Read an excerpt HERE.
Click on image to buy RETALIO.
Read an excerpt HERE.
Click on image to buy INSURRECTIO. INSURRECTIO_sm
Read an excerpt HERE. Click on image to buy PERFIDITAS.

BRAG

Read an excerpt HERE.
Click on image to buy INCEPTIO. Amazon bestseller
BRAG_INCEPTIO

To DM or not to DM?

The Scream, Edvard Munch, 1893

When I read yet another ‘buy my book’ direct message on Facebook Messenger this morning, I screeched out loud. I’m surprised it wasn’t heard from one end of Europe to the other.

Direct messaging (DM) or private messaging (PM) is a utility on social media, in particular Twitter and Facebook and a one-to-one message channel between ‘friends’, i.e. people you are happy to interact with on those media.

You may want to say something only applicable to the other person, or small group of people, or something sensitive or confidential. In this way, it’s like a quick ‘n’ dirty form of fast email without messing around with subject lines, composing a message, etc.

I use it principally on my phone to fix timings, send an instant photo or link to a friend, chat to family, fellow FB group admins, friends, and to answer queries. It’s a place for private conversations.

IT IS NOT A SALES CHANNEL.

DM sins

  • Inviting me to be your friend then sending me a ‘buy my book’ message within the following 24 hours
  • Sending me a ‘please endorse my book’ (True friends don’t ask like this.) or ‘like my new book page’ message. (Use the invitation facility on your Facebook page!)
  • Trying to sell me something
  • Being a creepy person and trying to hit on me virtually

How to use DMs

  •  If you have researched and tried every other way of contacting somebody – looking on their website (email address or contact form), a friend who might know them, Googling – then send them an ultra polite DM with a hint of what you want to talk about. Send only once. If you are not ‘friend’ or they don’t follow you, you may just have to be patient until they spot your message.
  • If a conversation in open forum needs a personal or confidential answer, then offer to DM them
  • Observe confidentiality about what’s said in a DM
  • Use them to exchange telephone numbers, addresses and personal email addresses. You should never do this openly on social media.
  • Put yourself in the other person’s shoes and respect their privacy

And what do I do if I am a target of one of the ‘sins’?
Instant unfriend or unfollow.

What’s your take on these messages?

 

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIAINSURRECTIO and RETALIO.  CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

Strange business, Christmas

Christmas tree 2017

It’s Christmas Eve morning and I’ve had my croissant and pain au chocolat. We normally have much healthier muesli, but as we bought a boxful of butter laden pastry morning goods for the visitors, why not raid one or two?

No sign of life from the visitors – they probably need the sleep. I’ve opened the shutters and switched on the Christmas tree lights. Two strings of small lights circle the tree.

This year we have rescued ducks from an old set and plonked them on some of the lights. Now we have ducks, angels, flowers, snowmen, robins, stars and balls. Not a sign of tinsel, thank you.

But the lights… They work, almost with demonic insistence, they work. I kneel down and flick the master control. The receptors in my eyeballs are singed with airburst level blazing lights. Even Jupiter’s thunderbolts didn’t flash like these little horrors. I fumble with the control box, pressing maniacally through the programs to find the still, gentle state of just being ‘on’. No flashing, nor fading nor alternating, nor Mexican waving – just on. At the seventh press, tranquillity returns and I sit back, the adrenalin dispersing, heart rate reducing, happiness returning.

My question: why can’t the default setting be just ‘on’? Why must the lights start in agitation mode? Where are the dim, but gentle fairly lights of my childhood?

Then I started to think. Dangerous, I know. In 2017, we all have to ‘hit the ground running’, ‘be up for it’, run five kilometres before 6 a.m. Images, news, stories, information, rants, alternative facts bombard us 24/7. The lights in life are on agitated flashing mode by default.

Christmas 2015 (author’s son’s photo)

Christmas itself is when generations meet; they laugh, bicker, sulk, drink, eat different food and visit their parents’ friends, but they also talk face to face, go on walks, rest and watch films and Christmas specials together. They live in different worlds, or bubbles, and while they touch, they can never fully integrate again. Younger ones are bored by the accounts of older ones’ operations; older ones don’t understand their children’s job titles, let alone what they do all day at their work. But somehow, they do touch here and there.

Which brings me to emotional blackmail… When I was younger, it was ‘expected ‘ by my parents and parents of their generation who had fought a terrible war and only desired a stable and happy family life afterwards, to ‘go home’ for Christmas. You may be in your forties and have your own children with their own needs for a family Christmas, but if you didn’t report for duty in your parents’ home, you were in trouble. Don’t get me wrong – I loved it. A week of no work, sleeping in, no domestic chores, drink on tap, great talks, stories and jokes. But it was always assumed. Hurt, anger and bewilderment flowed down the phoneline if you tried to make a break for it. So you gave in. If you were married, you alternated between parents or you did a Tour d’Angleterre for two weeks on the middle of winter and returned to work in January, exhausted but relieved.

Christmas 1960 (author’ father’s photo)

In my turn, I love having my adult child and partner (aka daughter in law) here. We’re not very exciting, but they seem to keep coming back. But we never ask and we never expect. I vowed that when I became the older generation, I would never demand their presence, and I don’t. But I’m really rather pleased they want to come and see us…

So, no more fuzzy felt, jigsaws, listening quietly to Childrens’s Hour on the wireless, learning to knit in front of a coal fire and starting the ‘thank you’ letters of my childhood. Today it’s watching The Crown on Netflix, posting and tweeting with transcontinental friends on tablets, phones and laptops, using the Jacquie Lawson e-card service, swapping trends, jokes and stories. Talking of which we have a new trend chez Morton: a multiple international Skype on Christmas morning, all participants with a glass of bubbly in their hand.

But we still have a good lunch, Christmas pud and listen to the Queen at 3pm. And I have learnt to tame the bloody lights.

 

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIAINSURRECTIO and RETALIO.  CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

Meet Paul Bennett, writer of American historical fiction

Darryl and Paul Bennett

Darryl and Paul Bennett

Today, my guest is the delightful Paul Bennett who lives in the New England town of Salem, Massachusetts with his wife Daryl and writes historical fiction, the first of which The Clash of Empires is set during the French and Indian Wars.

Discovering his future did not include the fields of mathematics or science, he focused more on his interest in history; not just the rote version of names and dates but the causes. He went on to study Classical Civilization at Wayne State University with a smattering of Physical Anthropology thrown in for good measure.  Logically, of course, Paul spent the next four decades drawing upon that vast store of knowledge working in large, multi-platform data centres, and says he is considered in the industry as a bona fide IBM Mainframe dinosaur heading for extinction. 

Over to you, Paul!

When Alison asked if I would like to do a guest spot on her blog, I immediately said yes. A few moments later reality set in as I realized I didn’t know what I would blog about. I have written one book, so I don’t think of myself as an expert on the subjects surrounding being a good author. For example, I frequently see advice on how to develop a systematic approach to writing, and then I look back on how I approach it. My, oh my, it’s a miracle I finished the book in a manner that is coherent. 🙂 Or, a how to on character development; again I plead ignorance and amazement at my results.

So, after mulling over the possibilities for a couple of days, my Muse whispered in my ear that instead of a how to blog, I should write a why blog. Why do I write historical fiction; why did I choose The French and Indian War as a subject? The root or genesis of the first question lies at the feet of Kirk Douglas and Tony Curtis. Spartacus and other movies of the time like Ben Hur, The 300 Spartans, and Cleopatra kick-started an interest in ancient times. This led to my reading about Heinrich Schliemann and his discoveries at Mycenae, and at Troy. I was hooked on history from then on. In high school, I elected history classes when given a choice; my favorite being an advanced American History class where I found that the causes were more important to learn rather than just the results. My major at Wayne State University was Classical Civilization; a curriculum that required the learning of Ancient Greek, so I must have been serious about it. 🙂

The fictional aspect came from Mary Renault’s The King Must Die. That was the first book that showed me that historical events could be rendered into fiction, albeit in this case mythological history. What an eye opener, and one that propelled me into a voracious frenzy of reading and learning; a situation that has not abated over the decades. Indeed, the number of talented historical-fiction authors I have come across over the years is truly astounding.

Through the medium of social networking I have become friends with many of those authors, and it is because of them that I not only started a book review blog (see the link below), but also began my journey to producing Clash of Empires; the first book in my series, The Mallory Saga. Thus, we come to the second question; why that subject. The French and Indian War seemed to me to be the perfect historical event to begin my ambitious idea to portray the history of this country through the eyes of a fictional family, the Mallorys. This was a worldwide, cataclysmic event; indeed some have called it the real First World War as it was fought not only here in America, but also in Europe, and the West Indies. It also proved to be rather costly for the British even though they won the war. The subsequent taxation and trade policies with the American colonies set the stage for revolution.

In Clash, I was able to incorporate the historical events with a fictional spin; staying true to the history but seen through the eyes and actions of my fictional frontier family. A great deal of the action in the war took place in western Pennsylvania, and much of that at Fort Duquesne; modern day Pittsburgh. The Mallorys were settled in that area before the outbreak of the war and become intimately involved in the conflict. One of the big challenges I found was keeping true to the nature and speech of the historical figures; a young George Washington leading his first militia command, General Braddock leading his force into a deadly trap. A challenge, yes, but at the same time a whole lot of fun.

One thing I have learned while writing Clash is that the characters I created, that I gave life to, often have minds of their own. I’ll have an idea where I want a particular passage, scene, or conversation to go, but when I start writing that bit something happens. It’s as if my characters have hijacked my fingers and voilà, a new idea is born. I suspect that this activity on the part of my characters is part of a conspiracy concocted and led by my feisty Muse. She seems to delight in surprising me, often while I am driving to and from work. Just the other day I spied a bald eagle flying overhead as I was passing Minuteman National Park, the site of the famous battle of Lexington and Concord that began the Revolutionary War. I know that was my Muse in the guise of an eagle, scouting out the area for the chapter I was soon to write about that battle.

Despite all of the challenges facing the historical fiction author, I have found it an exhilarating experience. A chance to not only entertain, but perhaps even to teach. I hope I have achieved that in Clash of Empires.

Thank you, Paul!

About Clash of Empires 

1756 – Britain and France are on a collision course for control of the North American continent that will turn into the first truly world war, known as The Seven Years’ War in Europe and The French and Indian War in the colonies. The Mallory family uproots from eastern Pennsylvania  and moves to the western frontier only to find themselves in the middle of war.

Three siblings, Daniel, Liam and Liza, are caught up in the conflict and endure emotional trauma. Their story is woven into historical events such as the two expeditions to seize Fort Duquesne from the French and the fighting around Forts Carillon and William Henry. We meet historical characters George Washington, Generals Braddock, Forbes and Amherst. The book also includes Pontiac’s Rebellion in which the Mallorys play important roles.  Clash of Empires explores events running up to July 1776, events that will be chronicled in the second book, Paths to Freedom as I follow the exploits and fate of the Mallory clan.

You can buy Clash of Empires on   Amazon.com    Amazon.co.uk

More about the Mallorys : Mallory Saga Facebook Page 

Read Paul’s excellent book review blog

Connect with Paul on Twitter: hooverbkreview

 

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIAINSURRECTIO and RETALIO.  CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

Diamond Tales - sparklers for you!

They say “Diamonds are a girl’s best friend” and “A diamond is forever” but that is just marketing. Diamonds have played a far more significant rôle in human culture, and for a much longer time.

The name “diamond” is derived from ancient Greek αδάμας (adámas), “proper”, “unalterable”, “unbreakable”, “untamed”. Stones are thought to have been first recognised, mined and traded in India at least 3,000 years ago, probably longer. Also, significant alluvial deposits of diamonds were found many centuries ago along the rivers Penner, Krishna and Godavari.

Diamonds’ popularity rose in the 19th century because of increased supply, improved cutting and polishing techniques, growth in people’s spending power within a growing world economy and innovative and successful advertising campaigns.

By Mario Sarto CC BY-SA 3.0

Today, we are still fascinated by the sparklers, and authors frequently have a tale to tell about them. Instead of a standard advent calendar, a group of authors are offering their readers a series of scintillating diamond stories, polished to dazzling beauty.

A Roma Nova diamond is there on 17 December – Saturnalia – about the young Imperatrix Silvia, her husband and a very special diamond’s story. In the meantime, start with today’s story from Richard Tearle – a throat-grabber and heart-wrencher. 

3rd December    Richard Tearle Diamonds
4th December    Helen Hollick  When ex-lovers have their uses
5th December     Antoine Vanner  Britannia’s Diamonds
6th December     Nicky Galliers  Diamond Windows
7th December     Denise Barnes  The Lost Diamond
8th December     Elizabeth Jane Corbett A Soul Above Diamonds
9th December     Lucienne Boyce Murder In Silks
10th December   Julia Brannan The Curious Case of the Disappearing Diamond
11th December    Pauline Barclay Sometimes It Happens
12th December    Annie Whitehead  Hearts, Home and a Precious Stone
13th December    Inge H. Borg  Edward, Con Extraordinaire
14th December   J.G. Harlond The Empress Emerald
15th December    Charlene Newcomb Diamonds in the Desert
16th December    Susan Grossey  A Suitable  Gift
17th December    Alison Morton Three Thousand Years to Saturnalia
18th December    Nancy Jardine   Illicit Familial Diamonds
19th December    Elizabeth St John The Stolen Diamonds
20th December   Barbara Gaskell Denvil Discovering the Diamond
21st December    Anna Belfrage   Diamonds in the Mud
22nd December   Cryssa Bazos    The Diamonds of Sint-Nicholaas
23rd December    Diamonds … In Sound & Song

Do look out for the hashtag #Diamondtales on social media.

Enjoy!

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIAINSURRECTIO and RETALIO.  CARINA, a novella, is available for download now. Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

What length will you go to in your writing?

When we say ‘creative writing’ what do we mean? Poetry, a story, a play? Perhaps you are moved to write a short story or a piece of flash fiction. Or go for a full-length novel or its little sister, the novella. Let’s unpick some of these…

Plays and poetry are well recognised as such but here I’m looking at stories written in prose – a form that shows a narrative with a natural flow of language in a grammatical structure.

Novel
This is an easy one! A fictional narrative of over 50,000 words with a beginning, middle and end and telling a story. It can be literary, genre or popular fiction, highbrow or low brow. The most important aspect is that it develops a coherent story, whatever its style. Most are around the 80,000 – 130,000 depending on genre; romance, crime, sci-fi often come in at the shorter end with historical and literary fiction at the longer end. Sometimes called “long form fiction”, novels are what most people pick up in a bookshop, online or at an airport when they want a ‘good read’. My own Roma Nova novels come in at 90-103,000.

Novella
Currently immensely popular as an ebook,”…it allows for more extended development of theme and character than does the short story, without making the elaborate structural demands of the full-length book. Thus it provides an intense, detailed exploration of its subject, providing to some degree both the concentrated focus of the short story and the broad scope of the novel.” (Robert Silverberg)

 

Today, a novella is often written in between novels, as an accompaniment or complement to other books in a series. Sometimes, an author may be trying out a new genre, character or storyline; other times, they may tell the story of a secondary character. These are quick reads, but no less enjoyable and are typically 20,000 to 45,000 words. War of the Worlds by H G Wells and Animal Farm by George Orwell are famous examples. My own experiment is CARINA (35,000 words), which tells of an incident referred to in later books and a mission that sits between the full-length INCEPTIO and PERFIDITAS.

 

Novelette
Usually around 7,000 to 17,000 words, so falling in between a novella and a short story. Not much in fashion these days, they are featured in some literary awards such as the Hugo and Nebula science fiction awards.

Short story
Often the first way writers try out their writing legs, the short story is immensely popular. In general, it features a small cast of named characters, and focuses on a self-contained incident or theme, but uses the same techniques of writing as used in a novel. Short stories are often collected together as an anthology by the same author or different authors, or featured in magazines. Moreover, there are countless short story competitions! And their length? Sticking my neck out, I would say 1,200 to 3,500 words, although I was  commissioned to write one of up to 5,000 words for a collection of alternative outcomes for the Norman invasion: 1066 Turned Upside Down.

Flash fiction
A very, very short and succinct fictional work that still shows character and plot development – a tall order! Examples include the Six-Word Story, 140-character stories, also known as “twitterature”, the “dribble” (50 words), “microfiction” (100 words), “sudden fiction” (750 words), “nanotales” and “micro-story”. At its best, flash fiction hints at or implies a larger story.

The common theme: all fiction requires inspiration, good craft and technique. The shortest forms demand pinpointing and extreme distillation, but the long form needs stamina and application. Over to you!

 

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIAINSURRECTIO and RETALIO.  Audiobooks are available for the first four of the series.

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter