Hot, tired and stressed out after flight delay and snail-slow taxi ride from Liverpool Street Station, I arrived at Marylebone Hall, the accommodation block at the University of Westminster, fit to drop. I flung on a clean shirt, combed my hair and abandoning unpacking, I hurried down to the lobby. The sound of chatter and clinking glass and broad smiles of people who had spotted me instantly dispelled the weariness and frustration. Here were friends, here were book people; readers, writers, agents, publishers, colleagues.
 Orna Ross (ALLi) and Richard Lee (HNS)
It was a good twenty minutes before I reached the wine table – possibly a record for me. Glass in hand, I listened to Orna Ross of the Alliance of Independent Authors (ALLi), shortlist judge, and Elizabeth Chadwick, final judge, announce the HNS Indie Award prizewinner The Subtlest Soul by Virginia Cox. Prizes were donated by donated by Orna Ross, and Geri Clouston of Indie B.R.A.G.
Greetings, chats, faces I knew, introductions to those I didn’t know all passed in a blur and ended at Hardy’s Brasserie a little later with a delicious meal of smoked mackerel, steak and ale pie and chocolate and orange cake with vanilla ice cream, all washed down with (more) wine.
 Carole Blake and Simon Taylor
Saturday morning, coffee and Danish later, we started with a welcome by HNS chair, Richard Lee, then straight into the first panel. Agent Carole Blake chaired ‘Selling historical fiction’ with Matt Bates from W H Smith, Katie Bond of Bloomsbury, Nick Sayers (Hodder & Stoughton) Simon Taylor of Transworld and Susan Watt from Heron Publishing. Usual things: a cracking good story, great cover, well-edited. The strongest trend was still Tudors, with all other periods well behind.
 Conn Iggulden
Next up was Conn Iggulden, the best selling Roman author, who gave a stellar performance, telling self-deprecating stories with a comedic edge about his writing career. We were captivated. The two things about writing historical fiction I took away were: fill in gaps intelligently, and fiction benefits from history and history benefits from fiction.
For me, the Roman theme continued. ‘Veni, vidi vici’ workshop with Douglas Jackson, Harry Sidebottom and Margaret George discussed our continual fascination with the Romans.
 Why Romans?
The length of the civilisation, its richness of archaeology and sources, its organised, dominant state and military machines and, as Margaret George noted, all those films that Hollywood and TV has produced were possible reasons. I was in my element and contributed enthusiastically!
 Lorna (at left) looking shell-shocked!
The HNS Conference Short Story Award (open to all HNS members attending the conference) came after a sandwich lunch and I was delighted that fellow ALLi member Lorna Fergusson won!

A slightly recovered Lorna sharing the good feeling with me and fellow indie author Anna Belfrage.
Then came a highly entertaining session called ‘My era is better than yours’ with Philip Stevens keeping order, and panellists Angus Donald (Medieval), Suzannah Dunn (Tudor), Antonia Hodgson (Georgian), Giles Christian (Viking and Civil War) and Harry Sidebottom (Ancient Rome).

During the tea break, I chatted with my heroine, Lindsey Davis, the author of the Falco mysteries set in 1st century AD Rome. I managed this time not to be fazed by her greatness and she was charming (Photos courtesy of Dave and Ann McCall).
 Lindsey Davis
Lindsey was a good sport to talk to a relatively new kid on the Roman writing block. Of course, I went to her interview with Jerome de Groot.
Then it was back to Hardy’s that evening for London Particular (pea and bacon soup), kedgeree, and pear and ginger crumble with custard. Yumm!
Read what happened the next day…
‘Bonus’ photos
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.
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Last weekend, I spent two lovely days at a local literary festival at the village of Saint-Clémentin in the Deux-Sèvres. Guests included Michèle Roberts, Leigh Russell and Blake Morrison, plus a number of local writers and poets.
 Walking with poetry – the mill
There were walks with poetry, writing projects with local schools, participative poetry readings, interviews, workshops, local crafts and gastronomy and a wonderful bookshop.
Local authors like me were encouraged to sell and sign their books. And the sun shone.
 Welcome from Madame le maire
Given that Saint-Clémentin has only just over 1,000 inhabitants, staging a three day littlest with over 50 authors and as many events was miraculous.
But the local writers’ group and an army of volunteers are to be congratulated. It only took two years of planning, the organisation of a military operation and energy resources of a new galaxy to do it.
 With Leigh Russell
 Blake Morrison and Michèle Roberts
 With Cathy and Jon Welch who ran the bookshop
 Reading a poem
 Saint-Clémentin
 And I sold a lot of these!
 And some of these!
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.
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 Me and G.J.Caesar
An awful lot!
This is only a brief introduction, but hold on tight because this may seem a little confusing…
Even in the earliest times, Romans used a different system of names from most other European and Mediterranean countries. They used two names, one of which became a hereditary surname. Over time, this expanded to include additional names and even nicknames.
Basics
The most familiar version of the Roman name is the tria nomina, or “three names” – praenomen, nomen, and cognomen – used by male Roman citizens for over a thousand years. Gaius Julius Caesar is a good example.
What means what?
A praenomen (plural praenomina) was a personal name, often following family or tribal tradition, e.g Marcus, Gaius, Aulus, Quintus, and used mostly within the family and close friends. but outside of this circle, they might be called by their nomen, cognomen, or any combination of praenomen, nomen, and cognomen that was sufficient to distinguish them from other men with similar names.
The nomen (plural nomina) designated a Roman citizen as a member of a gens – a ‘race’, ‘family’, or ‘clan’ – which constituted an extended Roman family claiming descent from a common ancestor, e.g Julius, Flavius, Claudius, Cornelius.
 The Continence of Scipio (Nicholas Poussin 1594 -1665)
The cognomen began as an additional personal name but the gradual decline of the praenomen as a useful means of distinguishing between individuals made the cognomen a useful means of identifying both individuals and whole branches of Rome’s leading families. Additional cognomina were added if a person was adopted into another (often socially superior) family; in his will, the dictator Gaius Julius Caesar adopted his great-nephew, Gaius Octavius, who became known as Gaius Julius Caesar Octavianus. Sometimes an agnomen (similar to cognomen) was added as a result of a heroic act, e.g. Publius Cornelius Scipio Africanus, who took the Second Punic War to Africa, and defeated Hannibal.
 Antonia Minor, Mark Anthony’s daughter, mother of emperor Claudius
Roman women’s names
In the earliest period, Roman women shared the same name format as men, praenomen and nomen. By the end of the Republic, the majority of Roman women did not use praenomina. Most women were called by the nomen alone, in the feminine form, e.g. Cornelia, Claudia or Julia.
For men, who might hold public office or serve in the military, the praenomen remained an important part of the legal name, and a way of distinguishing them from other members of their family who might also be serving. But although they sometimes exerted significant influence behind the scenes, Roman women played practically zero role in public life, so were not thought to need an individual name.
Moreover, a praenomen was not usually seen as necessary to distinguish between women within the family. If there were multiple sisters in the same household then a cognomen or a combination of nomen and cognomen was used, e.g. Julia Tertia (third) or Volusenia Minor (younger). Roman women did not change their original (father’s) nomen when they married, so a new daughter in law’s nomen alone was usually sufficient to distinguish her from every other member of the (new) family. This blatant lack of individualisation seems alien to us today when our first or given name is extremely important to our sense of ourselves.
 Etruscan couple (tomb sculpture)
Although women’s praenomina were infrequently used in the later Republic, they did continue into imperial times, especially among the other peoples of Italy, until the populace was thoroughly Romanized. In the Etruscan culture, for example, where women enjoyed a markedly higher social status than in Rome, inscriptions referring to women nearly always include praenomina. (Read Elisabeth Storrs’ excellent The Wedding Shroud)
 Caracalla
Changing times
When Caracalla turned all free inhabitants of the Roman Empire into full-blown citizens in AD 212 (mainly to be able to tax them), new citizens adopted the nomen ‘Aurelius’ in recognition of the emperor’s ‘gift’ (his proper name was Marcus Aurelius Severus Antoninus Augustus, with Aurelius as the nomen). ‘Aurelius’ quickly became the default nomen in the east and the second most common after ‘Julius’ in the west.
Caracalla’s ‘New Romans’ and even many established Romans either dropped the nomen from their name or, in some cases, treated the nomen as a praenomen. Although a nomen would long be required for official purposes, and in isolated corners of the empire and in parts of Italy, its everyday use would continue into the 7th century, the nomen was generally omitted from the name by the close of the 3rd century.
 Flavia Iulia Helena Augusta, known as Helena of Constantinople or St.Helena
With the infusion of Greek culture into the Roman Empire, the use of patronymics (‘son of’) and by-names such as ‘the wise’ or ‘the short’, and descriptive, such as ‘of Antioch’ or ‘the tailor’, began to displace inherited surnames; the Greeks did not have such a keenly developed sense of genealogy as the Romans did. Family names are completely missing or rare in documents and seals dated from between the 7th and 10th centuries. Eventually, family names were seen as a quaint custom.
Later, Roman women, like men, adopted signa, or alternative names, in place of their Roman names. With the fall of the Western Empire in the 5th century, the last traces of the distinctive Italic nomenclature system began to disappear, and women, like men, reverted to being known by single names.
And Roma Nova? The Twelve Families’ members kept their nomina (of which they were very proud) and developed the custom of adding a personal name or praenomen to give each family member an individual name; they were only a few hundred at the beginning, and each individual was needed, and valued, for the colony to survive. Over the centuries, other Europeans added surnames, developed from occupation, locality or nicknames, to their personal names; these often chopped and changed, becoming extinct or hyphenated. Roma Novans adopted descent and inheritance through the female line and retained a family/tribal system of sharing a nomen with all members of their family. Their most treasured possessions included their family records, whether on parchment, paper or digital.
And so our heroine’s name has followed Roma Novan tradition: her personal name is Carina and her family name Mitela – the nomen used in the fourth century AD by her far-off ancestor, Gaius Mitelus.
Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.
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Yes, but ‘feminist-lite’. Let me explain…
First, where do I stand?
I believe that women and men should be treated equally. We are different from each other biologically and studies have shown that we have broadly different aptitudes, strengths and approaches dating back well beyond the Stone Age to when we were evolving from the primates.
But there’s no doubt that women’s roles and lives through history have been defined by their gender, and by the power and control exerted over them by men, particularly in harsher times. And women have been, and often still are, lumped together as ‘the women’, e.g. who will the women vote for, and what do the women think of X? I deal with people as individuals, irrespective of their gender. And being a feminist doesn’t mean you are a man-hater. I like men and have been married to the same one for 35 years!
How did my time in the male-dominated armed forces affect my outlook?
My family has always served in the military; both grandfathers (Army), my father (Royal Army Medical Corps), three aunts (two in the WRNS, one WRAF), uncles (RAF and Army). I had the great good luck to have a feminist for a mother who brought us up gender-blind. It never occurred to me that a girl couldn’t be a soldier. I had a brilliant time doing exciting things all over the NATO area. It was more important to carry out your task irrespective of whether you were a man or woman. Of course, there was sexism and sexist language, but you learnt to give it back. Serving in a mixed unit gave each gender an appreciation of what the other could do.
 Photo courtesy of Britannia www.durolitum.co.uk
How does my version of a feminist military in Roma Nova differ from a traditional one?
The core value of my imaginary Roma Nova is based on service to the state being the highest virtue. Putting the collectivity before the individual has been a survival strategy in Roma Nova since earliest times when daughters and sisters had to step up to fight alongside their menfolk to protect their new home and way of life.
In the 21st century, the Roma Nova military continues to be a mixed one with promotion on merit and capability; gender is not an issue. Although there are probably equal numbers in the Roma Nova military leadership with a possible bias towards men, in civilian life women head families, the senate and commercial organisations; the ruler is female and inheritance is through the female line. After all, we can usually be sure who a child’s mother is…
Alternative words and timelines
Writing fiction means you can invent your own world – a great privilege. This means, of course, you can tilt and slant to your heart’s content within ‘da rulz’ of your genre. Like most forms of speculative fiction, alternative history is particularly generous in that you can explore any theme or possibility you can think of. And putting the female members of a society on completely equal terms with the men is such a tempting one…
The ‘feisty’ heroine issue
A kick-ass female protagonist does not a feminist heroine make. Some feminist heroines are the quietest and most thoughtful characters around, e.g. Jane Eyre. Some tough action heroines do their stuff and then melt into the hero’s arms and transform into the wimpiest beings ever. This is not a feminist narrative. Of course, feminists need love and relationships – they wouldn’t be human otherwise – but they don’t sacrifice their personal integrity and sense of individuality, nor their beliefs.
However, the key to writing fiction that readers will want to buy is to give them a cracking story with characters so attractive and a plot so full of heart-breaking crunches that they’ll be captivated up to the last page. What they don’t need is an ‘in your face’ academic treatise on social and gender politics. Like world-building and description, social themes such as feminism should seep into the narrative, not clobber it like a wrecking ball; it’s so much more effective. Roma Nova is an idealised egalitarian society with a feminist bias, but one that seems natural to the characters who live in it. And it seems to resonate with readers of both/all genders.
Are you happy to use the ‘fem-word’ if writing a book? And when reading, do you like to see feminism as a theme?
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available. Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, is now out.
Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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Well, this is exciting!
The Historical Novel Society indie review team has reviewed SUCCESSIO and given it a wonderful write-up. But the cream on the cake is that it has been awarded the accolade of “Editor’s choice”!
http://historicalnovelsociety.org/reviews/successio/
Not only is there that glory, but SUCCESSIO will automatically be longlisted for the HNS Indie Award 2015, the results of which will be announced at the HNS Conference 2015 in Denver USA.
Selection by your peers is the hardest test. Well, after that by readers!
The HNS is an open and welcoming organisation with strong presence in many countries, especially the US and Australia. It embraces some of the most ‘famous names’ in writing e.g. Diana Gabaldon, Bernard Cornwell, Elizabeth Chadwick, Simon Scarrow, among others, but also enthusiasts and readers of historical fiction.
Open to readers, big name, small press, mainstream and indie authors, here it is in its own words:
‘We are a literary society devoted to promoting the enjoyment of historical fiction. We are based in the USA and the UK but we welcome members (who can be readers or writers) from all round the world. Through our print magazines, conferences, website, social media and through the dynamism of our membership we help bring the excitement of these novels to the widest audience.’
And I’m off to the conference in September (5th to 7th), and I’ll speaking about social media.
STOP PRESS: The conference was brilliant! Read the reports…

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.
Find out about Roma Nova news, writing tips and info by signing up for my free monthly email newsletter.
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