Roman dating essentials

Julius Caesar (He's the one on the plinth.)

Julius Caesar (He’s the one on the plinth.)

Watching the countdown calendar to the publication day of INCEPTIO on 1 March reminded that the first of the month in the Roman system – the Kalends  – ended up as our word for measuring the whole thing.

In my Roma Nova thrillers, I use the standard Western system the world has agreed to use, but how did the traditional Roman system work? And were the Roma Novans right to abandon it?

According to legend, Romulus, the founder of Rome, instituted the calendar in about 738 BC. But it probably evolved from the Greek lunar calendar, which in turn was derived from the Babylonian (Nothing new under the sun, or the moon, then).

Originally, the Roman calendar appears to have consisted only of 10 months and of a year of 304 days. The remaining 61¼ days were apparently ignored, resulting in a gap during the winter season. Awkward. The months bore the names Martius, Aprilis, Maius, Junius, Quintilis (renamed later as Iulius), Sextilis (ditto Augustus), September, October, November, and December – the last six original names corresponding to the Latin words for 5 to 10. The early Roman king Numa Pompilius is credited with adding January at the beginning and February at the end of the calendar to create the 12-month year. In 452 BC, February was moved between January and March.

By the 1st century BC, the Roman calendar had become hopelessly confused. The year, based on cycles and phases of the moon, totaled 355 days, about 10¼ days shorter than the solar year. The occasional intercalation of an extra month of 27 or 28 days, called Mercedonius, kept the calendar in step with the seasons.

Of course, there was a political dimension – this was Rome. The Pontifex Maximus and the College of Pontiffs – the religious leaders who exercised strong influence in a society thriving on superstition – had the authority to alter the calendar. If they wanted to reduce or extend the term of a particular magistrate or other public official they just changed the calendar. Brilliant trick. One that today’s leaders would love to have in their frog boxes.

Finally, in 46 BC, Julius Caesar intervened and initiated a thorough reform that resulted in a more consistent dating system, the Julian calendar. It was only superseded by the Gregorian calendar in 1582, although it continued to be used as the civil calendar in some countries into the 20th century.

Knowing what day of the month it was
Roman months were based on a series of markers. The first day of the month was called the Kalends, but the date of the other markers varied according to month length. Roughly, the next marker, the Nones, was around the 5th, sometimes 7th, of the month with the infamous Ides halfway through the month, somewhere around 13th to 15th. To get to the end of the month from the Ides, you counted backwards from the next month’s Kalends (1st). Dont let’s go anywhere leap years and dating of equinoxes!

consul-listThe principal method that the Romans used to identify a year for dating purposes was to name it after the two consuls who took office in it – hence the consular year. In and after 309 AD there were years when no consuls were appointed and the consular date was given a count of years since the last consul. This threw the dating system out which must have caused havoc for trade, politics and the law, let alone normal people’s lives. The system of consular dating, obsolete since at least 537 AD, was formally abolished in the law code of Byzantine emperor Leo VI, issued in 888, probably to the relief of all concerned.

Now, given the mental acrobatics of working out where you were in the month, then trying to remember the date of who was consul when, remind me why the Roma Novans opted to abandon the traditional dating systems?

 

Alison Morton is the author of Roma Nova thrillers, INCEPTIO, and PERFIDITAS. Third in series, SUCCESSIO, is now out.

Find out about Roma Nova news, writing tips and info by signing up for my free monthly email newsletter.

Official launch - update

I’m delighted to announce that Sue Cook, writer and broadcaster, will be introducing me at my book launch on 12 March in Tunbridge Wells.

Sue is one of the UK’s most experienced broadcasters. TV viewers know her from many BBC shows – such as Crimewatch UK, the annual Children in Need appeal and Holiday. To radio listeners she’s been a familiar voice since the 70s on many series and individual programmes, including You and Yours and, more recently, Making History for Radio 4. Sue is now a successful novelist and is currently working on adapting her first novel, On Dangerous Ground, for a film of the same title.

Sue was kind enough to read INCEPTIO at proof stage.
“Terrific. Brilliantly plotted original story, grippingly told and cleverly combining the historical with the futuristic. It’s a real edge-of-the-seat read, genuinely hard to put down.”

Waterstones flyer_2ndUpdatePDF

 

 

A gallop through my publishing journey

IMG_3627I’ve had one or two requests to tell you about my publishing journey. Okay, more than one or two. Please feel free to go and look at another post on this site if you feel a mild attack of boredom approaching, but for those who are still with me, here’s the story.

So what happened after I signed my publishing agreement with SilverWood Book on 19 October last year?

The next day, SilverWood Books MD, Helen Hart, asked  me for my finalized manuscript of INCEPTIO to go to the editor,  a short author biography, a 150 word ‘blurb’ for the back of the book jacket, my ideas for the bookjacket to pass on to the designer, thoughts about recommended retail price, social networking links and author photo.  And that was Day 1.

The editing was truly collaborative (I’d had my manuscript edited a few weeks before by a very alert and picky (these are compliments) member of the Society for Editors and Proofreaders who worked for some of the leading sci-fi and fantasy publishers. He’d given me some good genre-specific and structural advice.). On 8 November, I had the edited text back from the SilverWood Books editor who’d polished up ready for the final stage; I agreed with 95% of what she suggested.

13 November, and I clicked open another email from SilverWood Books and sat there transfixed. The cover. It was truly stunning – an overused word, but it was. I’d never imagined it would be so perfect. I’d been collecting cover images I liked for several months, mostly to help crystallize in my own mind what I liked and, more importantly,  how I thought my book could attract readers. I’d  jotted down a few notes about Imperial purple, gold, something modern and had sent it to SilverWood. But I’d never expected anything as impressive. After a few tweaks, we had the perfect cover.

Work continued on the design and on 12 December, I received the first interior proofs. I hadn’t realised just how much there was to designing a book. I was so pleased I hadn’t been tempted to DIY it. I’m reasonably at home with basic graphics and design – that’s what editing a local magazine does for you – but the quality of the work carried out on INCEPTIO was excellent.

I printed the 300 pages off then scrutinised them line by line with the help of my trusty ruler, red pen and Alison Baverstock’s excellent guidelines in The Naked Author – a Guide to Self-Publishing. What else would you do in the run-up to Christmas? I suggested a dramatis personae and a historical note explaining about alternate history, plus a first chapter of the next book, PERFIDITAS should be added.

In the meantime, I  approached writing friends and mentors to ask if they would read an advance copy and, if they felt they could, to give me an endorsement. The delightful Adrian Magson provided the terrific cover quote and other lovely friends said some very kind things.
Then everything rushed on – the interior proof was finalised and last wrinkles smoothed away,  details were uploaded to Nielsen Bookdata and INCEPTIO appeared on Amazon with a temporary cover. Now it’s the full-blown thing with the ‘Look Inside’ feature activated and available for pre-order. Yikes!

The proof copy from the printer was passed, the first print run ordered and the DHL man almost mugged by me when he brought the boxes of books out of his van.

Parallel to all this, we’ve been ordering posters, postcards, bookmarks, sending out advance copies, I’ve been dropping a few little hints on social media(!) and organising my UK launch with the lovely people at Waterstones Tunbridge Wells (scroll down a little to 12 March 😉 ).

Oh, and I’m having a local French launch here in Thouars, on publication Day itself, 1 March. So I’m not busy…

Throughout the process, SilverWood Books have consulted, advised and supported me at every stage with their experience and professionalism.  In cold terms, I’m a client buying in specified professional services to fulfill a project and get it to market. But in human terms, the SilverWood Books team have made the realisation of my emotional investment a life-affirming experience.

A box of books - INCEPTIO arrives

Today, twenty minutes after I had finished a lunch with an amusing, gregarious and fun group of women from the local area, a white van drew up outside our gate.  A man in a red fleece with yellow logo opened the back doors. What was it? It couldn’t be the delivery I was longing for? No, that was due Saturday or Monday at the earliest. Then I saw the box in his hands. I flew down the path, tore open the gate. The box label said from DHL. Juno, it was the books!

IMG_3628

Support stuff - and we're not talking corsets

These  lovely cards and bookmarks have arrived and the eagle still looks stunning.

cards_bookmarks

My box of books will be here next week. I am going to weep with excitement.