No novel writer likes doing the synopsis, a tool for planning and marketing their work. When you’ve written 100,000 words of carefully crafted prose, it’s a bit of a sweat to distil it down to a couple of pages. But it does concentrate the mind…
From the advice I’ve been given or read, the essentials seem to be:
1. Say what what kind of novel it is – crime, thriller, historic, romance, fantasy,etc. I know it’s stating the b**** obvious, but it should get it to the right person (hopefully), save everybody’s time and indicate where you think it should be placed for selling purposes;
2. Start with a really sparky first sentence that’s going to grab the agent’s/editor’s/publisher’s attention;
3. Say what is it about – the big story, the theme (saving the world, money versus family, growth and recognition);
3. Give an outline of the environment – place, date, time;
4. Get the main characters’ names in as soon as possible with a little about their personal situation at the start of the action;
5. The plot should cover main dramatic events from start to finish, including the denouement. I’ve heard that professionals in the publishing industry get mega-peeved if the end is left as a surprise or teaser;
6. Write it in the present tense, in the third person (even if the point of view is first person), in single line spacing;
7. Keep it under 2 pages – the reason? Time. Agents/editors/publishers are very time-strapped and can’t spare it to read pages & pages of a synopsis even though the book may be fabulous. You want to avoid be in the ‘Can’t be bothered to read any further’ heap.
Far more experienced writers can tell you more – see the blogs recommended under Pages (at the right), but this is what I’ve gleaned in my stint so far in the synopsis mines.
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I’ve just read Jayne Ann Krentz’s Sizzle and Burn which I found on the local library shelves by accident.
The female protagonist, Raine, is cut in a different mould to many other heroines – she’s tall, intelligent and independent, but her character avoids suffering from ‘goodgirlitis’. Love interest Zack Jones is tough, sel-assured and pretty hot, but he does get it wrong here and there. The chemistry between the two characters sparkles and their dialogue exchanges are strong and witty. Quite a lot of information has to be got across to Raine from Zack, who is a psychic investigator, but in general, the author avoids the fatal infodump.
The plot is strong, with a good surprise denouement. The book is dialogue-heavy so don’t expect a lot of flowery descriptions. Perhaps a little light, but very entertaining and enjoyable.
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The Romantic Novelists’ Association had its spring meeting today and speaker Adèle Geras gave a witty and down to earth account of how she got into being a published author. Apart from over 95 children’s books, she has produced four novels for adults, including Facing the Light.
Tea and biscuits afterwards, plus excellent conversation, networking and garnering of tips from experienced and published authors rounded off an enjoyable and worthwhile afternoon.
Apart from being able to mix with the lovely people who belong, the benefit of this association is that it is hugely supportive of new entrants to writing romance, in the widest sense.
Looking forward to the 50th Anniversary Awards Lunch on Tuesday…
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If you want to read about e-publishing and the effect of Apple’s iPad, I recommend you read Danuta Kean’s article here on the London Book Fair website
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I think I’m getting the hang of this WordPress blog (Okay, I hear the experts and cynics laughing, but at least I’m trying…).
I’ve created a new page today called ‘Writing and publishing books’ which lists some of the books I’ve found useful so far in my novel writing. Just click at the top right under ‘Pages’. No doubt I’ll be adding to it, but this list is a start.
Back to the Work in Progress…
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