Why my books are published in paperback

booksAlthough I couldn’t manage without my practical ereader  (Kindle Keyboard 3G) and downloaded ebooks, I still love physical  books. The cover, the colour, the weight, flicking the pages and smelling the paper – mmm! See a pile of books and I’m instantly lost.

Apart from the pleasure of holding a beautiful object,  the smell of the paper and the joy of a piece of clever design, all the elements are there in the order you expect; the cover, title page, perhaps with an intriguing or intricate graphic, a little piece about the author, some background to the book which sets the tone. Then off you go to turn the first page.

With an ebook, I’m abruptly into the story, which is good in one way, but I often find myself clicking back and looking first at the cover image, the dramatis personae, any notes before starting, but that’s me. However, for sheer practicality and the ability to instantly access reasonably priced stories anywhere in the world wherever you can get connected, the ereader is unparalleled.

From a commercial point of view, a paperback is a useful marketing tool even though it is more expensive to produce. Many competitions and book reviewers specify paperback only. And a physical book can be taken to book fairs and put into book professionals’ hands.

But something I’ve noticed when offering any of my books as a prize in competition, is that unless I’ve specified the prize is ebook only, winners nearly always opt for the paperback in preference to the ebook. Readers have told me they connect better with the story when holding a  physical book. And I do sell quite a lot of signed copies, at book events, fairs, fetes, lunches, on the airplane or in a café.

And let’s not forget, books on shelves are beautiful things.

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out and Book 4 is in the editing process!

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So, how was 2013 for you?

Sue always said she'd be my first customer at my launch.

Sue Cook always said she’d be my first customer at my launch.

2013 was a life-changing year for me; two books published, one shortlisted for the International Rubery Award  and awarded quality marks for self-published work (B.R.A.G. MedallionTM and Awesome Indie), conferences, London Book Fair, radio interviews, fantastic launch events (March and November), invitations to speak and appear on countless blogs, writing (paying!) articles and a raft of clever, authoritative and encouraging reviews for my books.

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At Pembury Library in March

But I’ve connected with great colleagues, book lovers, fellow writers – all delightful – and it’s the people who make it so rewarding.

Sure, it’s been hard work, but we’ve had fun. Here are a few glimpses…

 

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At the London Book Fair with Helen Hart and Joanna Zefron of SilverWood Books

 

 

 

 

 

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With Liesel Schwarz at the RNA Conference

 

 

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INCEPTIO in Waterstones Tunbridge Wells

 

 

 

 

 

 

 

 

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As a guest speaker at the NineWorlds Geekfest, with Sian Fever

 

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PERFIDITAS arrives!

 

 

 

 

Simon Scarrow, PERFIDITAS and me!

Simon Scarrow, PERFIDITAS and me at the Harrogate History Festival

 

 

 

 

 

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Back on Radio Kent in November

 

 

 

 

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PERFIDITAS launch

 

 

 

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With critique partner Denise Barnes

 

 

 

 

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With Sarah Berry, editor of the local magazine I write for.

 

 

 

 

 

 

 

 

 

 

 

So how was your 2013?

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.

WINNER! Winter Solstice Blog Hop - Shedding light on the Roman dusk draw

I ran a giveaway draw with my post about the Roman dusk  – part of the  Winter Solstice Blog Hop. Let me say, it was incredibly difficult to decide, so I put all the names in a hat and the name of the winning paper was …

(drum roll)

Nicole Evelina!

Read about her here…

A signed copy of PERFIDITAS will be on its way to Nicole.

Thank you to everybody who took part.

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.

Winter greetings - Io Saturnalia!

A hearty winter greeting from Rome – have a great holiday!
Rome in snow(Actually, it was taken in February 2012 at the time of the Great European Freeze a couple of weeks before my own study tour there, but doesn’t the Colosseum look good in snow?)

Photo courtesy of Elizabeth Minchilli, http://www.elizabethminchilliinrome.com/2012/02/snow-day-rome.html

Read more about Saturnalia here.

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.

Winter Solstice Blog Hop - Shedding light on the Roman dusk

Fall_of_roman_empire_(1964)

A post about darkness and light to mark the longest night in the northern hemisphere…

The Fall of the Roman Empire” was a 1964 epic film starring Sophia Loren, Stephen Boyd, Alec Guinness, James Mason and Christopher Plummer. Emperor Marcus Aurelius was dying and did not want his unpleasant son Commodus to succeed him. The final scene of the film shows Rome in total chaos.

Romulus Augustus

Romulus Augustulus (solidus)

But the end of Rome wasn’t quite like that. Marcus Aurelius and Commodus reigned to AD 180 and AD 192 respectively and the Western Roman Empire didn’t end technically for nearly another three hundred years in AD 476 with the abdication of Emperor Romulus Augustulus, a boy of sixteen, and the assassination in AD 480 of Julius Nepos, another contender. The Eastern Roman Empire continued for several more hundred years but declined steadily from the twelfth century until the Fall of Constantinople (Byzantium) in 1453.

But let’s focus on the Western Empire… A scholar I chatted to last year on my Rome & Pompeii study tour joked how there were 257 reasons for the collapse of Rome. But how do we define such disintegration, in essence a “failed state”? We’re not looking at a temporary vacuum caused by regime change or a coup d’état, but total collapse:

  • A loss of control of its territory, or of the legitimate use of physical force in it
  • The erosion of legitimate authority to make collective decisions, i.e. a government without power
  • An inability to provide public services
  • Widespread corruption and criminality
  • An inability to interact with other states as a full member of the international community
  • A sharp decline in trading, monetary control and ability to feed its population

In AD 376 (pre-the Battle of Adrianople) large numbers of Goths crossed the Danube River. They sought admission to the territory of the Roman Empire, which despite having both new and longstanding systematic weaknesses, still wielded effective power across the area surrounding the Mediterranean and beyond. The Empire had large numbers of trained, supplied and disciplined soldiers, a comprehensive civil administration based in thriving cities with effective control over public finances and it maintained a high wealth economy, complex social structure and legal system.

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Fourth century hunting scene, found near Burgos, Spain

Its wide-ranging trade networks allowed even modest households to possess goods manufactured the other side of the known world. Among its literate and political elite it enjoyed ideological legitimacy as the only worthwhile form of civilization and a comprehensive and sophisticated cultural base including the arts, literature and rhetoric.

Only a hundred years later, when Odoacer, a Roman general of Germanic, possibly Hunnic origin, deposed the Emperor Romulus, the Western Roman Empire wielded negligible military, political, or financial power and had no effective control over the scattered Western domains that still described themselves as Roman. Some provinces struggled on, e.g. the Domain of Soissons in northern France where in AD 486 Syriagus the then “King of the Romans” came up against the most dynamic and ruthless leader of the new Europe, the Frankish king Clovis, and lost one of the few remaining outlying Roman provinces at the Battle of Soissons.

800px-Invasions_of_the_Roman_Empire_1Trade, public services, communications and above all legitimacy had broken down and the remaining Romans were unable to hold on to their diminishing territories. Barbarian invasions, the settlement of non-Romans within the Empire and the growth and migration of vigorous warlike peoples in Europe (Franks, Goths, Alans, Burgundians, Alemans) piled the pressure onto brittle systems ready to snap.

The Western Roman Empire localised and eventually dissolved like chain mail fragmenting into separate links, giving way to rump states, local city states and petty kingdoms ruled sometimes by members of the established Romanized ruling elite, sometimes by the invaders. In the southern parts of France, Italy and Spain and the Iberian Mediterranean coast Roman culture lasted until the 6th or 7th centuries.

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Pont du Gard, near Nimes, France

So, what did the Romans do for us at their dusk? Many of their buildings, roads and monuments were used for centuries afterwards, especially in continental Europe. Some parts of the Nimes aqueduct, which includes the famous Pont du Gard, is said to have supplied local farmers into the 10th century.
Aurelian_wallsThe Aurelian Walls in Rome served as significant military defence for the city until 1870.

But population decline of over 20% between AD 400 and AD 600, the loss of technological knowledge, systemised agriculture and manufacturing in Europe from late antiquity into the early middle ages (approximately AD 400-AD 750), the scarcity of artistic and cultural output including historical records, when compared with both earlier and later times, led Petrarch and others to call it the “Dark Ages”. Modern historians prefer to call it the “Early Middle Ages”, but it remains a period of disintegration, impoverishment and rupture, not helped by climate cooling around AD 450-500 and waves of plague and smallpox in the sixth century. A dark period indeed.

By the early AD 700s, agricultural, social and political conditions had started to improve and the climb out of retrenchment began. However, the greatest light in the darkness that persisted from the collapse of the Western Roman Empire, and into the centuries to come, was the gift of Latin as a lingua franca.

Lux in tenebris lucet
(Light shines in the darkness.)

800px-Romance_20c_enBy the end of Empire, Latin had spread to many Mediterranean and some northern European regions. Dialects spoken in these areas, mixed to various degrees with the local languages, developed into modern Romance languages such as Italian, French, Spanish, Portuguese and Romanian. Many Latin words came back to Britain via Old French.

Classical Latin itself slowly changed with the disintegration of the Western Empire as education, recording skills and wealth diminished. The consequent Medieval Latin, influenced by Germanic and proto-Romance languages until expurgated by Renaissance scholars, was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by national languages. But apart from naming plants and animals and studying history and archaeology, there is still great interest in Latin as a door into the Roman world.

Omnia mutantur nos et mutamur in illis
(Everything changes, and we change with them.)

——–

And if a little piece of the Roman Empire had struggled through history into the 21st century but had changed its social structure in order to survive, could it have a heroine like Carina Mitela…?

Read about her latest adventure in PERFIDITAS, the sequel to INCEPTIO.

 

2013-Light-Darkness[1]And when you’ve done that, do visit some of these other sites: clever, informed authors, cracking posts. I don’t think you’ll be disappointed on this night of darkness when you find some shining light…

  1. Helen Hollick : A little light relief concerning those dark reviews! Plus a Giveaway Prize
  2. Prue Batten : Casting Light….
  3. Alison Morton  Shedding light on the Roman dusk (that’s me!) – Plus a Giveaway Prize!
  4. Anna Belfrage : Let there be light!
  5. Beth Elliott : Steering by the Stars. Stratford Canning in Constantinople, 1810/12
  6. Melanie Spiller : Lux Aeterna, the chant of eternal light
  7. Janet Reedman   The Winter Solstice Monuments
  8. Petrea Burchard  : Darkness – how did people of the past cope with the dark? Plus a Giveaway Prize!
  9. Richard Denning The Darkest Years of the Dark Ages: what do we really know? Plus a Giveaway Prize! 
  10. Pauline Barclay  : Shedding Light on a Traditional Pie
  11. David Ebsworth : Propaganda in the Spanish Civil War
  12. David Pilling  :  Greek Fire – Plus a Giveaway Prize!
  13. Debbie Young : Fear of the Dark
  14. Derek Birks  : Lies, Damned Lies and … Chronicles
  15. Mark Patton : Casting Light on Saturnalia
  16. Tim Hodkinson : Soltice@Newgrange
  17. Wendy Percival  : Ancestors in the Spotlight
  18. Judy Ridgley : Santa and his elves  Plus a Giveaway Prize
  19. Suzanne McLeod  : The Dark of the Moon
  20. Katherine Bone   : Admiral Nelson, A Light in Dark Times
  21. Christina Courtenay : The Darkest Night of the Year
  22. Edward James  : The secret life of Christopher Columbus; Which Way to Paradise?
  23. Janis Pegrum Smith  : Into The Light – A Short Story
  24. Julian Stockwin  : Ghost Ships – Plus a Giveaway Present
  25. Manda Scott : Dark into Light – Mithras, and the older gods
  26. Pat Bracewell Anglo-Saxon Art: Splendor in the Dark
  27. Lucienne Boyce : We will have a fire – 18th Century protests against enclosure
  28. Nicole Evelina What Lurks Beneath Glastonbury Abbey? 
  29. Sky Purington  :  How the Celts Cast Light on Current American Christmas Traditions
  30. Stuart MacAllister (Sir Read A Lot) : The Darkness of Depression

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is out early summer 2014.