 Darryl and Paul Bennett
Today, my guest is the delightful Paul Bennett who lives in the New England town of Salem, Massachusetts with his wife Daryl and writes historical fiction, the first of which The Clash of Empires is set during the French and Indian Wars.
Discovering his future did not include the fields of mathematics or science, he focused more on his interest in history; not just the rote version of names and dates but the causes. He went on to study Classical Civilization at Wayne State University with a smattering of Physical Anthropology thrown in for good measure. Logically, of course, Paul spent the next four decades drawing upon that vast store of knowledge working in large, multi-platform data centres, and says he is considered in the industry as a bona fide IBM Mainframe dinosaur heading for extinction.
Over to you, Paul!
When Alison asked if I would like to do a guest spot on her blog, I immediately said yes. A few moments later reality set in as I realized I didn’t know what I would blog about. I have written one book, so I don’t think of myself as an expert on the subjects surrounding being a good author. For example, I frequently see advice on how to develop a systematic approach to writing, and then I look back on how I approach it. My, oh my, it’s a miracle I finished the book in a manner that is coherent. 🙂 Or, a how to on character development; again I plead ignorance and amazement at my results.
So, after mulling over the possibilities for a couple of days, my Muse whispered in my ear that instead of a how to blog, I should write a why blog. Why do I write historical fiction; why did I choose The French and Indian War as a subject? The root or genesis of the first question lies at the feet of Kirk Douglas and Tony Curtis. Spartacus and other movies of the time like Ben Hur, The 300 Spartans, and Cleopatra kick-started an interest in ancient times. This led to my reading about Heinrich Schliemann and his discoveries at Mycenae, and at Troy. I was hooked on history from then on. In high school, I elected history classes when given a choice; my favorite being an advanced American History class where I found that the causes were more important to learn rather than just the results. My major at Wayne State University was Classical Civilization; a curriculum that required the learning of Ancient Greek, so I must have been serious about it. 🙂
The fictional aspect came from Mary Renault’s The King Must Die. That was the first book that showed me that historical events could be rendered into fiction, albeit in this case mythological history. What an eye opener, and one that propelled me into a voracious frenzy of reading and learning; a situation that has not abated over the decades. Indeed, the number of talented historical-fiction authors I have come across over the years is truly astounding.
Through the medium of social networking I have become friends with many of those authors, and it is because of them that I not only started a book review blog (see the link below), but also began my journey to producing Clash of Empires; the first book in my series, The Mallory Saga. Thus, we come to the second question; why that subject. The French and Indian War seemed to me to be the perfect historical event to begin my ambitious idea to portray the history of this country through the eyes of a fictional family, the Mallorys. This was a worldwide, cataclysmic event; indeed some have called it the real First World War as it was fought not only here in America, but also in Europe, and the West Indies. It also proved to be rather costly for the British even though they won the war. The subsequent taxation and trade policies with the American colonies set the stage for revolution.
In Clash, I was able to incorporate the historical events with a fictional spin; staying true to the history but seen through the eyes and actions of my fictional frontier family. A great deal of the action in the war took place in western Pennsylvania, and much of that at Fort Duquesne; modern day Pittsburgh. The Mallorys were settled in that area before the outbreak of the war and become intimately involved in the conflict. One of the big challenges I found was keeping true to the nature and speech of the historical figures; a young George Washington leading his first militia command, General Braddock leading his force into a deadly trap. A challenge, yes, but at the same time a whole lot of fun.
One thing I have learned while writing Clash is that the characters I created, that I gave life to, often have minds of their own. I’ll have an idea where I want a particular passage, scene, or conversation to go, but when I start writing that bit something happens. It’s as if my characters have hijacked my fingers and voilà, a new idea is born. I suspect that this activity on the part of my characters is part of a conspiracy concocted and led by my feisty Muse. She seems to delight in surprising me, often while I am driving to and from work. Just the other day I spied a bald eagle flying overhead as I was passing Minuteman National Park, the site of the famous battle of Lexington and Concord that began the Revolutionary War. I know that was my Muse in the guise of an eagle, scouting out the area for the chapter I was soon to write about that battle.
Despite all of the challenges facing the historical fiction author, I have found it an exhilarating experience. A chance to not only entertain, but perhaps even to teach. I hope I have achieved that in Clash of Empires.
Thank you, Paul!
About Clash of Empires
1756 – Britain and France are on a collision course for control of the North American continent that will turn into the first truly world war, known as The Seven Years’ War in Europe and The French and Indian War in the colonies. The Mallory family uproots from eastern Pennsylvania and moves to the western frontier only to find themselves in the middle of war.
Three siblings, Daniel, Liam and Liza, are caught up in the conflict and endure emotional trauma. Their story is woven into historical events such as the two expeditions to seize Fort Duquesne from the French and the fighting around Forts Carillon and William Henry. We meet historical characters George Washington, Generals Braddock, Forbes and Amherst. The book also includes Pontiac’s Rebellion in which the Mallorys play important roles. Clash of Empires explores events running up to July 1776, events that will be chronicled in the second book, Paths to Freedom as I follow the exploits and fate of the Mallory clan.
You can buy Clash of Empires on Amazon.com Amazon.co.uk
Read Paul’s excellent book review blog
Connect with Paul on Twitter: hooverbkreview
Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.
Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter
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They say “Diamonds are a girl’s best friend” and “A diamond is forever” but that is just marketing. Diamonds have played a far more significant rôle in human culture, and for a much longer time.
The name “diamond” is derived from ancient Greek αδάμας (adámas), “proper”, “unalterable”, “unbreakable”, “untamed”. Stones are thought to have been first recognised, mined and traded in India at least 3,000 years ago, probably longer. Also, significant alluvial deposits of diamonds were found many centuries ago along the rivers Penner, Krishna and Godavari.
Diamonds’ popularity rose in the 19th century because of increased supply, improved cutting and polishing techniques, growth in people’s spending power within a growing world economy and innovative and successful advertising campaigns.
Today, we are still fascinated by the sparklers, and authors frequently have a tale to tell about them. Instead of a standard advent calendar, a group of authors are offering their readers a series of scintillating diamond stories, polished to dazzling beauty.
A Roma Nova diamond is there on 17 December – Saturnalia – about the young Imperatrix Silvia, her husband and a very special diamond’s story. In the meantime, start with today’s story from Richard Tearle – a throat-grabber and heart-wrencher.
3rd December Richard Tearle Diamonds
4th December Helen Hollick When ex-lovers have their uses
5th December Antoine Vanner Britannia’s Diamonds
6th December Nicky Galliers Diamond Windows
7th December Denise Barnes The Lost Diamond
8th December Elizabeth Jane Corbett A Soul Above Diamonds
9th December Lucienne Boyce Murder In Silks
10th December Julia Brannan The Curious Case of the Disappearing Diamond
11th December Pauline Barclay Sometimes It Happens
12th December Annie Whitehead Hearts, Home and a Precious Stone
13th December Inge H. Borg Edward, Con Extraordinaire
14th December J.G. Harlond The Empress Emerald
15th December Charlene Newcomb Diamonds in the Desert
16th December Susan Grossey A Suitable Gift
17th December Alison Morton Three Thousand Years to Saturnalia
18th December Nancy Jardine Illicit Familial Diamonds
19th December Elizabeth St John The Stolen Diamonds
20th December Barbara Gaskell Denvil Discovering the Diamond
21st December Anna Belfrage Diamonds in the Mud
22nd December Cryssa Bazos The Diamonds of Sint-Nicholaas
23rd December Diamonds … In Sound & Song
Do look out for the hashtag #Diamondtales on social media.
Enjoy!
Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.
Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter
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When we say ‘creative writing’ what do we mean? Poetry, a story, a play? Perhaps you are moved to write a short story or a piece of flash fiction. Or go for a full-length novel or its little sister, the novella. Let’s unpick some of these…
Plays and poetry are well recognised as such but here I’m looking at stories written in prose – a form that shows a narrative with a natural flow of language in a grammatical structure.
Novel
This is an easy one! A fictional narrative of over 50,000 words with a beginning, middle and end and telling a story. It can be literary, genre or popular fiction, highbrow or low brow. The most important aspect is that it develops a coherent story, whatever its style. Most are around the 80,000 – 130,000 depending on genre; romance, crime, sci-fi often come in at the shorter end with historical and literary fiction at the longer end. Sometimes called “long form fiction”, novels are what most people pick up in a bookshop, online or at an airport when they want a ‘good read’. My own Roma Nova novels come in at 90-103,000.
Novella
Currently immensely popular as an ebook,”…it allows for more extended development of theme and character than does the short story, without making the elaborate structural demands of the full-length book. Thus it provides an intense, detailed exploration of its subject, providing to some degree both the concentrated focus of the short story and the broad scope of the novel.” (Robert Silverberg)

Today, a novella is often written in between novels, as an accompaniment or complement to other books in a series. Sometimes, an author may be trying out a new genre, character or storyline; other times, they may tell the story of a secondary character. These are quick reads, but no less enjoyable and are typically 20,000 to 45,000 words. War of the Worlds by H G Wells and Animal Farm by George Orwell are famous examples. My own experiment is CARINA (35,000 words), which tells of an incident referred to in later books and a mission that sits between the full-length INCEPTIO and PERFIDITAS.
Novelette
Usually around 7,000 to 17,000 words, so falling in between a novella and a short story. Not much in fashion these days, they are featured in some literary awards such as the Hugo and Nebula science fiction awards.
Short story
Often the first way writers try out their writing legs, the short story is immensely popular. In general, it features a small cast of named characters, and focuses on a self-contained incident or theme, but uses the same techniques of writing as used in a novel. Short stories are often collected together as an anthology by the same author or different authors, or featured in magazines. Moreover, there are countless short story competitions! And their length? Sticking my neck out, I would say 1,200 to 3,500 words, although I was commissioned to write one of up to 5,000 words for a collection of alternative outcomes for the Norman invasion: 1066 Turned Upside Down.
Flash fiction
A very, very short and succinct fictional work that still shows character and plot development – a tall order! Examples include the Six-Word Story, 140-character stories, also known as “twitterature”, the “dribble” (50 words), “microfiction” (100 words), “sudden fiction” (750 words), “nanotales” and “micro-story”. At its best, flash fiction hints at or implies a larger story.
The common theme: all fiction requires inspiration, good craft and technique. The shortest forms demand pinpointing and extreme distillation, but the long form needs stamina and application. Over to you!
Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. Audiobooks are available for the first four of the series.
Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter
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Is an author who publishes books, by whatever route, entitled to a fully private life? Yes, and no.
Publishing a work – fiction, non-fiction, academic – makes that work and its author’s name available to the public. A fiction writer may use a pseudonym, of course. Readers will read the work – let’s call it a novel – and perhaps leave a review on a retailer site. The novel may get selected by a critic, a blogger or a book group who write reviews and/or discuss it. The ripples of publicity are starting.
Social media picks it up, perhaps from the author’s own blog, their Facebook account, a post on Google+ or a Tweet. Other bloggers ask the author for an interview, the author starts to attend events, to carry out book signings, to speak at events. Photos are taken for blog posts, reports in magazines. Perhaps the event is streamed live on Facebook, photos posted live on Instagram.
The author is acquiring a degree of fame. And fame, reviews, interviews, appearances, etc. sell books. Readers talk to authors at events, interact on social media, read their newsletters and blogs and send them emails.
Many authors love this, many are very happy, some will do it because it has to be done, others will feel nervous, embarrassed or even dislike the public side of publishing their work. But if you make your work public, i.e. publishing it, you are making yourself public. And if you want to sell books, you need to tell people about them and about you.
 With Diana Gabaldon(!)
Why?
It’s the old adage – people buy people. As a reader, I love to know about the author of a book that has engaged me. Why did they write it? What happened in their life? Do they have another occupation? Where can I go and see them speak? These days I read their blog, Facebook page and follow them on Twitter. I love to read about their research, their motivation, their passions, even their cat. Actually, especially their cat. And if I can meet them and get a signed copy of their book, I’m in Elysium.
So, reversing this…
Readers will want to know the same about their favourite authors including you. Depending on your inclinations and opportunities, you may write articles in magazines, appear on radio, on other people’s blogs. You may write your own blog, keep up on social media and make appearances. Part of your life has become public.
Keeping a balance
How much of your personal life you disclose is entirely up to you, but talking exclusively about your books is a tad boring, even on a Facebook author page. Some nice photos of your book signing, or places you’ve visited for research are interesting, but it’s the slightly more personal posts and blogs that interest people. Not your messy divorce or deep family grief, but your garden, (aforementioned) cat, cooking disasters, quirky facts from daily life attract a good following. I always get a surprising number of likes if I have a glass of wine in my hand!
But… (You knew there was a ‘but’)
Anything you disclose on social media or in a newspaper/magazine will be out there forever, whether stored digitally or in a newspaper archive. You cannot retract Tweets, photos will be viewed and shared. You therefore need to decide where you set the line. I would caution posting photos of young children on social media for obvious reasons, but fellow authors and other adults are fair game. The smartphones are everywhere. The only way to ensure you do not appear drunk on social media is not to get drunk in public.
You are ‘on duty’ all the time you are at an event, mixing with the public and even with colleagues. But other times when you are out privately with your family, doing your shopping, going on holiday, you are entitled to privacy. But if you choose to talk to a fan/reader in a social situation, then you are back on duty as an author.
Alison Morton is the author of Roma Nova thrillers – INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA, INSURRECTIO and RETALIO. CARINA, a novella, and ROMA NOVA EXTRA, a collection of short stories, are now available. Audiobooks are available for four of the series. NEXUS, an Aurelia Mitela novella, will be out on 12 September 2019.
Find out more about Roma Nova, its origins, stories and heroines… Download ‘Welcome to Roma Nova’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email newsletter. You’ll also be first to know about Roma Nova news and book progress before every
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This is going to get me into trouble, but I’m trying to find perspective.
It’s obvious that bullying – sexual, emotional, mental, physical or other – is wrong. Violent bullying, abuse or rape is criminal and punishable by law – rightly so. But the problem is not just about non-consensual sex; that’s the way feelings and urges are expressed. We have to look deeper at why.
To be clear, I’m not including comradely pats on the back, helping somebody on with a coat, hugs between friends or any other permitted or consensual touches.
A scenario…
Everybody’s been at a student party, a works’/staff Christmas party or a jolly of some sort when usual standards of behaviour slip and hands and lips go to places they shouldn’t. Between experienced colleagues of equal status, the answer is a pushing away, a biting comment or if necessary a slap across the face or a knee in the groin. But if the perpetrator has any level of authority or power over the victim, then the whole situation changes, whatever the actual actions. The victim is shocked, not just by the physical touch, but by the instant rupture of trust, and confused about what to do, especially if they are young and this is the first time. Nobody wants a bad annual assessment or becoming known as unreliable or unpromotable or not being able ‘to take a joke’.
This puts the victim in a double quandary and a not inconsiderable place of fear. They worry if their behaviour or dress has encouraged the perpetrator; in this way they absorb the blame for the incident. Afterwards, they feel partly responsible which adds another layer of reluctance to report it. This is wrong in so many ways, of course, but telling people to be courageous in such circumstances is easily said, but incredibly hard to do when in those circumstances. The victim attempts to wipe it from their memory and dismiss it as high jinks or a one-off aberration by the perpetrator. Big mistake. Understandable, but big mistake.
The perpetrator has made first base of gaining power over the victim. And however the tiny scale, that power relationship will colour everything in the future. We only need to look at the Roman example of patron and client. The client is at the patron’s beck and call whether it’s waiting for hours on his feet to gain a small favour, voting in an election or carrying out some dirty work for his patron. The client wishes for advancement, the patron exerts authority, control, even dominance. The patron has the client’s fate in his hands. Clients sometimes flourished under the benign and disinterested protection of a patron who advanced the client’s interests, sidelining others with more ability but less influence. Today, although we consider ourselves liberal and enlightened in comparison, none of this is all that different.
Why does one individual do this to another?
I’m not a psychologist, just an opinionated observer of people, but here are my few pennyworths…
- Sexual harassment, and worse, is about power, authority and lack of responsibility. We’ve seen power and authority above, but responsibility? Superiors of any sort have the responsibility of the care of their juniors. They have no right to go over the line of the limited authority they hold over them. Superiors, while expecting juniors to carry out their work or duties, do not ‘own’ those juniors (not these days).
- It’s about entitlement. Nobody is entitled to subject anybody else to speech or actions that person does not wish, whether it’s an off-colour remark, quick grope or a violent rape.
- Nobody is an object to be used and thrown away.
- Rape or physical attack is not the way to express your personal insecurity in a difficult world, nor is it a way to show others that you are ‘hard’.
But..
Let’s keep some balance
People are very easily offended these days
I come from a more robust generation which has seen so much progression from the restricted 1950s of my early childhood through the various social, sexual and legal revolutions too numerous to count. Believe me, it’s paradise compared to then. Balance and equilibrium are often forgotten today in the search for extremes and the extraordinary.
Invading personal space is a big no-no
Different cultures have different customs and unwritten rules. The French give kisses in greeting to almost everybody, including same sex, the Brits shake hands (when they remember), Americans often stand there and wave hands nervously in the air and just say ‘hi’. I exaggerate and generalise, but these are tendencies. Within cultures, some people need a fifty-centimetre personal exclusion zone, others see closeness and touch as normal social behaviour. Somebody’s harassment is another person’s bonding. This is where law will have a problem, but this is where teaching social norms to the young is so important.
The key to interpreting these sort of gestures is the intent behind them
Many of us have experienced the lingering hand on the shoulder or arm, the ‘accidental’ bumping of hip or breast. Here the intent is obvious. The ‘hand on knee’, which is in the news at present, is a gesture I’ve often seen male-to-male, especially in middle-aged men and older. I think it’s a bonding thing. As long as the male hand doesn’t go under the other person’s clothing and the touch is brief, I see it as only mildly creepy. I wouldn’t sit too near them again, but I certainly wouldn’t ostracise them. Women tend to touch each others’ and men’s forearms for similar purposes. However, if the hand lingers on the knee and there is a glint in the other person’s eye watching for reaction, then the alarm bells should sound very loudly.
Social media
Facebook, Twitter, Instagram all play a role today in exposing, fairly and unfairly, people’s weaker moments as well as joyous ones. If you elect to go into public life, it seems you will need to behave like a chaste, sober and perfect person at all times. You may go bonkers inside, but that’s the reality today in a smartphone environment. Even an unguarded quip flares round the digiverse like a fire in a drought.
Trust
Trust takes a long time to build but a second to be destroyed. And the fallout is permanent. Is it really worth the personal, economic and social losses that follows such a rupture? The victim is crushed and humiliated inside, even though they don’t show it. They blame themselves and lose self-confidence. And the business, department or association may lose a competent and clever employee when they walk out of the door.
So, what to do?
It’s quite easy, really. Complete mutual respect of everybody you deal with; physically, emotionally, mentally. No exceptions. Ever.
I’m sorry to target you, chaps, but men are in most in need of this mental and emotional shift. Women are not second rate, there for your convenience, or to be taken advantage of. Just because a woman employee is efficient and caring, reminds you of meetings, brings you coffee, smiles at your visitors, does not means she is your dogsbody to go and buy your sex toys. Women find their friendships and links with other women easier because (generally) there isn’t the automatic pressure of looking out for sexual come-ons or harassment.
Women should be heard in meetings not just in a tokenist way but actively listened to. And don’t pinch their ideas and promote them as yours; it’s rude and bloody irritating.
Children should be taught manners and respect for others. The playground is a robust, often hard place. Children can be cruel to each other as they seek to establish their own place in the hierarchy. A little less hierarchy and a little more flexibility and acceptance at this age would go a long way.
So, it looks like mutual respect and common decency might crack it for the future. But can we do it?
Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA and INSURRECTIO. The sixth, RETALIO, came out in April 2017. Audiobooks now available for the first four of the series
Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter
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