vividly described that I almost felt I was watching a movie in my mind at times. ”
Sue Cook, writer and broadcaster

Tickets £3 available from Tunbridge Wells Waterstones on the ground floor or over the phone on 0843 290 8658. Complimentary drink on arrival, plus ticket redeemable off the price of the book on the night.

Watch the book trailer for PERFIDITAS

INCEPTIO awarded the B.R.A.G. Medallion

Brag logo(Don’t miss the update at the end!)

The what?
In the large sea of self/independently published work, there is a lot of flotsam and jetsam and not all of it is worth picking up. How to tell?  Well, indieBRAG, a privately held organization has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States, Canada, and the European Union to address this.

Their mission is to recognise quality on the part of authors who self-publish both print and digital books, principally fiction. Staying with the nautical image, they provide a rudder, possibly now becoming a compass.

So how do they do it?
First, they select titles from the large and rapidly growing pool of indie books available, then members drawn from their reader group evaluate and  judge the merits of each book based on their list of criteria. The single most important criterion they ask their readers to use in judging a book is whether or not they would recommend it to their best friend. Once a book meets this standard of quality, they award it the B.R.A.G. MedallionTM.

BRAG_INCEPTIOThey are known to be very picky so it’s a great honour to be on the list and it’s a recognised standard in the independent sector.

Now INCEPTIO continues on its voyage, happily on board a solid ship and will soon be wearing a new gold sticker…


UPDATE

A writing friend of mine, Jane Steen adds this:
“On Saturday (28 September 2013) I went to the IndieB.R.A.G. lunch in Chicago. No sales pitch, just a warm friendly welcome (with book-themed cupcakes finishing off a delicious lunch!) and a real interest in promoting author-published books.

I submitted my novel to them for the BRAG Medallion some time ago, and was recently approved so I was curious (and a little wary) of who these people are and how they choose books. Apparently, after the initial selection process (to screen out the obvious “no” candidates of the unedited first draft kind) each book is read by 5 readers, who vote yes or no. About 90% of the books submitted to them don’t make it through. They are beginning to gain some traction as a “gatekeeper” and have plans to work with bookstores etc. to make author-published books more widely available.

They are currently closed to unsolicited submissions because of the volume they receive every time anyone like me mentions them, but they will open up as soon as they get their TBR pile down. Just wanted to let you guys know they’re on the level and encourage you to go to the next event they arrange.”

Ninety per cent rejected. There you have it.
 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.

Publishing the Roman way...

Money-­making booksellers, exploited and impoverished authors, celebrity book launches and the danger of writing controversially. Sound familiar?

Although without the current technology of print-on-demand, digital publishing, even the lithographic or moveable type of not so long ago, the Roman world had a thriving publishing industry. Production was by teams of slaves who copied original manuscripts which were then sold in shops. Copyright didn’t exist, so publishers didn’t have to pay authors for their work.

The only way writers could make a good living out of their work was to be sponsored by a wealthy Roman. i.e. to become the ‘client’ of an influential ‘patron’.  The writer could produce his own work, but he was under a strong obligation to write what the patron wanted. He would also be trotted out to give readings of his work to the patron’s friends at parties. However, it was an opportunity  for the writer to launch his latest work in front of other potential patrons, to network and possibly find a new, better sponsor.

However, woe betide (thrice woe!) if the author wrote something that displeased his patron. Apart from losing his livelihood an author could face more serious penalties. Books were seen as dangerous because they spread ideas; political control of the media was exercised firmly.

The punishment for writing something libellous was death. As the writer Juvenal pointed out, the best thing to do was to wait until someone died before you criticised them. Historians were considered to be particularly dangerous. Emperor Domitian had the historian Hermogenes of Tarsus executed for writing books that he disapproved of. As well as destroying all the books written by Hermogenes, he also killed all the slaves who had done the copying.

The first books published in Rome took the form of a long roll of papyrus consisting of about twenty sheets glued together. These volumenes  were both difficult to read and easy to damage, especially if produced on cheaper, poorly produced papyrus. If handled clumsily, the scrolls would crack or disintegrate, if exposed to the damp the papyrus rotted, and the ink made from soot, resin and the black liquid from cuttlefish, would begin to fade.  Insects liked eating papyrus so books had to be stored in boxes.

In about AD 365 Romans began to make books of parchment. The sheets were folded and sewn together and looked much more like modern books. However, parchment was expensive and as with the papyrus scrolls, few people could afford them.

Photo courtesy of Benh LIEU SONG under Creative Commons licence

Most major cities in the Roman Empire had public libraries such as this remarkable one in Ephesus built in honor of the Roman senator, Tiberius Julius Celsus Polemaeanus by Celsus’ son, Gaius Julius Aquila. Celsus had been consul in 92 AD, governor of Asia in 115 AD.  Influential private citizens, including G. Julius Caesar, established them status symbols. By AD 377 Rome had twenty-eight large libraries where citizens could go and read books free of charge. However, to maintain tight control over what people read, government officials called prefects selected the books that appeared ion the shelves.

There must have been a fascinating black market trade in books and not just pornography…

For further reading(!), I thoroughly recommend Mary Beard’s article “Scrolling Down the Ages” 16 April 2009 New York Times and Lindsey Davis’ Ode to a Banker where her irrepressible detective Falco fancies himself as a poet, but comes up against things far more sinister than a poetry reading evening…

 

Updated November 2021: Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series.Double Identity, a contemporary conspiracy, starts a new series of thrillers. Double Pursuit, the sequel, is now out!

Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.