I’m taking part in the December StorySong short story fest organised by Discovering Diamonds Reviews’ organiser Helen Hollick.
Each day, there’s a new story and a chance to guess the song/music that inspired it. There have been some crackers so far!
Mine comes on 17 December, the first day of Saturnalia (of course!). What exactly did Honoria Mitela and her troops do at the Battle of Vienna in 1683 when Europe was threatened with conquest by the mighty Ottoman Empire?
In the meantime, here are the other stories (I’ll add the new link each day they appear on the Discovering Diamonds Reviews site)
Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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GMail is a very accessible way of instantly creating an address and enjoys a high level of security. Its layout is clear and easy to navigate, especially when you’re searching for an old message.
(You can hear the ‘but’ coming…)
However, Gmail’s security sometimes works a bit too efficiently. I approve of good security; we have back-ups, spamcatchers and firewalls ad nauseam here), but a few subscribers to my mailing list have reported receiving my newsletters showing a red warning, or not at all.
This is obviously not good: readers are not getting what they signed up for, or are being put off by that red warning.
Roma Nova newsletters have photos and links to articles which I think may interest or amuse subscribers. Like anything in this world, there’s no guarantee, but I do my utmost to ensure they don’t contain anything ‘icky’ in the digital sense.
GMail and spam emails The ‘spamcatcher ‘function in your email program works by identifying messages that are likely to be spam and sending them directly to a spam folder, so you never have to see them. But this function can become problematic if it works too well, such as when Gmail identifies a message as spam that really isn’t. When that’s the case, you might continue to miss email messages from a certain sender because they always end up in your spam folder.
If Gmail keeps sending messages from a certain sender to the spam folder, you can make it stop by telling Gmail the email address is safe. This action, called whitelisting, puts the address on your safe sender list and allows those messages through the spam filter and into your inbox.
How to whitelist a sender
1. Open Gmail. In the upper-right corner, select the Settings (gear) icon. From the menu, choose Settings.
2. Select Filters and Blocked Addresses.
3. Select Create a new filter. If you already have many filters, you’ll have to scroll down to find this link.
4. A dialog box appears. In the From field, type the email address you want to whitelist. Be sure to type the full email address, like example@yahoo.com. To whitelist every email address from a particular domain, type just that domain name, like @yahoo.com.
5. At the bottom of the dialog box, select Create filter.
6. On the next screen, tell Gmail what to do with the email address or domain you just indicated. To do so, select Never send it to Spam. To finish the process, select Create filter.
7. And breath!
If you fancy subscribing to my Roma Nova newsletter, here’s the link: https://eepurl.com/ckNeFL
Oh, and there are freebies to download when you sign up. 😉
Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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I enjoy a ‘writerly’ Skype with another novel writer, Denise Barnes – my critique Writing Partner (CWP). We swap hints and tips, recommend and exchange books, encourage each other about courses and competitions. But the best thing is that we read each other’s work and critique it. Now you have to get on well to do this, so well that you can say things that may seem harsh. But we have to be completely, and sometimes brutally, honest. It’s a pointless exercise otherwise. With both of us going through the same process, we can empathise as well as criticise.
Her current novels are heartwarming Second World War stories with romantic themes, mine are alternative history thrillers. While our imagined worlds are ridiculously different, we drill down and become thoroughly enmeshed in each other’s characters and worlds. It’s spooky when she turns round to me and says about a piece of my heroine’s dialogue,’You know, Carina wouldn’t say it like that.’
Luckily, we both have outgoing personalities and having both owned businesses in a tough commercial environment, we have had to make difficult decisions and say things that were not always welcome. We’re quite nice really!
We have different strengths; mine is history, plotting and action (quelle surprise!), hers is the emotional side of life. But we are both grammar Nazis and she’s particularly good on flowing writing. We do disagree on commas, though… 😉
It’s a bit like any serious relationship: you go on a few (book) dates, get to know them find shared values, then take a leap as you move in with them (a.k.a. hand your whole manuscript over to them). Then you settle into an almost telepathic partnership and get to know every last secret about your partner’s writing…
Like any relationship, it takes honesty, nurturing and above all listening. Trust is key: you are handing over your ‘baby’ for another to look at, assess and critique. But hopefully that person will stand as a godparent/patron/responsible adult and help the infant mature into a full-grown adult.
We’ve been doing this for ten years now and both have nearly that number of books under our respective belts, let alone countless posts, short stories and articles.
I expect to be still going on like this for the next ten.
So how do you find this writing soulmate, ally, confidante and critic?
Join a local writing group – large or small – and get a feel of the different writers, their personalities, experience and goals
Go on writing courses to improve your craft. You’ll meet other like-minded people serious about achieving their goals because they’ve laid out money for such tuition.
Be open – Both of us were small business owners with no (apparent) literary pretensions, but both secretly bursting to be novel writers
You might have found a person who would be a good fit. Check the following:
The two of you must be on the same wavelength for goals and have personalities which gel. The personality and character of the other is as important as her critique writing skills. As the relationship develops between the two of you, you will both find your rhythm, your style, your way of maintaining a close and comfortable relationship. The person who you think might be the right one could be a great match for another writer but in the end not suit you.
It’s fine – often better – if the other person writes in a different genre from you as you will have fresh eyes for your partner’s work and they will for yours. If you both write, for instance, cosy crime, you might find it becomes rather competitive and you will always think your partner’s work is superior to your own. And she will think the same about yours!
If they live a long way away, don’t rule them out. You can always Skype each week and arrange to meet occasionally in person.
Knowwhat you want/expect from your CWP. Is it help on plotting, characterisation, emotion, cliff hangers, layout, social media promotion, structure, early proof-reading for grammar, punctuation, typos etc., a sounding board, or cheer leader? You’ll find you both have various strengths and weaknesses just as in a business partnership
Vital dos and don’ts
Do schedule in longer pieces of work such as a novella or a novel; agree together when you’ll be sending it to her and approximately when you’d like it returned. Keep to agreed deadlines.
Never resent the time you spend critiquing each other’s work. It will highlight possible weaknesses and potential improvements in your own work.
Remember it’s your work in the end. If you don’t agree with something your CWP suggests, then don’t do it. But before completely disregarding it, think about it.
Be prepared to disagree. It’s part of the very nature of the relationship
Never say the other’s work is good if, in your opinion, it’s not, but you’re afraid to hurt her feelings. Being kind won’t help her to be a success.
Contact the other regularly even when you have nothing for her to critique, especially if you feel depressed with yet another rejection. She can remind you of past successes, even if it’s a short story that was long-listed, give you a kick up the bum if you haven’t been producing any writing lately, and say just one thing to get your creative juices going again.
Resolve any disputes fast. Be honest, but accept that you might be wrong.
Celebrate together and have fun!
Trust is the most important element of all. You have to trust that they’re good at writing, that they are serious about their writing, and most of all that they ‘get’ your work and critique it with what we call ‘Brutal Love’. This does not mean criticise them personally or diminish the other.
Good CWPs genuinely want the best for you. They want you to grow, to improve, to have successes. They are happy for you when you reach various milestones, and sympathise when you’ve had rejections, when you think you’ll never make it as a proper writer they will gee you up, cheer you on, and make you feel ready to face it all again.
Being recognised from your writing by the public is one of the most difficult things to achieve, but when it happens it’s so exciting. And your CWP will enjoy being part of your success – as you will hers!
Happy writing!
A bit about Denise
Denise Barnes has written and had published two memoirs, but was desperate to write a novel. So in 2005 she sold her business and began what was to become the award-winning historical trilogy: The Voyagers. She is now writing a second historical series for HarperCollins. The first one, An Orphan in the Snow, published Nov 2017, shot into The Bookseller’s top twenty chart. It’s nearly a decade ago when Denise tentatively put her first horribly-rough manuscript into Alison’s hands, but happily admits she wouldn’t be where she is today without “the best CWP ever.” www.denisebarneswriter.com Twitter: @denisebarnesuk
Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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It’s ten years since I started thrusting books on the world and I’d like to I share some expurgated diary extracts and experiences with you.
But first, a word of motivation…
You know how they say it takes 10,000 hours to become an expert at something? If you take a working day of 8 hours, that comes out to 1,250 days. Suppose we work 5 days a week, i.e. a 40 hour week (Haha!) that comes to around 250 weeks or 4.8 years.
A wise entrepreneur once told me it takes about 5 years to get a business off the ground and into profit. So theoretically, I should have got hold of this writing business. I couldn’t possibly comment…
It’s actually quite hard to get ideas out of your head into an arrangement of words on a page that you feel satisfied with. But be comforted – perfection is impossible. That’s almost the first helpful lesson you learn. Some readers will rave about your writing, others will be left cold. But as a writer you feel compelled to keep trying, however tired your fingers are or how ever much your back aches, however many times you feel discouraged by others’ success or your own lack of it. But if you do the very best you possibly can, then give yourself a gold star. Being bloody-minded and persistent also helps…
So how did it all go for me…
August 2009: A really bad film sends me to my desk, and within 90 days, I have churned out a story of 90,000 words. No clue what to do with the finished manuscript, but it’s bound to be snapped up and sold in every shop and airport.
2010-12: A humbling apprenticeship. I discover I know nothing about the book world or novel writing craft despite being a life-long avid reader. Although ‘high concept and well-written’ according to professional assessors, my story is covered in layers of wishy-washyness and meanders all over the place – certainly not ready for agents, publishers or unprotected readers. I start a blog, though (https://alison-morton.com), as I knew from my business days that you need your own wholly-owned presence in cyberspace.
Nicola Morgan, Alison Morton, Liz Harris sharing a good joke in 2010
I join a writers’ circle, acquire a critique writing partner, go to conferences, read craft books, study on courses and in classes, and hone.
And I mean hone. You have never seen such scalpel action on a writer’s work. I put it through professional assessments – tough and even tougher. At last, a reasonably manuscript emerges.
My desk isn’t visible through the layers of multiple rejection letters saying, ‘intelligent and well-crafted, but we don’t know how to market it’. I despair. But feedback from many quarters said the story was of publishable standard so I take heart.
During this ‘apprenticeship’, I make connections including the late Carole Blake, the agents’ agent, who becomes a friend and mentor. We discover we both have a lot of opinions on everything. 😉 I come across publishing experts of all stripes in person and virtually including Sam Missingham. My business brain clicks into action and after consideration I decide to research the self-publishing sector. My brain hurts but I draw up a short list of experts to help bring my novels to market in the best possible presentation and grill them for two hours each.
2013: Structurally and copy-edited, proofed and put together beautifully by SilverWood Books, INCEPTIO hits the world. PERFIDITAS follows six months later (It’s fully drafted by the time INCEPTIO came out, so I’m not being super-productive!). Am taken aback by the amount of PR/marketing needed: blog tours, reviews, guest posts, competitions, talks, local radio, let alone feeding my own blog. (Aaaaargh!)
Join the Alliance of Independent Authors – lifeboat.
2014: SUCCESSIO comes out in June and I’m interviewed by no less a person than broadcaster Sue Cook!
I start to get onto the speaking ladder at conferences – panels and talks – very exciting!
Publishing collaboration panel at the Romantic Novelists’ Association 2016 conference with Dominic Wakeford (Piatkus), Carol Blake (Blake Friedmann Lit Agency), Katie Fforde, Nicola Cornick (Vice Chair RNA), Donna Hillyer (publishing consultant)
But I realise my writing life has to change. It’s the fine choice indies have to make – writing or marketing? The answer is both. Planning is key whether it’s speaking, attending, selling your books, requesting reviews, running your social media, writing guest posts, packing your exhibition box or considering next year’s events.
And you learn to write on planes and trains.
2015: AURELIA comes out, the first of a new trilogy set the late 1960s. Originally, it was going to be a single sequel, but I have too much story, so another trilogy. That will be it. Or so I think. I go to the US and chair the indie panel at the Historical Novel Society conference. This is also the year for a marketing makeover for the blog. I split it as I was aiming at two audiences – my Roma Nova readers and other writers. Now I have a writing blog as well as the Roma Nova book one (https://alisonmortonauthor.com). (What am I doing???)
2016: The year the Ryanair crew recognise me when I came back home to France from my tenth gig in the UK. I’m doing too much, including a major conference in France as well as several in the UK. Still, I’d chair the indie panel at the 2016 HNS Conference, launch my fifth book, INSURRECTIO (endorsed by Conn Iggulden!) at the London Book Fair (left) and speak at an event with Kate Mosse!
2017: RETALIO comes out in April followed by CARINA, a novella, in November. I only achieve this by gluing myself into my chair and doing fewer events, although I had the pleasure of speaking in Dublin for the first time.
2018: Persuaded by the dynamic force known as Helen Hollick, I move several light years from my comfort zone and write a short story for 1066 Turned Upside Down alternative history collection. No problem with the alternative history side; this is the genre I write in – I give talks in it – but a short story? Um… I write 90-100,000 word books. But somehow it works.
This impels me to publish a short story collection of my own – ROMA NOVA EXTRA. Oh, and I represent the indie writing world on a panel at CrimeFest.
2019: The great change in Roma Nova: reorganisation and brand new covers! Each heroine now has four books – three novels and a novella to their name – and the series will split into the Carina and Aurelia strands. I published NEXUS in September, the novella that completes the Aurelia strand. In my spare time, I write a short story for RUBICON, a collection of Roman stories published for the Historical Writers’ Association, and a 17th century Roma Novan story will be out in December as part of Helen Hollick’s Story Song month.
Ten years later, I’d say the writing process itself doesn’t get a great deal easier but some aspects of writing life do. You’ve gained expertise, knowledge and valuable contacts. You have a better idea of what you’re supposed to be doing, and have (hopefully) gained a sense of proportion. And you’ve learnt that change is the only certain thing.
So, nine Roma Nova books, one history book, a new writer’s guide later, I’m not super-productive by some standards, but I still feel that urge to write, to put those words out there. Where next? I’m developing a new series – a first draft completed and the second started… Yes, the itch is still with me.
Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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No, not Julio-Claudians or other Romans, but that powerful and intermarried ruling family, the Tudors and their connections.
This Thursday’s guest is Tony Riches, a full-time UK author of best-selling historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Wars of the Roses and the lives of the early Tudors.
Tony’s other published historical fiction novels include: Owen – Book One Of The Tudor Trilogy, Jasper – Book Two Of The Tudor Trilogy, Henry – Book Three Of The Tudor Trilogy, Mary – Tudor Princess and Brandon – Tudor Knight.
Tony’s latest book, Katherine, Tudor Duchess is out this week. Sometimes the side actors can be more intruiguing than the main characters. Over to Tony…
Attractive, wealthy and influential, Katherine Willoughby is one of the most unusual ladies of the Tudor court. A favourite of King Henry VIII, Katherine knows all his six wives, his daughters Mary and Elizabeth, and his son Edward.
When her father dies, Katherine becomes the ward of Tudor knight, Sir Charles Brandon. Her Spanish mother, Maria de Salinas, is Queen Catherine of Aragon’s lady in waiting, so it is a challenging time for them when King Henry marries the enigmatic Anne Boleyn.Following Anne’s dramatic downfall, Katherine marries Charles Brandon, and becomes Duchess of Suffolk at the age of fourteen. After the short reign of young Catherine Howard, and the death of Jane Seymour, Katherine and Brandon are chosen to welcome Anna of Cleves as she arrives in England.
When the royal marriage is annulled, Katherine’s good friend, Catherine Parr becomes the king’s sixth wife, and they work to promote religious reform. Katherine’s young sons are tutored with the future king, Prince Edward, and become his friends, but when Edward dies his Catholic sister Mary is crowned queen. Katherine’s Protestant faith puts her family in great danger – from which there seems no escape.
Katherine’s remarkable true story continues the epic tale of the rise of the Tudors, which began with the best-selling Tudor trilogy and concludes with the reign of Queen Elizabeth I.
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Available in eBook and paperback from Amazon UK and Amazon US
(Audiobook in 2020)
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Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.
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Can music inspire a story? It seems so!
24th / 25th HAPPY CHRISTMAS
