Elizabeth St. John, Elysabeth Scrope and the Princes in the Tower

I’m delighted to welcome historical novelist Elizabeth St.John to the blog especially as she is going to reveal a secret about one of the English crown’s biggest mysteries…

Elizabeth ’s critically acclaimed historical novels tell the stories of her ancestors: extraordinary women whose intriguing kinship with England’s kings and queens brings an intimately unique perspective to Medieval, Tudor, and Stuart times and a fair amount of danger.

Inspired by family archives and residences from Lydiard Park to the Tower of London, Elizabeth spends much of her time exploring ancestral portraits, diaries, and lost gardens. And encountering the occasional ghost. But that’s another story.

Now, we both contributed to Betrayal: Historical Stories. You can guess the theme…  (And it’s either 99pence/cents or even free on Apple, Kobo and B&N Nook to download 😉 )

Elizabeth tells me that during our collaboration she became consumed with her character’s potential and with that little spark of research (a command from one king, followed by a pardon from another) she spent two whole years creating The Godmother’s Secret, a full-length historical novel. And now you can read it.

After the introduction, you can read an excerpt, then discover more about the 21st century Elizabeth…

If you knew the fate of the Princes in the Tower, would you tell? Or forever keep the secret?

May 1483: The Tower of London. When King Edward IV dies and Lady Elysabeth Scrope delivers her young godson, Edward V, into the Tower of London to prepare for his coronation, she is engulfed in political turmoil. Within months, the prince and his brother have disappeared, Richard III is declared king, and Elysabeth’s sister Margaret Beaufort conspires with her son Henry Tudor to invade England and claim the throne.

Desperate to protect her godson, Elysabeth battles the intrigue, betrayal, and power of the last medieval court, defying her Yorkist husband and her Lancastrian sister under her godmother’s sacred oath to keep Prince Edward safe. Bound by blood and rent by honour, Elysabeth is torn between the throne and her family, knowing that if her loyalty is questioned, she is in peril of losing everything—including her life.

Were the princes murdered by their uncle, Richard III? Did Margaret Beaufort mastermind their disappearance to usher in the Tudor dynasty? Or did the young boys vanish for their own safety? Of anyone at the royal court, Elysabeth has the most to lose–and the most to gain–by keeping secret the fate of the Princes in the Tower.

Inspired by England’s most enduring historical mystery, Elizabeth St.John blends her family history with known facts and centuries of speculation to create an intriguing story about what happened to the Princes in the Tower.

An excerpt!

Chapter 1

November 1470, Westminster Abbey

A secret has been conceived . . .

“Entry, in the name of God and King Henry!” My guard clouts the iron-clad door of Cheyneygates, challenging the sanctuary of Westminster Abbey. “The Lady Elysabeth Scrope demands entry!”

The Abbot’s House

A murther of crows startles from the gables, cawing and whirling around my head and circling up into the clouded heavens. I join three fingers in the holy trinity and cross myself; head, chest, sinister and dexter. These ancient purveyors of death do not disturb me, for I have not survived this war to be hindered by a superstition. If there were a crow for every dead soldier, England would be a huge raucous rookery. But it never hurts to invoke God’s protection. The crows swoop and squabble and alight singly among the gargoyles on the parapets of the soot-stained Abbey. Like the granite tors of my Yorkshire home, these walls are impenetrable and inaccessible. And just as hostile. God offers protection to all who claim sanctuary. And men erect walls to keep them safe.

No stirring from within. I sigh. Not unexpected. “Knock again,” I command the guard. “Let them know their visitors will not leave.”

The waning October afternoon trickles shadows into the well of the courtyard. I pull my cloak closer, thankful I had chosen my finest weave to keep the warmth in and the damp out. The sun had shone golden when we rode out from London, but upon reaching Westminster we collided with the rain clouds streaming in from the west.

Fallen mulberry leaves clog the stone steps rising before me, rotting unswept in the hollows. Someone isn’t taking care of the abbot’s house. It is clear that no one has left nor entered for a while. The guard’s hammering is unanswered, and yet to the right of the door a candle flame glimmers through a browed window and a shadow flits elusively.

I push back my hood, and a spatter of rain needles my face. Here, gatekeeper. Here’s reassurance I bear your fugitive no threat. I am of middling age, graceful, fair of face, my countenance pleasing, I’ve heard say. Hardly a threat.

The rain unfurls in sheets. I raise my voice. “I am not asking the queen to break sanctuary.” God knows the wretched woman would make it easier on all of us if she did. I motion the guard aside and edge up the slippery steps to the door. “I am here to join her.” My voice competes with a dripping gutter and gets lost under the pitter-patter.

Elysabeth Scrope’s Appointment to attend Elizabeth Woodville (National Archives)

At the foot of the steps, my stepdaughter, Meg Zouche, hums with a redhead’s restless energy; her curly hair springs wildly from her hood, laced with jeweled droplets of Thames mist. “The queen thinks to defy fate with a barred door.” Meg scowls at the blank and blackened oak.

“She will admit us. Eventually. Even one such as she cannot birth her child alone,” I reply. “I may not be her choice for an attendant, but a captive has no say in their guard.” Temper’s blood warms my cheeks. I stand resolute at the door, ignoring the invisible eyes taking my measure. If this time in sanctuary is to be the battle of wills I anticipate, then I must win the first foray. I plant my feet in the composting leaves, ignore the damp seeping from the stone into the soles of my boots, and wait.

Bolts grate top and bottom, and the door creaks open. I swallow a last breath of rain-washed air, hoarding the fresh scent for the stifling weeks to come, for the queen’s confinement shapes my own prison sentence. Reaching for Meg’s warm hand, I cross the threshold into the abbot’s house. The splashing steps of our guard fades, his duty done, mine just beginning. And if I fail and the child dies, I will be shown no mercy from Henry, the king that rules, nor Edward, the king in exile.

We are herded like moorland sheep into the cramped entry corridor, and the steward squints down his drip-tipped nose and sniffs. Meg glares back at him until he drops his gaze. She may be only nineteen, but she has been mine since she was two years of age, and I have trained her to run a great household. She will brook no truck with an insolent servant. Let Meg practice her learnings on the poor man; he is, after all, the enemy.

“Escort my mother to the queen,” Meg commands, “and then show me our lodgings.”

He grudgingly dips his head. “Wait here, Dame Zouche.”

So the household expects our arrival. They just don’t choose to welcome us. Of course, there is little that will escape the queen, for certainly she has her spies and informers even as she invokes sanctuary to protect her unborn child.

“This way, Lady Scrope.”

I kiss Meg’s warm cheek. “Make friends with him, Meg,” I whisper. “We’re going to need all the help we can muster. I’ll return shortly.”

She grins and winks. “Bon chance, Belle-maman.”

The steward sets off at a brisk trot through a passage that runs alongside the entry courtyard. He does not look back to see if I keep up nor to extend me the courtesy of a deferential bow nor even a head tilt that my rank demands. So. This is how we will engage.

He leaves me at the open door to a dim chamber, and I pause to let my eyes adjust to the shadows and to reclaim my dignity. I am aware that whoever is in the room sees me before I see them.

The lofty wood panelling is underlit by half-burned candles struggling in the damp air. At the end of the chamber is a diamond-paned window, beyond which the Abbey lurks, blocking the waning light. Resting in a high-backed chair before the hearth, her pure profile dark against the blue flames of a meagre fire, is Queen Elizabeth—I still think of her as Elizabeth Woodville—her belly swollen under a beaver-fur mantle. Three little girls huddle on red velvet prayer cushions at her feet, the youngest child perhaps eighteen months.

So this is the commoner queen and her brace of healthy children. Yet still no male heir to claim the throne. What are the odds this next child is a boy? High, I reckon. Especially given the wellspring of prayers God must be receiving daily from the queen and her followers.

 Buy The Godmother’s Secret 

Amazon universal link: https://geni.us/GodmothersSecret
(Subscribers to Kindle Unlimited can download it free.)

Connect with Elizabeth:
Website: http://www.elizabethjstjohn.com/
Twitter: https://twitter.com/ElizStJohn  @ElizStJohn
Facebook: https://www.facebook.com/ElizabethJStJohn
Instagram: https://www.instagram.com/elizabethjstjohn/
Book Bub: https://www.bookbub.com/authors/elizabeth-st-john
Goodreads: https://geni.us/GoodreadsElizStJohn

My review

If you thought the Roman Empire had the monopoly on power squabbles, egotistical opportunists and ruthless schemers, read this book! But as with the Ancient Romans, there are true hearts and great moral courage in the 15th century along with mysterious disappearances and unsolved enigmas. 

The ‘princes in the Tower’ must be one of the most intriguing mysteries in English history. Pick your villains and victims from the circling characters: Richard of York, Margaret Beaufort, Elizabeth Woodville, Harry Buckingham, the Woodville/Grey brothers, Edward IV, Henry Tudor…

Ms St John has very deftly focused on one character loyal to her values and principles, but one whose compassion and courage guides her actions. Elysabeth Scrope might not have been highlighted as a prominent actor in previous stories of this period, but the author has done us a great service in telling the  story of a woman at the centre of these tumultuous events.

Heroine Elysabeth is no ‘goody two shoes’; she fails and is conflicted like anybody else, but not least by her complex family relationships, so prevalent amongst the nobility of the period. The relationship – loving and hostile and exasperating – between Elysabeth and Margaret is particularly well drawn.

But why do Elysabeth’s desire to ensure her voice is heard in the maelstrom and her actions to be seen as independent, yet centred around the children’s welfare seem so important? Why do we feel compelled to follow her story? It’s the writing, of course. The descriptions are vivid and rich, the period detail thoroughly researched, yet subtly dripped in and the dialogue is authentic. Highly recommended.


Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories.  Audiobooks are available for four of the series.Double Identity, a contemporary conspiracy, starts a new series of thrillers. JULIA PRIMA, a new Roma Nova story set in the late 4th century, is now out.

Find out more about Roma Nova, its origins, stories and heroines and taste world the latest contemporary thriller Double Identity… Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. You’ll also be among the first to know about news and book progress before everybody else, and take part in giveaways.

2 comments to Elizabeth St. John, Elysabeth Scrope and the Princes in the Tower

  • Elizabeth St. John

    Thanks for sharing The Godmother’s Secret and your wonderful review, Alison. You’re right – definitely some Roma Nova politicking and betrayal going on in the 15th Century!

    • Alison Morton

      I think chicanery and intrigue happens in every period, but today it’s *usually* settled verbally. Unless you insist on invading your neighbour…

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