Read an excerpt HERE.
Click on image to buy RETALIO.
Read an excerpt HERE.
Click on image to buy INSURRECTIO. INSURRECTIO_sm
Read an excerpt HERE. Click on image to buy PERFIDITAS.


Read an excerpt HERE.
Click on image to buy INCEPTIO. Amazon bestseller

Charroux - a different litfest

You know the score – a crowd of writers keen to learn and interact and readers eager to adore the great ones, hurrying from pillar to post, same old topics thrashed over, expensive food, even more expensive drink, lots of undercurrents and exclusive events, groups and cliques and a carefully orchestrated bookshop with selected titles.

Well, that wasn’t what happened at the Charroux LitFest in southwest France.

With Barbara Erskine

Difference 1
Like many other writing events, his litfest had keen writers and readers, all eager to learn and interact, but there were no groups or cliques or barriers. Everybody mixed with everybody else. I had some fantastic conversations about characters, history, self-publishing and promotion throughout the weekend and managed a quick chat with Barbara Erskine on Day 3. She wanted to ask me more about alternative history, but she had a plane to catch!

Difference 2
The Programme 2017 – Festival de Littérature à Charroux wove together a schedule of events in English and French and was designed to bring fresh perspectives on essential topics. In our history panel, the audience was surprised to see me wielding my (replica) Pompeii gladius and talking about blade lengths and compositions, then types of pistols and rifles used by modern Roma Nova military while a colleague writing about French resistors in the 1940s laughed and said he steered away from specifics when it came to weapons. That surprised our audience!

Talking about Roma Nova!

As well as delivering my own topics (talking about the Roma Nova books, the historical fiction panel, and new writers’ workshop) I was delighted to get to Barbara Erskine’s interview with Tracy Warr and Andrew Lownie’s fascinating glimpse into Stalin’s Englishman, aka Guy Burgess.

Difference 3
What a lovely bookshop efficiently run by Christine and Bernard Godfrey! They were unfailingly helpful, provided author drinks and, treasure beyond everything on a sweltering weekend, an air conditioner! Definitely the cool place to be. It was also the friendly place to be and I even bumped into a schoolfriend from several decades ago.

The New Writers’ workshop panel getting ready! (Photo courtesy of

Difference 4
The other remarkable thing about Charroux – people had come from long distances, booking up accommodation for the three days even though it was quite a small festival in numbers.


However, the buzz was deep and intense; you could almost touch the concentration in each session.

Trying to convince writers about promotion!

The New Writers’ Workshop led by festival patron Susie Kelly, with contributors Jane Lythell, Harriet Springbett, Stephanie Zia (Blackbird Books) and me, flowed with advice on publishing and promotion. But in the interactive session in small groups, I learnt a lot from other writers while giving them tips about promotion. Here are my tips: Promoting your book

Difference 5
The sandwiches, quiches, cake and tea, coffee and soft drinks available on the spot were delicious and plentiful. And cheap! There was a fish & chip van for heartier appetites. Charroux and area is blessed with excellent eateries of every type for very reasonable prices.

Chris and Kate

But above all, the conference was friendly, interactive and fun. Now, this takes skill, dedication and hard work. I’m surprised the organisers, Kate Rose and Christine Collette, and their volunteer teams still had the energy to breathe by the end of the three days. Smiles and a genuine desire to address your question or need instantly were the hallmark of their modus operandi. Chapeau to them!

Oh, and I sold a ton of books, both the Roma Nova titles and the paper version of The 500 Word Writing Buddy which has tips for new writers.

Fab people, fab food, fab atmosphere – what a weekend!


Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIA and INSURRECTIO. The sixth, RETALIO, came out in April  2017. Audiobooks now available for the first four of the series

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

How to write a 'damnèd, smiling villain'

O villain, villain, smiling, damnèd villain!
My tables—meet it is I set it down
That one may smile, and smile, and be a villain—
At least I am sure it may be so in Denmark.
(Hamlet, Wm.Shakespeare)

“And some that smile have in their hearts, I fear,
Millions of mischiefs”
Young Octavius, in Julius Caesar, Wm.Shakespeare)

Ah yes, Shakespeare’s smiling villains. Well, if it’s good enough for him, it’s good enough for the rest of us. It also points to how we should portray the ‘bad guy’ in stories.

Undiluted villains like Fu Manchu, the White Witch, Dracula, Cruella de Vil, Mrs Danvers, Ernst Blofeld, are straightforwardly nasty, with a single goal of eliminating the ‘good guy’. We see only one aspect of them and apart from the ways in which they inflict pain on our heroines/heroes we find them a tad ridiculous and potentially boring. Proper villains are multi-layered, often with mixed motivations that sometimes they themselves don’t understand.



In the Roma Nova thrillers I’ve written psychopaths (Renschman in INCEPTIO), sociopaths (Pertinax in PERFIDITAS , Caius Tellus in AURELIA, INSURRECTIO and RETALIO) and vengeful children (Nicola in SUCCESSIO).

And then there are characters who hover in between such as pragmatic criminal Apollodorus in INCEPTIO and PERFIDITAS whom we can’t decide is good or bad.

Some characters are weak and fall into bad company like Superbus in PERFIDITAS, some become temporary ‘bad guys’ (no spoilers here!), some are forced into ‘bad guy’ behaviour due to circumstances, some are merely opportunistic. And these grey areas are the most interesting…

How to write a plausible and interesting villain
All characters need a solid back-story, so it’s a good idea to sketch out when your villain became one, why and in what circumstances. Was it a single incident, a simmering discontent, envy, mistreatment or being a spoilt child? Did he or she fall into bad company or were they abandoned as a child or on the death of one or both parents? Such events don’t always lead down the dark path, but they may nudge them that way.

A criminal mastermind who seems all-knowing and all-seeing with almost telepathic powers is not credible. Neither is a bumbler or a TSTL (too stupid to live) fool. But villains should be intelligent or at least crafty. Our heroines (and heroes) need foes worthy of them, ones that will test their mettle.

Are villains ‘born bad’? We all differ in temperament and character. Some of us are laid back, others ambitious, some warm-hearted, others unemotional, some caring and holistic, others full of desire to dominate. The Myers Briggs Type Indicator is extremely useful for making up multi-layered profiles for all your characters. It’s a psychometric test system popular in business and government since the Second World War to indicate psychological preferences about how people perceive the world and make decisions. A gold mine for writers!

Villains’ dialogue should not lapse into stereotypes or melodrama – they are people like other characters in the story and should speak normally, although irony, sarcasm and anger can be present when appropriate.

[From INSURRECTIO: After she is captured, Aurelia is taken before Caius who has usurped power in Roma Nova]
I was completely alone. With my nemesis. He went back to staring through the window.

‘I can’t decide what to do with you,’ he said. ‘You will undoubtedly try everything to oppose me under some delusion of duty, so it would be prudent to remove you permanently. And you caused me to rot in a Prussian jail for twelve years. I shall never forgive you for that.’

‘You murdered a Prussian citizen and permanently disabled another. You ran a silver smuggling organisation that threatened Roma Nova’s security. You got off lightly.’

He shrugged.

‘And let’s not forget your two attempts to kill me.’

‘You were being irritating, Aurelia, and I dislike that.’

‘Irritating!’ I raised my hands to vent my frustration but the steel grip of the handcuffs constrained them. ‘I was a Praetorian officer tasked to hunt you down. I’d hardly class that as irritating.’

‘“Was”. That’s the correct word.’ He turned and looked straight at me. ‘You’re finished. I’ve cancelled your commission along with that of every other female officer. You’re no longer a minister, nor a senator, nor head of your family. You have become an irrelevance in the new Roma Nova.’

I stared at him. Irrelevant? He couldn’t take away my identity like that.

‘Don’t be ridiculous. You can’t destroy the structure of such an old country just like that.’

He strode over to me. I took a step back, but he was too fast. He grabbed me by the throat, pressed his thumb and fingers hard, and squeezed. I could hardly breathe. He pressed harder. My head swam and my vision blurred.

‘Don’t tell me what I can and can’t do.’ Then he dropped his hand and released me. I bent over coughing. Gods, his grip had been strong. I thought I was going to choke to death.

‘You have two options – adapt or go under. There is no release for you, Aurelia. You will be guarded and tracked, and if you attempt escape, I’ll execute one of your friends like Calavia. Maybe I’ll do that anyway, if only to motivate you.’

‘Only cowards let their friends take the punishment for them. Just call in the swordsman and I’ll kneel in the sand.’

‘Certainly not. You’re far too valuable a political asset. And you do have a certain amusement value.’ He smirked at me. ‘Perhaps I’ll keep you as jester, my own tame doomsayer. You’d look quite fetching in scarlet.’

I couldn’t speak. The humiliation of what he suggested – how dare he?

He laughed. ‘You should see your face, Aurelia. You always were quick to rise.’ Then his mouth straightened into a crisp line. ‘This is not a game. The old ways are finished, as is everybody associated with them.’

Caius Tellus

Caius Tellus

Another technique is to put yourself into the villain’s place, to get into their mind-set. They are convinced they are the strong one on the right path, if they are like Caius or Pertinax, or are perfectly justified in what they do in order to make their way in the world, if they are Apollodorus. They often care for, or at least reward, their subordinates and cannot see why others don’t see things as they do.

And for an additional twist, the ‘bad guy’ may well demonstrate many of the qualities of the ‘good guy’ and share some values.

[From INSURRECTIO: Same scene as above, Aurelia speaks first]

‘I’d rather end my days in Truscium than lift one of my little fingers to help you.’

‘Always so dramatic. Phobius would throw you in there without hesitating after he’d had you and given his men a turn. Would you prefer that?’

Just for a second, something in his eyes united us as patricians, revolted at the thought of Phobius touching either of us.

‘Quite,’ he said.

In a series, the characters can overlap the books: Apollodorus, so prominent in INCEPTIO, returns in PERFIDITAS; Caius Tellus is the antagonist in all three of the second trilogy. The return of a bad guy must be carefully engineered. If the heroine is so competent, how come the bad guy keeps escaping? Eventually, a recurring villain has to disappear, but a writer can really enjoy themselves doing that and wring high emotion out of it for the reader.

And the grey areas?
Sometimes the heroine/hero has to show transgressive or even criminal tendencies and act on them. Does this make them a villain? Sometimes an upright character’s personality changes then they suffer a mental breakdown and they act unlawfully. Does that make them a villain? And occasionally ‘bad guys’ sacrifice themselves, ostensibly to save themselves from justice, but covertly for an entirely different reason. Putting one type of character into the opposite situation natural to them creates very interesting conflicts…

Finally, remote villains
A villain doesn’t have to be present in person or even still alive. In INCEPTIO, PERFIDITAS and SUCCESSIO, the first three Roma Nova thrillers, the mere memory of Caius touches the characters who had interacted with him in the second prequel trilogy. Aurelia, Conrad and Silvia recount terrifying snippets from their contact decades ago with Caius to Carina in the present and thus to the reader.

In RETALIO, the Aurelia doesn’t encounter Caius in person until Chapter 19 and then only for moments. He doesn’t recognise her as she’s in disguise. And it’s many chapters later that they meet openly. However, he has attacked her and her colleagues physically, emotionally, mentally, legally, financially and politically. His reach is long and frightening.

[From RETALIO: Aurelia is in exile in Vienna with her lover and companion of fifteen years, Miklós]

‘The exiles are hurt and frightened. I must help them. We can’t leave Caius to rampage and destroy everything.’

‘But if what Quintus writes is true, he’ll extradite or snatch you.’

‘I have you, and now Sándor to protect me physically and once I’m fit again, I won’t be such an easy target. I just need to put myself beyond Caius legally.’ I shuddered at the prospect of being dragged back to Caius and handed over to his sadistic assistant for ‘punishment’. And it would all be perfectly legal, from the New Austrian police arrest to deportation, handover like a package at the Roma Novan border and into the cells of the Transulium prison to await Caius’s pleasure. My heart pounded at the terrifying thought of facing Caius’s vengeance.

I hope I’ve given you some practical techniques for writing credible and three-dimensional villains. But whether viewed as a writer or reader, the most disturbing villains are, of course, the ones you find reflecting your own beliefs, fears and values, whether on the side of the angels or the devils.

(This post has been closely adapted from the one I wrote for Anna Belfrage’s blog on 15 May 2017 )


Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIA and INSURRECTIO. The sixth, RETALIO, came out in April  2017. Audiobooks now available for the first four of the series

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

A writer blogging about blogging for writers

You’re a writer, right? After you’ve slogged away at your 1,000/2,000 words, you don’t want to sit down and generate more. It’s time for wine,  to binge watch your favourite show, grab some food.

Well, I’d urge you to think again.

Blogging has many advantages for a writer

First of all, it hones your style and stretches your imagination. Most blog posts are around 500-800 words these days; longer than that readers become bored. Once you’ve chosen your topic, you have a word count to rein you in. And choosing a topic makes you think imaginatively about what could be interesting/helpful/entertaining for your readers.

Blogging allows you to fill out some of the background to your story. This is where you can talk about your research – the 90% that didn’t go in your novel. You can get a lot of posts out of this, plus reports and photos of any trips you made for research purposes.

Well-written posts about why you write and what your inspirations are let the readers glimpse behind the book to see what kind of writer you are. You can post about your writing process, your writing journey, workshops and conferences. Obviously, you must judge what you want to say about yourself. Don’t put anything in a post that you don’t want to see plastered all over the Internet. But it’s always interesting for the reader to see behind the e-reader screen or between the covers…

Blogging lets readers into your personal world, the one beyond writing. Again, it has to be carefully curated. You may be a keen gardener, or cook, or have a fascinating hobby like karate or stock-car racing. You may want to share tips about living in France, post photos of châteaux or goats or describe how cheese is made. All these things round out your personality for the reader.

Let’s be practical: it’s a splendid place to talk about your books, to show covers, let people know about special offers, events you’ll be attending and best of all, when your next book is due out. You can post reviews of your book, any awards and prizes.

Blogging steadily creates a body of work that you can tweet and post about and forms a social media platform. You may yawn audibly about that term, but it means that you have presence in the digital world. Today, it’s vital for authors, however published

It’s your home territory when you can do what you like within the bounds of the law and decency. Unlike Twitter, bound by 140 characters or Facebook with its irritating rules and lightning-like changes, your blogspace is only subject to your whims.

You’re not in competition with anybody else! You may from time to time invite guests, but most of the time what you put on the blog is yours and about what interests you.

Happy blogging!


Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIA and INSURRECTIO. The sixth, RETALIO, came out in April  2017. Audiobooks now available for the first four of the series

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

'Must haves' for your website/blog

Sometimes when I’m looking for a guest post or interview, or a post about writing, or Rome, that I forgot to bookmark digitally but know is there, I’m stymied. Not through my lack of search skills – I’ve been at this digital game for a while – but because there’s no search box.

If I’m impressed by a post on another blog or website, I become frustrated that I can’t tweet about it because their Twitter handle isn’t there. I know they have one, but why should I go searching the Internet for it?

If I want to contact the organisation/blogger/author, there’s no contact method. They may be shy, of course, but why do they have a digital public facing presence in the first place?

Basic things missing from a site are likely to irritate and annoy visitors. Many people are too polite to give you feedback; they just won’t bother visiting again.

Some essentials for a website/blog

A search box (please!) Categories and months in the sidebar are time consuming – most people won’t bother. Do place it prominently, preferably top right.

Your Twitter, Facebook, Google+ details, hyperlinked to your account. These social media platforms all have lovely little buttons for you to use, so please do. You may like to add others like Pinterest, but the first three are the most important. Again, place them prominently in the top section of your pages.

A way of subscribing to your blog – I use Feedburner which has the useful built-in process of doing double authentication for me. This only subscribes people to this blog, but if you collect email addresses for any reason, e.g. a newsletter, you should always do this double confirmation.

Hyperlink any organisation logos on your site, but set them to open a new tab. If you belong to an organisation, it’s usually appreciated if you can encourage new members; this is a simple way to contribute.

Contact details Most importantly, please give some way for people to contact you. Putting an email address openly has its risks – you may get a lot of spam – but you can use the hello[at]alison-morton[dot]com format or a contact form which many, if not most, website and blog programs have as an option. I put mine on a separate page with a tab in the main menu at the top and include the following:

Contact me

The social media contacts are a repeat, but it makes it easy for visitors if these different ways are grouped together in one place.

I hope this has helped. Do you have any other essentials to add?


Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIA and INSURRECTIO. The sixth, RETALIO, came out in April 2017. Audiobooks now available for the first four of the series

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter

Dublin Writers' Conference 23-25 June 2017 - handouts

I hope you enjoyed my talk about writing adventure fiction.
Here – as promised – are the handouts!

Writing adventure fiction

Writing fight scenes

And the slides:

Alison Morton – Writing adventure fiction from Alison Morton


Happy writing!


(c) Alison Morton 2017  Please feel free to print these out for your personal use. But please do not lift, copy, grab or otherwise pinch the whole or part of this handout without asking me if you want to use it on your blog or in a talk/presentation of your own. I usually say yes, as long as you link back to this page and mention me. 
Email: hello[at]alison-morton[dot]com

Alison Morton is the author of Roma Nova thrillers INCEPTIO, PERFIDITASSUCCESSIOAURELIA and INSURRECTIO. The sixth, RETALIO, came out in April  2017. Audiobooks now available for the first four of the series

Find out more about Roma Nova, its origins, stories and heroines… Get INCEPTIO, the series starter, for FREE when you sign up to Alison’s free monthly email newsletter