So, Fräulein Barnes, vhat can you tell us?

Today’s guest, Denise Barnes, tells us not only about writing and her current novel, but how her year in Germany prompted her to write her hilarious book, from Bad to Wurst.

How did you get started with writing? I’ve written since primary school; I wrote a chapter of a serial once a week and put it on the notice board. I loved it when other kids would ask me when the next chapter would be ready. It was very Enid Blyton stuff.  One of my heroines, Fennella, was always getting into trouble.  My heroines still are!

What is the hardest part of the writing process for you? Making sure I have an idea and a plot which is strong enough to carry a whole book. Then getting the sub-plots to be interesting enough but not to take over.

Do you enjoy research, and how do you set about it? I adore research. My first novel, The Voyagers, is mainly set in Australia, so for research only—you understand—I was forced to go and see it for myself. I found out a lot about my own grandparents who emigrated there in 1913 and who were the inspiration for the novel.  My second novel, Kitty’s Story, is going to be partly set in Italy in the Second World War, and it won’t be any problem for me to pack my case and spend time in my favourite country.

How do you develop your characters? I’ve always been fascinated with people, especially the way they sometimes behave out of character, and discovering what motivates them. Luckily, owning my own chain of estate agents, I’ve seen people’s hopes and dreams as well as the worst in owners selling their houses. This gives me all sorts of character ideas! I try hard to develop my heroine and hero gradually so they change in some positive way to keep the reader empathic and ultimately satisfied.

To plot or not to plot? Are you a planner or do you just dive in? Being a visual person, I planned The Voyagers by making a detailed memory map. I had two timelines: one in 2005 and the other in 1913. But juggling the two periods was hard until my writing buddy, Alison (that’s me!), emailed me through her designer time-grid, and I was able to be much more accurate on dates and length of pregnancies, etc.  I shall always use this brilliant tool.  She should market it!

However, I didn’t expect the second heroine’s ending to turn out the way it did, nor did I have any idea that a wallpaper character would push her way forward, demanding a leading role.  She sent the plot spinning in another direction!

Which authors have influenced or inspired you? Charles Dickens for characterisation and, of course, anything written by Jane Austen; I adore her wry wit.  I read several books with two timelines as I needed to have an idea of how authors tackled them, particularly as The Voyagers was my first novel.  I found Kate Morton, Kate Mosse, Susanna Kearsley and Deirdre Purcell very helpful and loved their books for entertainment value as well.

How do you relax? What interests do you have other than writing?
I love classical music, opera, theatre, reading, reading and more reading, travelling, anything to do with property improvements, singing, performing in the local operatic and dramatic society, anything to do with the ancient Greeks and Romans, art and spending time with family and friends.  Shopping is pretty minor but I do have a spree once in awhile. 


Are you into social networking, and in what way do you feel it helps your career? I have a website which concentrates on from Bad to Wurst at present. But Alison (Me again!) persuaded me to get on to Twitter. At first I was reluctant as some of the tweets I read seemed very trite, but when I got to know people it was fun as well as helpful.  I entered a novel-writing competition which was advertised through Twitter; I wouldn’t have seen it otherwise.  However, I’m conscious that when you write words down and press that Tweet button, if the recipient doesn’t know you that well, particularly your humour, it can be taken the wrong way. But it is lovely to chat to other writers, as being a writer can be a lonely old life.

What’s your current book? In 2008 I self-published a memoir, from Bad to Wurst, about my experiences in 1973 as a veggie cook in a sanatorium in Bavaria. I always knew I would write a book about this unusual year, not thinking it would take nearly thirty years before I got down to it!  It’s a light-hearted account of work and romance, including my personal observations of the social differences between the Germans and the English.  Self-publishing is now more respectable, and Waterstone’s, Daunts Travel in London, and Amazon all stock it.  It has just been published as an ebook  so it will be interesting to note if sales increase.

Can you tell us something of your work in progress? The Voyagers is a family drama about Juliet, a modern businesswoman who goes to Australia, ostensibly to follow her grandparents’ trail, but in truth she has a secret mission.  In every second chapter it drops back to 1913 when Juliet’s grandparents emigrated to Australia as newly-weds.  There are strong links between the two stories and plenty of shocks along the way. I’ve finished editing it and it’s off out on submission after Christmas.

My current WIP, Kitty’s Story, could be loosely described as a sequel, but the two will very much stand alone.  I am only just a few chapters into this one and haven’t fully formed my characters yet, or the whole story.  I just hope it comes to me as I press along!

And finally, what advice would you give a writer just starting out? Make sure you are absolutely certain of your spelling, grammar and layout. If this isn’t right your MS will have a greater chance of being dumped before the first paragraph’s read.  As well as investing in some  excellent self-help books and adult education courses in English, I strongly suggest finding a creative writing course and/or writing group nearby to give you feedback and support you in your writing.

You should read profusely in the genre you are writing, but also try books out of your comfort zone which show you what you can and can’t do.  And lastly, write what you are absolutely passionate about.  You’ve got to stay in love with your book and your characters for a long time!  Good luck!

Thank you very much, Alison, for inviting me as a guest on your blog.  It’s been fun for me and I hope I have given some hints which might be useful to new writers so they have the very best chance for publication.

Great to have you here, Denise. If you want a chuckle to relieve the midwinter gloom, order Denise’s book now: paperback via the link in left-hand box below or download the new Kindle version by clicking on the right-hand box.

I thought it was so funny, I even bothered to write an Amazon review.

The peerless History of Rome podcast

For all Roman ‘nuts’ out there, I have to tell you about a fantastic podcast called The History of Rome.  Mike Duncan, a political science and philosophy graduate from Western Washington University, has the knack of neatly dissecting the political and imperial essentials of the Kingdom, Republic and Empire and communicating them with clarity and verve.

His laconic American tones and informal language make complex political intrigue clear and accessible without losing any of the authority. And his apologies if he gets anything wrong (rarely!) are charming and self-deprecating. I think he must be a teacher or lecturer as his talks have the classic ‘introduction/overview-exposition-summary-preface to next talk’ structure.

Although he posted the first episode in July 2007, I only discovered him on iTunes a few months ago and have had the luxury of continuous listening to over 150 back episodes! In between cooking coq au vin, weeding the geraniums, feeding the cat and sorting socks, I have listened entranced to Sulla’s machinations, the Marian reforms, Julian the Apostate, Constantine the Great’s stitch-up.

I’m now at the 390s AD, where my novel’s heroine’s ancestors start altering the course of history…

Reading allowed. Or not

Writers are encouraged to read their ms aloud. You arm yourself with a long drink, fend off all household pleas and settle down with the ms or screen in front of you and a notepad to jot down quick notes. Hopefully, the rest of your family hasn’t called the white coat men as you mumble away to yourself and you bash on.

I thought I’d be really clever. I’d load my ms as a personal document on to my Kindle and get it to read it using its text-to-speech feature. Easy-peasy. My throat would love me. Email sent off to Kindle with the attached ms and downloaded shortly after, I propped my Kindle up on the table (More on the fancy cover with a stand here). I opened the ms personal document in the list of books and selected Text-to-speech.

Oh dear!

The electronic voice was American – no problem as my protagonist starts life as a US citizen – and a light baritone. Word for word, it wasn’t bad. ‘C’mon’ came out as ‘See Monday’ but that was the only real blooper. The intonation was a bit haywire, but not a deal-breaker.

It was the way the voice ran straight into the next sentence and even worse, the next paragraph. A human would have paused for breath. After five minutes, my other half brandished headphones in my face and after ten, I had to turn it off.

But I’ve tried it. And you have to try things in life.

So it’s back to the read-aloud-a-thon. We need to hear the intonation, the pauses, the cadences, the flow and the emotion in the sentences. When we read silently, as the normal person does, we hear these in our heads as our neural and linguistic pathways insert them automatically.

Sorry, Kindle, although I love you as an e-book reader, you’re still just a machine.

Are some genres more equal than others?

I love bookshops. I love bookstalls at charity dos and the second-hand paperback club. I love the book table at conferences. The second and third are informal; the offer is either serendipity or confined to the books written by speakers (and certainly in the case of the RNA) attendees. Running my hands over the spines of books, opening the cover and reading the first paragraphs really is like opening a box of chocolates.

But bookshops give you a glimpse of all-round heaven.

On a recent trip, I noticed how strangely books are offered. I’m not talking the tables or the bestsellers’ or new racks, just the standard shelves of novels for adults. In the London, Tunbridge Wells and Birkenhead branches of a well-known book chainstore, the system was  identical: crime; sci-fi, horror & fantasy; young adult; and authors A-Z. Even a delightful independent, Linghams Books in Heswall, Wirral, followed the same classification.

I often find SF/fantasy next to horror and dark fantasy. Timeslip/time travel and alternate history are jumbled in with steampunk, space opera, the classics like Asimov and Dick and the more literary end of SF e.g. China Miéville. But some speculative fiction such as Margaret Attwood’s dystopias  Oryx & Crake or The Handmaid’s Tale is in the A-Z . That in itself is an interesting decision.

Now, I may hallucinating, but I remember as a kid that bookshops used to subdivide the A-Z section and I could find romance, historicals and thrillers grouped together. Now I have to dig around the A-Z for Katie Fforde,  Ian Fleming, Simon Scarrow and Howard Jacobson.

Maybe it’s because genres are blurring; where does Diana Gabaldon fit? History, romance or SF/timeslip? Maybe it’s because space is limited in retail outlets? The bestseller and new displays attract a lot of interest – I go there myself when I step through the door.  But say you’ve read all the books by your favourite historical writer and you want to find something similar, but by a different author, then you’ll have to search through the entire A-Z.

And if you’re a writer, researching where your book will be placed in the shop once it’s published (and it’s an absolute requirement by agents and publishers that you nail your genre and sub-genre in your submission), if it’s not in crime, sci-fi, horror & fantasy or  young adult then you’re going to be lumped in with A-Z.

 

Updated 2024: Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series. Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA,  Roma Nova story set in the late 4th century, starts the Foundation stories. The sequel, EXSILIUM, is now out.

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.

Rejection - why it shouldn't be followed by dejection

I wrote this back in 2011  when I was considering going the traditional publishing route, but even in 2019 it’s still very relevant, so please forgive any anachronisms and read on…

I’m busy writing Book 3 but in the meantime, sending Book 1 out into the world. I’ve polished my manuscript, I’ve hand-crafted my cover letter and honed my one-page synopsis. My critique partners, beta readers, expert publishing professionals, even the odd agent here and there have given me excellent feedback.

So, you think, why haven’t I got  99-book deal?

Several things, actually…
numbers: there are an awful lot of people out there nourishing, cherishing and polishing their oeuvre. Publishing gurus say many are poorly presented, badly written, punctuated, have a poor plot, implausible characters. Of those which are perfect on those counts, there are still quite a lot competing with my beautiful book;

agents’ lists: many agents have a full list of clients, so obviously spend 98% of their work time looking after them (as you would hope to be). Sure, they all keep a weather eye out for The Next Big Thing. I mean, who wants to miss the next Harry Potter? Or Lee Child? But when that eye droops with tiredness at a 32 hour day, then perhaps we can understand;

publishers’ lists: some do a wide spread of book types, others narrower, so your well-written, innovative and exciting book may not fit in with the rest of their catalogue.  They may also have full schedules for a good period in the future. And they have the same problem with the 5,000 manuscripts they have to read each week.

But I think the big one is failure to resonate, also known as ‘I didn’t love it enough.’ As a wannabe author, it’s such a teeth-gnashingly irritating answer and something entirely out of your control. But set aside the anger and despair, have a think about it.

A bookish comparison
Picture yourself in your favourite bookshop. You have 30 minutes before the other half comes back from selecting your Christmas present. You browse the best-sellers, the tables, the 3-for-2, the new stuff, the ‘We recommend’ books, you look to see if your favourite author has brought another one out. But how do you choose what to buy? You read the blurb, you admire the cover, you read the first page or so, then you decide. Why? Because it calls you, it has a certain something that pulls you to it, that resonates. So I often get to the cash desk with a thriller, a historical, a fantasy adventure  and the Booker Prize finalist. No logical pattern, just what attracts me.

So despite your beautiful oeuvre and perfect package (if you see what I mean), an agent or publisher may not ‘get’ your book. A very difficult thing to accept, but something writers need to swallow when submitting and reacting to rejections.

I was given a hard piece of advice. When you get a rejection, get another submission out the same day. If your book really is ready for market and your package so good, it should only take a few tweaks. This takes a bit of the sting out and you feel more in control of events. Another writer friend who has several books published says to submit widely (not to the agent not taking your genre, obviously!). You just never know who your idea is going to resonate with.

And lastly, all writers get rejections.  Don’t take it too seriously, but here are some famous ones. You’re not alone. It’s never easy, even for the best writers.

Happy persisting!

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO,  PERFIDITAS,  SUCCESSIO,  AURELIA,  INSURRECTIO  and RETALIO.  CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available.  Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, will be out on 12 September 2019.

Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before everybody else, and take part in giveaways.