 (Photo: Uschi Hering)
*Falls over laughing*
It’s chaotic. No, I do not sit down at 9 am and work through to 5.30pm. But somehow it does get done.
Right I’m going to try to take this seriously (Puts on stern face)
My first main characters had been running around in my head for years before I tapped the keyboard so they were fully formed when I started to write the Roma Nova stories.
Over the years, I’ve added many others so I check how they’re interacting with the old stagers. Cue spreadsheet with ages and major events. Nobody wants to marry their son or have the legendary 11-month pregnancy. By the time of the fourth of my main character Carina’s strand, her children are now assuming main roles.
Although I’m in no way a plotter with complex outlines for each chapter, I usually have an idea of what I want a character to achieve. Back in 2012, I evolved a vague system to put some structure into each story and wrote a post called How to write a novel in 30 lines. It runs from inciting incident, three crisis points, the black moment to climax and resolution. I still use it. But that’s the extent of my planning ahead.
The detail evolves as I tap on the keyboard. I also want to know what is going to happen. The characters’ quirks and interactions push the story along. Sometimes, they try to stage a coup and take over the show.
Excuse me! Who is writing this book?
After an hour of negotiation we agree on a compromise and I nudge them back into the story, promising death, agony or separation from their beloved if they don’t behave. (I do that anyway, but don’t tell them ahead of time.)
After an hour of this bickering, I go for a tea break and decide I’ll do something calming like marketing.
Track and trace (Not meaning to badmouth postal systems, but mine works.)
I’ve developed a tracking grid (which you can download for free) which keeps the timeline straight and where I can jot down the main actions in each chapter – a kind of DIY ‘do it as you go along’ index to the book. After the first rough draft was finished, I used to put the manuscript in a folder on my computer and try ignore it for at least six weeks and work on something else. But these days, I load it onto my Kindle and have a quick read through to see if it has the ‘legs’ as a story – no editing allowed at this stage. Then I ignore it.
When I open it again, I carry out the first edit with my red pen. And I’m really tough on myself. No, I’m brutal. Every sentence is fixed with my version of Mad-Eye Moody’s orb.
Then off the draft goes to my critique writing partner who is eagle-eyed, caring and scrupulously honest, so is a sounding board as well as critic. She will look for (and find) plot holes, character failings, extraneous or awkward scenes and inconsistent dialogue. More than anything, she will check for cohesiveness and whether the story grips. Without page-turning quality, the book won’t deliver a good read and that’s the writer’s duty.
Then revisions and on to a final professional copy edit and any further revisions. After all this, it gets turned into an ebook and paperback using the wonderful Vellum software then it’s uploaded to electronic retailers like Amazon, Kobo, Apple and B&N Nook and to Ingram Spark and KDP (Amazon) for printing.
Interspersed with this are hours of mind-expanding and often fascinating research, tracking down odd books on odd Roman stuff, spending hours on the Glock and Google Earth sites or working out how to stage a coup. I keep great lists, digitally mostly, or I’d never find stuff I need for the next chapter. But somehow, fifteen books later, it all seems to work.
Are you a writer? I bet you’re more organised…
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM, set in the late 4th century, tell the story of Roma Nova’s foundation. Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out.
Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.
If you enjoyed this post, do share it with your friends!
I’m delighted to welcome Anna Belfrage to the blog to talk about language, writing and words. Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with three absorbing interests: history, romance and writing.
Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England, and The Castilian Saga, which is set against the medieval conquest of Wales. She has also published a time travel romance, The Whirlpools of Time, and its sequel Times of Turmoil, and is now considering just how to wriggle out of setting the next book in that series in Peter the Great’s Russia, as her characters are demanding…
All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.
Over to Anna!
There are certain benefits when writing about people who lived over seven centuries ago, the primary one being that no one really knows who they were. Yes, we have chronicles, but they were written for recording purposes, not to give us a window into the souls of these long departed people.
The drawback, of course, is the same: we don’t know all that much about them, beyond the events they may have taken part in.
When I was doing my research for Queen of Shadows, I came across mentions of Leonor de Guzmán, this fermosa (beautiful) and bien entendida (very smart) woman here and there. And as I really wanted to find out just where Alfonso XI celebrated Christmas one particular year, I was delighted to find the Chronicle of Alfonso XI online. Marvellous thing, this digital age.

The Chronicle of Alfonso XI is an extensive and detailed description of the events marking this king’s reign. There is an interesting little paragraph that describes how the king, frustrated by the lack of sons by his wife (after like two years of marriage) lets his eye wander. And there, lo and behold, he finds the gorgeous and intelligent Leonor de Guzmán—whom he already knew since some years back. The chronicle lauds her great fermosura (beauty) while telling us the king had lost his heart to her some years back. She is also wealthy, widowed, politically astute, and willing to help him with whatever matters she can. This is when it is important to remember the chronicle had been commissioned by Alfonso and Leonor’s son, Enrique—albeit basing it on all the rolls, laws and privileges approved by the king during his reign.
What really caught my eye, though, was the language. Every single fijo instead of hijo (son in present Spanish), every fablaba instead of hablaba (spoke) every onrrado instead of honrado (honoured), ciubdat instead of ciudad (city), ricos-omes instead of ricos-hombres (rich men, i.e. nobles) and, my favourite, fijos-dalgo instead of hidalgo (high-born, effectively son-of-someone-important) sent happy shivers down my back. It also made me long for my mother—she would have loved sitting beside me as I read my way through this 14th century text.
Not that my mother was all that interested in Alfonso XI but she was utterly enamoured of language in general and Spanish in particular. She would have loved seeing fermosura instead of hermosura, fazer instead of hacer, likely launching herself into a long monologue about how the initial f became an aspirated h as Castilian developed into modern day Spanish. She would then have expanded into the influence of Latin, on how evident it was that Latin had been kept alive in Spain throughout all the centuries since the Roman Empire collapsed, and would have sighed happily as she delved deeper into verb conjugations.
 Don Juan Manuel de Villena
I read page after page of this medieval text, surprised by how much I understood. Had I attempted to read a similar text in 14thcentury Swedish, I would have failed dismally, but this medieval Castilian is a very, very close cousin to modern Spanish. There were also instances where the text was inconsistent: in one place, it said levar for “take to”, in another llevar (the modern spelling) I took this to indicate this was a language under development. After all, the first books to ever be written in Castilian were written in Alfonso XI’s reign by Don Juan Manuel de Villena, great-uncle of Alfonso. (Not the warmest of relations, seeing as Juan Manuel was mostly rebelling against his king and admonishing him to set his beloved mistress aside)
Like all chronicles, there were times when it was exceedingly repetitive, and I will readily admit I didn’t read all of it. But what I read, helped me enrich my narrative—and I do believe I can thank my mother and her passion for language and reading (passed on to me since I was knee-high) for having found this so enjoyable—and informative.
King Alfonso XI’s life was a life dedicated to war—against his rebellious noblemen, against his father-in-law, against the Marinids. But then there was Leonor, his beautiful, supportive and loving mistress, offering him solace and moments of joy. Obviously, this did not endear him—or Leonor—to the humiliated Maria of Portugal. How it all ends? Well, I suggest you read Queen of Shadows to find out!
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Connect with Anna here:
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Goodreads: https://www.goodreads.com/author/show/6449528.Anna_Belfrage
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What’s Queen of Shadows about?
She should have stayed in the shadows—but Leonor de Guzmán yearned for the sun
Castile in the 1330s is a place of constant turmoil. King Alfonso must contend with the incursions from the Muslim Marinids eager to reclaim Al-Andalus while struggling with repeated rebellions against his firm rule.
When Alfonso needs respite, he finds it in the arms of his Leonor—the most beautiful woman in the realm. But while he may love Leonor over all others, his lawful wife, Maria of Portugal, is tired of being constantly displaced by the fair Leonor.
Leonor loves her man. She gives him healthy sons, a place to be himself. But she is only a mistress, even if Alfonso treats her like a queen. Leonor’s enemies watch and hate.
Flying too close to the sun comes at a high price. How much will Leonor’s love cost her?Blurb
________
Buy Queen of Shadows here: https://mybook.to/QofS
________
My thoughts
Leonor de Guzmán is the epitome of a powerful medieval woman. Beloved of King Alfonso XI of Castile in 14th century Castile and treated like his queen, she is the mother of his ten children including many sons. However, Alfonso had made a political marriage with Maria, the daughter of the King of Portugal. And here is the crux of the story – legal queen and shadow queen.
Passions spill out over this classical triangle, something Ms Belfrage is expert at depicting. But she is too good a writer to keep it that simple. She deftly portrays the conflicts at the heart of the three characters’ thoughts, emotions and actions all played out under searing heat of the sun and within the deep undercurrents of political intrigue and jealousy.
Medieval Spain in the 1330s was in the throes of identity conflict, illustrated very well by Alma, a young woman of mixed Castilian and Moorish blood serving Leonor. Her story illustrates the subterranean tensions of Castile: the uneasy coexistence of faiths, cultures and heritage. Alma is steadfast and loyal but must navigate the brooding hypocrisies of many around her.
Ms Belfrage also excels drawing the contrasting faces of Castile, the more northern high plateau and the sun-drenched south. As well as revelling in magnificent architecture, we experience day to day aspects such as food, herbal medicine and travel so vividly we can almost smell, taste and feel them.
This is a poignant story of love and power, of fear and joy, of jealousy and generosity. Sometimes it’s a difficult read, but a rewarding one. The past is not a romantic place of silk dresses and noble knights. These were people in some ways like us with their fears and cares, their loves and compassions, but in other ways, alien to our modern values and attitudes. And Ms Belfrage ensures we feel and see everything. Highly recommended.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM, set in the late 4th century, tell the story of Roma Nova’s foundation. Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out.
Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.
If you enjoyed this post, do share it with your friends!
I’m delighted to welcome back the award-winning Welsh author and photographer Jean Gill on the occasion of the publication of her new book, With Raven Wine.
Jean lives in Provence, in France, with the best scent-hound in the world, a Nikon D750 and a man. Best known for writing epic medieval adventures in The Troubadours and The Midwinter Dragon series, Jean has published 27 multi-genre books since 1988, including the dog bestseller Someone To Look Up To.
Although she’s hung up her beekeeping gloves, she still cares about her wild neighbours, which include boar, badgers, foxes and hares.
For many years, Jean taught English, and was the first woman to be a secondary headteacher in the Welsh county of Dyfed. She is mother or stepmother to five children so life was hectic. With Scottish parents, Welsh and French residence and an English birthplace, she can usually shout for the winning team in sporting events.
I’ve been looking forward to reading this new book, the fourth and (sadly) final in the Midwinter Dragon series, a re-imagining of the Orkneyinga Saga in the 1150s.
Over to Jean to give us a glimpse of an epic journey (in several meanings of the word epic).
Who is the ‘barbarian’?
Everyone knows that medieval Vikings sailed extraordinary distances as traders. Their sagas and poetry are very modern in extolling the benefits of travel in broadening the mind. But how were they received in the countries they visited? And were they as bemused by the uncivilised behaviour of their hosts as vice versa? Respect for other cultures – or lack of it – happens in both directions.
 Manuel Comnenus, part of double portrait with Maria of Antioch, circa 1150 (Public domain, Vatican Library, Rome)
In With Raven Wine, Jarl Rognvald’s company of 12th century Orkney Viking pilgrims are guests at the court of Manuel Komnenos, the Emperor of the Eastern Roman Empire (also known as Byzantium, and now Greece), on their way home from Jerusalem. This is related in the Orkneyinga Saga as historically true.
One of Rognvald’s band is my fictional character, warrior-poet Skarfr, and we see the scene below through his eyes, as he attends the emperor. Manuel is head-hunting Skarfr to be one of his celebrated Varangian bodyguard, highly skilled Vikings who traditionally formed the closest level of military protection to the ruler.
My research turned up an amazing 11th century Greek book of court protocol entitled The Book of Ceremonies, which detailed what the emperor should wear, say and do on all important occasions. It also gave the rules for a thoroughly racist game. As the book was still dictating ceremonial behaviour in Manuel’s time on the throne, I wondered, ‘What if the emperor and his cousin Andronikos were drunk and bored, and remembered the game…’
Uh-oh!
Excerpt from With Raven Wine
Andronikos forced a laugh. ‘Do you remember the Goth Game?’ he asked Manuel. ‘From The Book of Ceremonies. I don’t think I ever saw it played, but my grandfather did. What if we revived the game?’
Manuel brightened at the prospect of distraction. ‘I do remember. According to the book it was to be played on the ninth day to Epiphany, so the Patriarch would approve of us keeping so religiously to tradition.’ When he slurred the word religiously Skarfr realised how drunk the emperor was. As the Patriarch was happily absent from the feasting, he could not offer his approval in person, and Skarfr had no doubts that the ‘game’ proposed was malicious in intent.
Manuel and Andronikos tried to remember the rules. ‘Two sides — the Greens on one side and the Blues on the other. Two men acting as Goths on each side—’
‘—With their furs inside out!’ said Manuel, which for some reason induced hilarity in both men.
‘Then the Goths make the grunts and growls that pass for language among such barbarians.’
‘And the Greens, or Blues, as the case may be, reply in a civilised manner with the set responses to wish the emperor long life. It is a lesson to barbarians on how to behave in the City!’ Manuel explained.
‘And it’s funny,’ Andronikos pointed out. ‘Who should play the Goths? That’s the funniest part, gabbling away with nobody understanding a word.’
‘What about Nico?’ suggested Manuel.
Nico, a serious old man with only one tuft of white hair left on his head, said, ‘If my Lord so wishes,’ with an air of resignation.
‘I know,’ said Andronikos, as if struck by a brilliant idea. ‘What about Skarfr? He would look the part and he could even speak that Varangian language they use, then he would sound the part too. He could recite some of that poetry he composes.’
‘That would be funny,’ agreed Manuel, almost giggling.
Skarfr was seeking the polite words with which to say he’d rather die than be so dishonoured when three men in red uniforms came from the back of the hall to approach the Emperor.
Read on in With Raven Wine to find out what happened next!
What’s With Raven Wine about?
Gifts from the gods come with a price. Warrior-poet Skarfr Kristinsson has crossed the world, facing exile and battles. Forgiven at last by his lord Jarl Rognvald, he is restored to honour but destiny is not done with him yet.
From the holy waters of the River Jordan to the gilded intrigues of Constantinople, Skarfr and his formidable trader-wife Hlif are drawn into a web of ambition, betrayal and vengeance. Hlif’s dangerous gift of dream-walking allows her to cross into the shadow world where the old gods still rule and where fate can be glimpsed, but never escaped.
While the pilgrim fleet is far from home, Orkney descends into chaos. Old grudges ignite, loyalties fracture, and blood is spilled, the ‘raven wine’ of sagas.
Epic, brutal and lyrical, With Raven Wine is the powerful conclusion to Jean Gill’s award-winning Midwinter Dragon series, a re-imagining of the Orkneyinga Saga, perfect for readers who love Madeline Miller, Bernard Cornwell and Matthew Harffy.
——
The gripping conclusion to an award-winning series. Don’t just read Viking history – live it!

Praise for the series ⭐⭐⭐⭐⭐ “A yarn fit for a Norse saga. Full of action, poetry and heart; a thrilling voyage through the vibrant world of the twelfth century.” Matthew Harffy
Watch the book trailer!
Buy With Raven Wine here: https://www.books2read.com/RavenWine
My thoughts
Well, it had to come. The Midwinter Dragon series is coming to its end. I shall miss Skarfr and Hlif. I’ve watched their struggles from childhood and their evolution into mature, strong adults. Of course, it’s Jean Gill’s skill that binds us to them and their fate. But she reveals other characters – Rognvald, Inge, Brigid, Fergus, Thorbjorn Klerk and Harald – in their nobility, suffering, scheming, loyalty, weakness and resolve with such deftness that they seem like living, breathing people.
Pilgrimage, which is at the heart of the book, is a strange motivation to most 21st century people, but in the 12th century, it was an intense spiritual journey undertaken in arduous circumstances; the more arduous the better for the pilgrims’ immortal souls. The effect on, for instance Rognvald of bathing in the River Jordan, touches him deeply, but he still remains a hard-headed and effective leader in a violent age.The crucial intertwining of physical and spiritual worlds dimensions unknown to us, but so real to the characters, especially Hlif and Skarfr – an essential part of their existence.
Byzantine opulence is a far cry from Republican Rome’s military austerity, but the Eastern Roman Empire is as full of intrigue and political conspiracy as the Republic in the west in Julius Caesar’s time. The author draws us deftly in so that we feel the ripple of silk, smell the perfumed gardens and relax in the steaming hot baths so well that we almost don’t notice the traps and corruption that lie beneath.
This is such a well-written book that I dreaded it ending and even more so the whole series. I can’t wait to see what Ms Gill gives us next.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM, set in the late 4th century, tell the story of Roma Nova’s foundation. Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out.
Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.
If you enjoyed this post, do share it with your friends!
I will no longer see 20, 30, 40, 50 or even 60, but I don’t see myself as old. In my head, I’m still 28. Okay, possibly 32.
Last week, we hosted our children and grandchildren in the middle of a heatwave – up to 37C. By the end of the week, I felt 100 years old. Or more honestly, what I considered I might feel at 100. I might not get there, I might become a sprightly old dear. Or (more likely), a grumpy old woman.
But I caught myself out. Why did I assume I will be diminished and enfeebled? Why wouldn’t I still be working on my next novel?
Sure, I’d be taking it easier, walking a little slower, even taking an afternoon nap and going to bed early at 10pm, but that wouldn’t mean I would have come to a grinding halt.
But like all the ‘isms’, there’s always a gap between reality and perception. And let’s not even mention fake news or alternative facts.
Not only is ageism hard to avoid in life but it’s the same in any line of work, in the arts, and in every aspect of our culture, which is a great pity. It can inspire, especially when you’re told to take it easy now you’ve retired. (Falls over laughing.) Such a remark tends to spur me on. And who doesn’t like a challenge?
How does this matter when writing in order to publish?
Perhaps agents and publishers would prefer to publish a first novel by a 30-year-old writer with a potential career ahead of several decades than by a 70-year-old veteran writer, no matter how distinguished the latter’s career. Unless your recent book or books have sold exceptionally well, it’s a rough market for a new book, no matter its quality.
This is where self- or indie publishing enters the arena… Apart from relishing the enormous benefits of choice and control about every aspect of writing and publishing your book, you don’t need to explain or defend your age. There is no gatekeeper worrying if you can keep up and it’s totally irrelevant to the reader. Of course, going the independent route involves a lot of hard work, but that’s another story.
Older writers have secret assets
They’ve lived a long time, learnt a lot and gained many insights through experience, something many 30-year-olds haven’t had time to accumulate. They’re also more crafty, patient and persistent. They’ve had to be – they’ve survived life so far.
It’s not about age itself, but the perception of age
In Real Life, we ‘mature’ people, as children of the 1970s, wear jeans and trainers, go out dancing, drink and work ridiculous schedules. Many volunteer and end up running groups and associations, working as many unpaid hours as they did paid hours before officially retiring. We have zero idea about how to be ‘old’ and how to fit into society’s idea of senior citizens.
We’re often looking after our children’s children or our own parents. Either requires stamina, patience and an agile mind, Yes, we probably become a little tireder and may visit the doctor a little more often than when younger, but most of us are not at the slippers and knitted rug stage, if that was ever a thing.
And let’s just see writers as writers – people who create worlds and characters, and tell stories to beguile, challenge and enchant. It’s what they produce that counts, not the count of their years.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM, set in the late 4th century, tell the story of Roma Nova’s foundation. Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out.
Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.
If you enjoyed this post, do share it with your friends!
I’m honoured and delighted to welcome Elisabeth Storrs to the blog today – a longstanding historical fiction writing friend. Elisabeth has a great love for history and myths. She is the award-winning author of A Tale of Ancient Rome trilogy which was endorsed by Ursula Le Guin, Kate Quinn and Ben Kane.
Now her obsession lies with Trojan treasure and twisted Germanic prehistory in her new release, Fables & Lies: A World War II Novel. Elisabeth is also the founder of the Historical Novel Society Australasia and the $155,000 ARA Historical Novel Prize. She lives in Sydney with her husband in a house surrounded by jacarandas.
I was keen to read Elisabeth’s new novel Fables & Lies set in 1930s and 1940s Germany as my MA dissertation investigated the status of young women who entered the German armed forces at the time. The whole role of women changed radically over the period. But the real lessons are about how people can be misled and seduced politically and when disillusion sets in, how to survive as a woman under a repressive and misogynistic society.
Over to Elisabeth!
Fables & Lies follows the journey of Freyja Bremer; a Berlin museum assistant who is a child of the Reich. Her eyes are opened when she falls in love with archaeologist, Darien Lessing, who shows her the rot beneath the Nazi Regime’s lies. Their love story, and efforts to safeguard their nation’s treasures, form the spine of the novel.
A plethora of WW2 books tell stories from the Allied perspective, many of which are set in the Western theatres of war. Given my story was about Berlin museum curators, I was faced with the challenge of writing my book from the perspective of an ‘everyday’ German. To do so, I read numerous books and journal articles examining whether ordinary Germans were victims of an oppressive regime or fervent adherents of Nazism. The answer is far from black and white. To consider an entire population as a monolith is to ignore the diversity of motivations of millions of individuals. My solution was to depict the Bremer family whose four members represented different responses to the circumstances leading up to the Third Reich and its subsequent rule: Conrad, (the father) a disabled veteran whose Christian beliefs lead to resistance; Elze (the mother) who’s struggled through WW1 and its aftermath and welcomes Hitler’s pathway to a better life; the sister, Volla, the fanatic; and finally, Freyja, indoctrinated throughout her schooling, but unsettled by the oppressions of the Regime.
The rise of Hitler and his National Socialist Party did not happen in a vacuum. Germany suffered terribly after WW1 due to the sanctions imposed on it by the Allied powers under the Treaty of Versailles, including the payment of millions in war reparations. There was a profound sense of shame in defeat as well as a bitter grievance that previously held Polish and Russian lands were surrendered. An unfounded conspiracy theory known as ‘the stab in the back’ asserted the German army had not been defeated in 1918 but instead the country had been brought down by Jews, socialists, and corrupt Weimar Republican politicians who fomented civil rebellion.
Post WW1 Germany saw industrial heartlands taken over by the French and Polish, the German armed forces neutered, and crippling hyperinflation. The Great Depression fuelled the flames of discontent higher. A huge influx of rural people seeking work in the cities led to severe overcrowding together with widespread unemployment. Russian Jews fleeing pogroms sought refuge in Germany, exacerbating existing deep-rooted antisemitism and the conspiracy Jews were overrunning the country. Add fears of a Bolshevik takeover inspired by the Russian Revolution, a fractious parliament cobbled together from various coalitions, and a veritable perfect storm was brewing.
In the beginning, the National Socialists did deliver relief to various echelons of society, supported rural communities, assisted veterans, and provided employment opportunities for disaffected youth. The welfare provided, however, was reserved for ‘valuable Germans’. This Nazi Utopia disintegrated into totalitarian rule when Hitler turned Germany into a one-party state. The reign of terror begun.
 A member of the SA throws confiscated books into the bonfire during the public burning of “un-German” books on the Opernplatz in Berlin. (US Holocaust Memorial Museum, Public Domain)
Deprived of the chance to read or hear foreign news, Germans were subjected to unrelenting propaganda. Foreign books were banned and subsequently burned. People were restricted to listening to radio programs transmitted via wirelesses limited to local frequencies. Loudspeakers were installed in public spaces to blast out government edicts. SS and SA troops ran rampant with unchecked violence. Political dissidents, journalists and intellectuals were interned in concentration camps as ‘enemies of the State’. Surveillance was imposed through Party ‘Block Wardens’ monitoring neighbourhoods. People were encouraged to turn on each other leading to a wave of denunciations to the Gestapo. And of course, failure to perform the Nazi salute was punishable by severe penalty.
As the climate of fear grew, the onslaught of policies that eroded or eliminated public institutions and civil liberties led to a degree of apathy among many. Overwhelmed, citizens passively accepted the changes, feeling powerless or afraid to stop the abuses of power. In other words, ‘good people did nothing.’
Of course, a huge number of Germans were true believers ready to blindly follow the Führer and support the Reich. And there is no avoiding the fact antisemitism was entrenched in every level of society in varying degrees which led in turn to indifference, complicity or culpability for the escalating persecution of the Jews.
Hitler saw the importance of indoctrinating children. The education system was immediately attacked with only Nazi teachers employed. The curriculum was limited, with physical fitness a priority. Girls were destined to be wives and mothers, boys to be soldiers. I found a poster which depicted the Nazi ‘Life Plan from Cradle to Adulthood’ setting out the roles expected within each age group, all of which emphasized the limitations placed on women to be ‘Mutter und Hausfrauen’.

Nazis worked hard to alienate children from parents who may have harboured anti- Nazi sentiment, actively encouraging them to inform on them. Between the age of 10 – 18, both boys and girls were required to attend programs run by the Hitler Youth or the League of German Maidens. German exceptionalism was already prevalent but the belief in German supremacy was further stoked by the ‘Aryan Myth.’ Children were brainwashed they were part of the ‘Master Race’ who were superior to ‘sub-humans’ i.e. Romani, Slavs, People of Colour and, most particularly, Jews. ‘Aryans’ were superior ‘bearers of culture’ who were destined to be rulers. In comparison, the sub-humans were there to ‘destroy’ German culture by overbreeding – an example of virulent replacement theory which lay the grounds for genocide.
Learning this gave me greater context to depict Freyja – a girl who is briefly exposed to pre-Nazi education (via her grandmother) but then comes under total domination of Nazi teachings through the League of German Maidens. However, Freyja has the benefit of living with her father whose Christian beliefs lead him to secret rebellion through the Confessing Church movement. There is also an undercurrent of dissatisfaction in her about the future offered to women. As a result, she is prepared to listen to the alternative views of an outsider like Darien Lessing who is German but educated at Cambridge. Darien sees no such limitations for females, appreciating Freyja’s intelligence, and encouraging her to look beyond the Fascist creed. When Freyja meets Darien’s sister, Parisa, who is married to a Jewish doctor, her awakening leads to a dangerous resistance in aiding this ‘mixed-race’ couple.
From my research, it appears the majority of Germans were dismayed when Hitler sparked another war, but widespread support followed as the Wehrmacht swiftly recovered lost territory from hated enemies. Yet the impact on civilians from Hitler’s voracious thirst for conquest of Western countries was immediate. The Allies blockaded ports resulting in strict rationing. It was also a shock when RAF squadrons finally reached Berlin as Goering had reassured them the distance from England was too far for planes to fly. His boast ‘Call me Meyer’ i.e. a ‘Monkey’s Uncle’ should such attacks occur became a running joke. Air raid sirens were thereafter called ‘Meyer’s Bugle.’
Germany’s lighting fast victories stalled after Hitler overcommitted resources to invade Russia and Ukraine. With the tide of the war turning, the Regime viciously prosecuted critics with the offence of ‘undermining the war effort.’ Listening to foreign radio was forbidden. The death penalty was employed for the barest infractions with the ‘falling axe’ used overtime to guillotine offenders.
 The “big” diadem from Priam’s Treasure, excavated By Heinrich Schliemann on the supposed site of Troy. Looted from Berlin in 1945 by the Soviets, the majority of the artefacts are currently in the Pushkin Museum in Moscow. (Photo by Sailko, Creative Commons)
As the war progressed, air raids became incessant, mirroring the Luftwaffe’s own relentless blitzes. Hitler had ‘sown the wind’ and now Germans must ‘reap the whirlwind’. The RAF employed ‘saturation’ bombing while the American’s ‘blockbusters’ obliterated entire city blocks. From 1944, Berliners faced twice daily raids – US in the day and RAF at night.
A once glorious city was reduced to rubble with hundreds of thousands killed, maimed and made homeless. With the air thick with ash after each blitz, Berliners were forced to live in shelters eking out a miserable existence. Freyja and her family struggle to survive these air campaigns, increasing deprivations, as well as Nazi oppression. Throughout, she risks her life frantically packing her museum’s exhibits for safekeeping in the small windows between the daytime and night time bombings.
At the bitter end, Hitler considered Germans had failed him and their country. He refused to surrender, preferring his people face annihilation. Bridges were destroyed to prevent escape from Berlin, leaving Berliners trapped in the ‘Devil’s Cauldron’ pummelled by Russian artillery fire. SS squads set up ‘gallows alleys’ to hang citizens who displayed a white flag. The terrifying fate awaiting German women is well documented. Soviet retribution was particularly monstrous given they sought vengeance for the starvation, slaughter and dispossession of 20 million Slavs in the East.
When I started the book over ten years ago, I never thought to see our world turning to more authoritarian leaders, with democracy undermined by similar strategies from the Nazi playbook. History is repeating in disturbing ways. I feel Fables & Lies is a novel for our times and will give readers a better understanding of how a populace can fall under the spell of zealots – and how devastating the consequences are when apathy, fear or complicity stifles free speech. And, with a glimmer of light, I hope historical fiction fans will enjoy learning about the quest to save not only Germany’s, but the world’s, great antiquities from destruction.
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What’s Fables & Lies about?
Under a brutal regime, what price must be paid to preserve truth, treasure and love in a world built on lies?
WWII Berlin. Freyja Bremer, a patriotic museum assistant, marries Kaspar Voigt, an ambitious SS scholar, to protect her father. Yet she is unaware her husband is instrumental in Himmler’s twisted quest for Aryan supremacy.
As she strives to safeguard the priceless Priam’s Treasure from air raids, Freyja falls in love with Darien Lessing, an archaeologist who exposes the moral decay beneath the Regime’s myths. Her awakening drives her into perilous resistance – aiding a Jewish doctor and his wife, Darien’s sister – while uncovering Kaspar’s role in the SS’s darkest programs, which subvert history to justify invasion, abduction and murder.
As Berlin collapses into chaos and bloodshed, Freyja, caught between duty, deception and desire, must risk everything to preserve truth in a world built on lies.
A heartbreaking yet triumphant love story, Fables & Lies shines light on lesser-known aspects of the Nazi Regime. It gives voice to the complex moral struggles of German women, the forgotten resistance of Gentiles married to Jews, the dangers of contested history, the evils of Himmler’s racial studies program and the unsung bravery of German museum curators who saved their nation’s treasures.
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Available in ebook, paperback and audio editions
https://elisabethstorrs.com/buy-books/buybooks-fables-lies/
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My thoughts
Elisabeth Storrs has indeed broken the mould by writing ‘from the other side’. Evocative, detailed and heart-rending as the heroine journeys through disillusion and danger in the Third Reich. We rarely get such a vivid a glimpse of the Second World War from an ordinary civilian on ‘the other side’. Even rarer from the point of view of a young girl having grown up considering the Third Reich as normal. Her gradual disillusionment is heartbreaking and helps us to understand the shattering effect of the destruction of personal lives and family dynamics, always supposing that family members survive.
Freyja does what many of us would do; she marries an attractive man, she continues to enjoy her work and later, she keeps her head down steering her way through the increasingly appalling environment. And we live every moment thanks to excellent research by the author.
This is a long read, sometimes a painful one, yet there is redemption and fortitude. Elisabeth Storrs’s sound writing takes us on a worthwhile and ultimately rewarding journey. Highly recommended.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO, AURELIA, NEXUS (novella), INSURRECTIO and RETALIO, and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM, set in the late 4th century, tell the story of Roma Nova’s foundation. Audiobooks are available for four of the series. Double Identity and Double Pursuit start a new contemporary thriller series. The third, Double Stakes is now out.
Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.
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